51,792 research outputs found
The political role of the people's liberation army 1949-1973
No full textThis thesis is to study the political role of the People's Liberation Army from the approach of structure and function. The framework of the thesis consists of three major parts, first, the influence of Chinese traditional political culture on, and the formation of, the political role of the PL A; second, the influence of domestic political struggles and external military conflicts on the development of the political role of the PLA; and the third, the analysis of the transition of the PLA's political role from the structure and personnel arrangements of the CCPCC Within the above-mentioned three scopes, this thesis make a thorough discussion on the following: (1) The relationship between the structure of the PRC and the formation of the PLA's political role; (2) How has ideology influenced the army's political role; (3) What is Mao's viewpoint and his influence on the development of the army's political role; (4) What is the link between the army and the party, and how has this developed; (6) What accounts for the expansion of the PLA's political functions; (7) What is the influence of political factional struggles on the PLA's political role; (8) Is it political institution or military institution that controls the recruitment of the military elite; (9) What are the disparities between the military elite in handling international conflicts and what are their political considerations; (10) What is the Party's position in the army; (11) How have the Party’s important meetings and personnel arrangements influenced the rise and fall of the PLA's political role
Tang Wei
No full text This article discusses the Tang Wei incident, which evolved across the first half of 2008, during the run-up to the Olympic Games in Beijing. Tang Wei is a Chinese actress whose breakthrough role in Ang Lee’s film Lust, Caution caused a sensation amongst Chinese audiences. The nudity and sex scenes in the film were explicit, and as such challenged accepted norms in film content. This aspect of the film, combined with the characterization of a national traitor as a heroine, caused deep concern among some parties involved in film regulation and censorship. The argument presented here is that Tang Wei, who was singled out for criticism and upon whom travel and work restraints were placed in the aftermath of the film’s release, was made a scapegoat for the disgust experienced by a masculinist political class when faced with female dissent and sexuality. </jats:p
Tsai Chung-kuo kung chʻan tang ti chʻi chieh chung yang wei yüan hui .
No full textTranslation of Tsai Chung-kuo kung chʻan tang ti chʻi chieh chung yang wei yüan hui ti êrh tzʻŭ chʻüan tʻi hui i shang ti pao kao.The International Labour and Radical History Pamphlet Collection consists of over 2200 pamphlets representing a broad spectrum of leftist opinion, including communists, socialists, liberal reformers, trade unionists, civil libertarians and antiwar activists. The majority of the pamphlets are in English and were published between 1920-1970 in the United States, the Soviet Union, Great Britain, Canada and China. There are also a number of earlier Fabian Society publications. Further information: http://www.library.mun.ca/asc/specialcollections/collections/radica
Tang di: ji ti chuang zuo.
No full text鐵窗下 /冰冷酒 ---p.1畫像 /炳想 ---p.7金瓜石底懷念 /亞坡羅 ---p.11瘋子 /一蠻 ---p.15象徵的森林 /潘兆賢 ---p.18夢裏的蓓蕾 /焦木 ---p.21生活就是戰鬥 /林烱樹 ---p.27作理智的主人吧 /梁文心 ---p.30童年生活的囘憶 /陳漢忠 ---p.32第一片落葉 /小王 ---p.38夜思 /維琪 ---p.41無花集 /古樸 ---p.44星光盪漾下的心湖 /蘆荻 ---p.48靜靜的小河 /劍琴 ---p.53塵土隔 /黎文彪 ---p.57秋日詩情 /植柏燊 ---p.60童年 /郭冰萍 ---p.63心影 /伍玉佩 ---p.66復仇的明悟 /雲漢 ---p.69夜語 /陳曄 ---p.72故鄉 /許家林 ---p.76與安娜書 /思華 ---p.82當荷花飄香的時候 /蔡懿德 ---p.85生的歡喜 /李學銘 ---p.90心泉流迹 /李海眉 ---p.95沉痛!冷靜!戰鬥! /長虹 ---p.98[編輯者棠棣編輯委員會].[bian ji zhe Tang di bian ji wei yuan hui]
Wo ji wei
No full text[v.1-2]. 握機經 : 三卷 -- [v.3]. 握機緯. 吳子 : [二卷] / 劉寅約註 -- [v.4-8]. 孫子 : 十三卷 / 諸家約註.[v.1-2]. Wo ji jing : san juan -- [v.3]. Wo ji wei. Wuzi : [er juan] / Liu Yin yue zhu -- [v.4-8]. Sunzi : shi san juan / zhu jia yue zhu.[曹胤儒集註 ; 葉應元, 唐琳, 皇甫龍點校].綫裝, 1函.框20.5x14.3公分, 9行20字. 白口, 四周單邊, 無魚尾. 版心上鐫題名, 中鐫卷次, 下鐫葉次.《握機經》"姓氏"署"古風后著 ; 漢呂望, 宋阮逸增衍 ; 戰國吳孫武, 魏吳起緯 ; 明曹胤儒集註 ; 葉應元, 唐琳, 皇甫龍點校"前有王世貞序.《握機緯》包括: "吳子"二卷及"孫子"十三卷.《吳子》分上, 下卷.見《香港中文大學圖書館古籍善本書錄》(2001, p. 96)鈐有"温澍樑印", "棟臣氏觀", "漱綠樓藏書印", "百城樓藏書印"Xian zhuang, 1 han.Kuang 20.5 x 14.3 gong fen, 9 hang 20 zi. Bai kou, si zhou dan bian, wu yu wei. Ban xin shang juan ti ming, zhong juan juan ci, xia juan ye ci."Wo ji jing" "Xing shi" shu "Gufenghou zhu ; Han Lü Wang, Song Ruan Yi zeng yan ; Zhan guo Wu Sun Wu, Wei Wu Qi Wei ; Ming Cao Yinru ji zhu ; Ye Yingyuan, Tang Lin, Huang Fulong dian jiao"Qian you Wang Shizhen xu."Wo ji wei" bao kuo: "Wuzi" er juan ji "Sunzi" shi san juan."Wuzi" fen shang, xia juan.Jian "Xianggang Zhong wen da xue tu shu guan gu ji shan ben shu lu" (2001, p. 96)[Cao Yinru ji zhu ; Ye Yingyuan, Tang Lin, Huang Fulong dian jiao].Qian you "Wen shu liang yin", "Dong chen shi guan", "Shu lu lou cang shu yin", "Bai cheng lou zang shu yin
