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Chronica der weitberümpten keyserlichen freyen und dess H. Reichs Statt Augspurg in Schwaben : von derselben altem Ursprung, schöne gelegene, zierlichen Gebäwen unnd namhafften gedenckwürdigen Geschichten in acht underschiedliche Capitul ... abgetheilt : auss dess edlen und ehrenvesten Marx Welsers dess Jüngern, Patricij und Burgermeisters daselbsten, acht Büchern ... gezogen und derselben Burgerschafft sampt dero benachbarten zu sondern Ehren unnd Gefallen in unser teutschen Spraach in Truck verfertigt
No full textEnthält auch Antiqua monumenta, das ist, alte Bilder, Gemählde unnd Schriften, so wol deren zu Augsburg in Vindelicien, als ausserhalb ... gefunden worden[Teil 2] Ander Theil der weitberümpten keyserlichen freyen und dess H. Reichsstatt Augspurg in Schwaben Chronica ...durch Engelbertum Vverlichium, der Historien LiebhabernTitelholzschnitt, Titelblatt in Rot- und SchwarzdruckLaut VD16 gehört "Antiqua Monumenta" dazu. Ausgabebezeichnung des "Ander Theil": "Getruckt zu Basel".Bogensignaturen: )(⁴, )()(⁴, A-O⁴; a-l⁴, m⁶, )(², Aa-Zz⁴, Aaa-Lll⁴, Mmm⁶, A-S
Rerum Augustanarum Vindelicarum libri octo
No full textErscheinungsjahr und Datum vom Kolophon. Mutmasslicher Drucker gemäss EDIT16 und Adams.Paginierungsfehler: S. 148-153 mit 138-143, 210 mit 110, 210-17 mit 110-17 und 276-77 mit 376-77 beschriftet.Bogensignaturen: A-B⁴, C-D², E-Z⁴, Aa-Nn⁴, Oo²Kupfertite
Título: Corpus inscriptionum ex recensione ... Tomi secundi pars II
No full textCopia digital : Biblioteca Digital Hispánica (Biblioteca Nacional de España)Marca tipográfica en portadasSign.: [ ]\p4\s, 2*-5*\p2\s, a-g\p4\s, A-Z\p4\s, 2S-2M\p4\s ; [ ]\p1\s, 2N-2Z\p4\s, 3A-3Z\p4\s, 4A-4Z\p4\s, 5A\p2\s ; [ ]\p2\s, 5B-5Z\p4\s, 6A-6Z\p4\s , 7A-7I\p4\s, a-c\p4\s, d\p2\s ; [ ]\p1\s, [cruz latina]\p2\s, A-Z\p4\s, 2A-2R\p4\s, 2S-2Z\p2\s, 3A-3C\p2\s.AnteportadaPortada a dos tintas en la primera parte del tomo I y primera parte del tomo IICada parte de la obra con portada propiaTexto con doble filete ilustrado con dibujos xilográficos de diferentes inscripcionesIniciales grabadasLas hojas de grabado representan diferentes tipos de inscripciones latinas en lápidas, altares, estelas, etc. y algunas están firmadas por distintos grabadoresLas hojas de grabado de la parte II del tomo segundo son calcográficas, representan una colección de abreviaturas: "Notae tironis ac Senecae"Frontispicio calcográfico del tomo I: "I. Goerer deI. y I. van Viane fecit"Frontispicio calcográfico del tomo II: "I. Goerer Invent., W. van Mieris del. I. Baptist sculps."Retratos calcográficos de Joannes Georgius Graevius y Janus GruterusIlustraciones calcográficas a lo largo del texto con inscripcionesTomo I, parte II: Iani Gruteri corpus inscriptionum ex recensione et cum adnotationibus Ioannis Georgii Graevii. Tomi primi pars II, incipit a serie consulum dictatorum atque aliorum magistratuum romanorum ... -- Tomo II, parte II: Iani Gruteri corpus inscriptionum ex recensione et cum adnotationibus Ioannis Georgii Graevii. Tomi secundi pars II, continens indices XXV auctos et emendatos vt et notas tironis ac senecae ..
Tres epistolae De maculis solaribus : scriptae ad Marcum Velserum ... : cum observationum iconismis
No full textauctor subscriptus: Apelles latens post tabulam pseud., i.e.Christophorus Scheiner[1 Kupfertaf.fehlt
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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