1,720,959 research outputs found
Primat der Verfügbarkeit „verwaister Werke“
No full textDas Recht, insbesondere das Urheberrecht, hat große Auswirkungen darauf, was von dem großen Reichtum unseres kulturellen Erbes im kollektiven Gedächtnis verbleibt. In der digitalen Welt, in der alles Kopie und damit – im urheberrechtlichen Sinne – Vervielfältigung ist, ist auch jede Nutzung des kulturellen Erbes urheberrechtlich relevant. Auf der anderen Seite leben wir in Zeiten einer rasanten Medienentwicklung und eines Überflusses an Informationen, Bildern, Filmen und Texten. Umso größer ist die Herausforderung, die Erinnerung an unser kulturelles Erbe wachzuhalten. Es ist also eine Frage der kulturellen Selbstbehauptung, wie die rechtlichen Rahmenbedingungen für den Umgang mit unserem kulturellen Erbe gesetzt werden. Was nicht online gefunden werden kann, wird zunehmend verschwinden. Insofern können die Auswirkungen eines unausgewogenen Urheberrechts, das das kulturelle Erbe nicht ausreichend berücksichtigt, dramatisch sein.
Dieses Buch versammelt verschiedene Vorschläge und Überlegungen, wie die rechtlichen Rahmenbedingungen geändert werden können, um eine stärkere Präsenz auch des urheberrechtlich geschützten kulturellen Erbes im Netz zu ermöglichen. Verfasst sind diese Vorschläge von Experten aus den Gedächtnisinstitutionen sowie aus der Rechtswissenschaft und Politik, mithin von Autoren, die mit den internationalen Rahmenbedingungen und dem urheberrechtlichen Diskurs in Deutschland gut vertraut sind.The law, in particular copyright, has a major impact on what remains in collective memory of the great wealth of our cultural heritage. In the digital world where everything is copy and therefore - in the sense of copyright - reproduction, every use of the cultural heritage is also relevant under copyright law. On the other hand, we live in times of rapid media development and an abundance of information, images, films and texts. This is why the challenge of keeping the memory of our cultural heritage alive is all the greater. It is therefore a question of cultural self-assertion how the legal framework conditions for dealing with our cultural heritage are set. What cannot be found online will increasingly disappear. In this respect, the effects of an unbalanced copyright law that does not take sufficient account of cultural heritage can be dramatic.
This book brings together various proposals and reflections on how to change the legal framework in order to increase the presence of copyrighted cultural heritage on the Internet. These proposals are written by experts from memory institutions, law and politics, and thus by authors who are well acquainted with the international framework conditions and copyright discourse in Germany
Primat der Verfügbarkeit „verwaister Werke“
Get PDFDas Recht, insbesondere das Urheberrecht, hat große Auswirkungen darauf, was von dem großen Reichtum unseres kulturellen Erbes im kollektiven Gedächtnis verbleibt. In der digitalen Welt, in der alles Kopie und damit – im urheberrechtlichen Sinne – Vervielfältigung ist, ist auch jede Nutzung des kulturellen Erbes urheberrechtlich relevant. Auf der anderen Seite leben wir in Zeiten einer rasanten Medienentwicklung und eines Überflusses an Informationen, Bildern, Filmen und Texten. Umso größer ist die Herausforderung, die Erinnerung an unser kulturelles Erbe wachzuhalten. Es ist also eine Frage der kulturellen Selbstbehauptung, wie die rechtlichen Rahmenbedingungen für den Umgang mit unserem kulturellen Erbe gesetzt werden. Was nicht online gefunden werden kann, wird zunehmend verschwinden. Insofern können die Auswirkungen eines unausgewogenen Urheberrechts, das das kulturelle Erbe nicht ausreichend berücksichtigt, dramatisch sein.
Dieses Buch versammelt verschiedene Vorschläge und Überlegungen, wie die rechtlichen Rahmenbedingungen geändert werden können, um eine stärkere Präsenz auch des urheberrechtlich geschützten kulturellen Erbes im Netz zu ermöglichen. Verfasst sind diese Vorschläge von Experten aus den Gedächtnisinstitutionen sowie aus der Rechtswissenschaft und Politik, mithin von Autoren, die mit den internationalen Rahmenbedingungen und dem urheberrechtlichen Diskurs in Deutschland gut vertraut sind.The law, in particular copyright, has a major impact on what remains in collective memory of the great wealth of our cultural heritage. In the digital world where everything is copy and therefore - in the sense of copyright - reproduction, every use of the cultural heritage is also relevant under copyright law. On the other hand, we live in times of rapid media development and an abundance of information, images, films and texts. This is why the challenge of keeping the memory of our cultural heritage alive is all the greater. It is therefore a question of cultural self-assertion how the legal framework conditions for dealing with our cultural heritage are set. What cannot be found online will increasingly disappear. In this respect, the effects of an unbalanced copyright law that does not take sufficient account of cultural heritage can be dramatic.
This book brings together various proposals and reflections on how to change the legal framework in order to increase the presence of copyrighted cultural heritage on the Internet. These proposals are written by experts from memory institutions, law and politics, and thus by authors who are well acquainted with the international framework conditions and copyright discourse in Germany
Collateral Copyright : Modularisierte Urheberrechtsfreigaben für die Wissenschaft
No full textThe article explains the current European regulations regarding copyright and databases in science
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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