First description of the female Ozyptila kansuensis (Tang, Song & Zhu, 1995), comb. nov. (Araneae: Thomisidae)
No full textTang, Guo, Luo, Wei-Fen, Deng, Shu-Ye (2013): First description of the female Ozyptila kansuensis (Tang, Song & Zhu, 1995), comb. nov. (Araneae: Thomisidae). Zootaxa 3737 (1): 97-100, DOI: http://dx.doi.org/10.11646/zootaxa.3737.1.
La montaña vacía : poemas de Wang Wei
No full textWang Wei (701-761), pintor, músico y poeta de la dinastia Tang, es el poeta más representativo de la poesía budista en la historia literaria china
A Study on the Reception History of Chen Zi-Ang\ue2 s Shi and Wen in Tang and Song Dynasty
No full textThis thesis integrates the research of current literary historians to provide context and then applies reception aesthetics theory under a six-part reception history research paradigm. A general judgement of the influence of Chen Zi-Ang's work can be reached by examining contemporary interpretations, imitations, criticism, and publications during the Tang and Song Dynasties with regard to aesthetic reception. In light of reception theory, this thesis will explore Chen's literary relevance in the Tang and Song Dynasties, examine modern literary history's treatment of Chen, and provide an objective and fair evaluation thereof.
The founder of reception aesthetics, Hans Robert Jauss (1921-1997), defines literature's historicity as the intersection between diachronicity and synchronicity. Thus, literary history is the regulation and integration between these two poles. History viewed this way blends the objective, changing status of the writer's work with chronological, aggregated aesthetic tastes, resulting in the historical construct: classics. A complete history seeks to understand the affinity of readers towards a work in a particular historical period via descriptive linguistics of narrative phenomena, while simultaneously investigating the longitudinal reception of a work through explanatory linguistics. This thesis will undertake a receptive historical study of Chen Zi-Ang's life and works, and aims to give the reader a comprehensive understanding of Chen's corpus and spirit
Trois aspects de la lune dans la poésie Tang : Wang Wei, Li He, Li Shangyin
No full textKôzen Kiroshi : Three Aspects of the Moon in Tang Poetry. Wang Wei, Li He, Li Shangyin.
The Moon, an entity towards whom every human being is able to raise his eyes, has been celebrated at all times all over the world. Tang poetry frequently presents a stereotyped image of the Moon that does not exclude other images more peculiar to each poet that reflect his individual personality and specificity. Turning to the Moon, poets tend to project their soul. One can use the image they give of the astral body as a mirror which reflects their interests and thoughts. The present article concentrates its investigation of the theme on the rather extreme cases of Wang Wei, Li He, and Li Shangyin. The research reveals evidence of their differences and allows to characterize their originality. The author wishes to stress how it would be desirable to continue on the whole corpus of Tang poetry the same investigation for the entirety of Tang poets.La lune, entité vers laquelle chaque être humain peut lever les yeux, a été chantée depuis toujours par tous les poètes. Dans la poésie des Tang, à côté des motifs communs présentant un schéma type, existent beaucoup d'images de la lune qui manifestent le caractère et le génie propres à chaque poète. L'article se limite à l'examen du thème chez Wang Wei, Li He et Li Shangyin, qui constituent sans doute des cas extrêmes, pour cerner comment l'image qu'ils donnent de la lune peut être étudiée comme un miroir reflétant leur personnalité. En se tournant vers la lune, les poètes tendent à y projeter leur âme : enquêter sur la manière dont ils le font, c'est rechercher les caractères individuels qui les opposent et mieux comprendre leur originalité. L'auteur souhaite montrer combien la conduite méthodique du même sujet de recherche chez tous les poètes Tang serait nécessaire et éclairante.Kōzen Hiroshi. Trois aspects de la lune dans la poésie Tang : Wang Wei, Li He, Li Shangyin. In: Études chinoises, vol. 19, n°1-2, Printemps-Automne 2000. Mélanges de sinologie offerts à Jean-Pierre Diény ( II) pp. 161-196
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