1,721,019 research outputs found
Te Miro o´one: the archaeology of contact on Rapa Nui (Easter Island)
No full textHistorical accounts of European exploration and intervention in Polynesia during the later eighteenth and early nineteenth centuries speak of the complex interpretative fields through which both Polynesians and Europeans came to understand each other. Here we employ the record of material practices on Rapa Nui (Easter Island) to investigate the indigenous response to European contact from the island's 'discovery' by the Dutch in 1722 to the population's conversion to Christianity in 1868. Rather than seeing events on the island during the eighteenth and nineteenth centuries as a simple trajectory of decline, we highlight how myriad new practices and social orders emerged through a creative agency that drew inventively upon the material and cosmological possibilities afforded by contac
Stonehenge for the Ancestors:Part 2 Synthesis
No full textFor many centuries, scholars and enthusiasts have been fascinated by Stonehenge, the world’s most famous stone circle. In 2003 a team of archaeologists commenced a long-term fieldwork project for the first time in decades. The Stonehenge Riverside Project (2003-2009) aimed to investigate the purpose of this unique prehistoric monument by considering it within its wider archaeological context.This is the second of four volumes which present the results of that campaign. It includes studies of the lithics from excavations, both from topsoil sampling and from excavated features, as well as of the petrography of the famous bluestones, as identified from chippings recovered during excavations. Other specialist syntheses include soil micromorphology. The volume provides an overview of Stonehenge in its landscape over millennia from before the monument was built to the last of its five constructional stages. It includes a chapter placing Stonehenge in its full context within Britain and western Europe during the third millennium BC
Stonehenge for the Ancestors: Part 1:Landscape and Monuments
No full textFor many centuries, scholars and enthusiasts have been fascinated by Stonehenge, the world’s most famous stone circle. In 2003 a team of archaeologists commenced a long-term fieldwork project there for the first time in decades. The Stonehenge Riverside Project (2003-2009) aimed to investigate the purpose of this unique prehistoric monument by considering it within its wider archaeological context.This is the first of four volumes which present the results of that campaign. It includes investigations of the monuments and landscape that pre-dated Stonehenge on Salisbury Plain as well as excavation at Stonehenge itself. The main discovery at Stonehenge was of cremated human remains from many individuals, allowing their demography, health and dating to be established. With a revised radiocarbon-dated chronology for Stonehenge’s five stages of construction, these burials can now be considered within the context of the monument’s development. The different types of stone from which Stonehenge is formed – bluestones from Wales and sarsen silcretes from more local sources – are investigated both at Stonehenge and in its surroundings. These surrounding monuments include single standing stones, the Cuckoo Stone and the Tor Stone, as well as the newly discovered circle of Bluestonehenge at West Amesbury beside the River Avon. The ceremonial Stonehenge Avenue, linking Stonehenge to Bluestonehenge, is also included, with a series of excavations along its length.The working hypothesis behind the Stonehenge Riverside Project links Stonehenge with a complex of timber monuments upstream at the great henge of Durrington Walls and neighbouring Woodhenge. Whilst these other sites are covered in a later volume (Volume 3), this volume explores the role of the River Avon and its topographic and environmental evidence
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
The Stonehenge Riverside Project: exploring the neolithic landscape of Stonehenge
Full text linkThe Stonehenge Riverside Project is a collaborative enterprise directed by six academics from five UK universities, investigating the place of Stonehenge within its contemporary landscape. In this contribution, a series of novel approaches being employed on the project are outlined, before the results of investigations at the Greater Stonehenge Cursus, Woodhenge, the Cuckoo Stone and Durrington Walls are discusse
The date of the Greater Stonehenge Cursus
No full textThe Greater Cursus – 3km long and just north of Stonehenge – had been dated by a red deer antler found in its ditch in the 1940s to 2890-2460 BC. New excavations by the authors found another antler in a much tighter context, and dating a millennium earlier. It appears that the colossal cursus had already marked out the landscape before Stonehenge was erected. At that time or soon after, its lines were re-emphasised, perhaps with a row of posts in pits. So grows the subtlety of the discourse of monuments in this world heritage site
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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