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    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Study on the inversion and spatiotemporal variation mechanism of soil salinization at multiple depths in typical oases in arid areas: A case study of Wei-Ku Oasis

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    Soil salinization is a widespread issue in arid and semi-arid regions, severely threatening agricultural productivity and environmental sustainability. However, accurately modeling and predicting soil salinity at multiple depths over time remains a challenge due to complex interactions among environmental factors and limited ground observations. Understanding the spatiotemporal characteristics of soil salinity and its driving factors is essential for formulating more scientific and rational irrigation strategies and remediation methods. Taking the Wei-Ku Oasis, a typical arid region oasis, as an example, this study uses Landsat remote sensing imagery as the data source, incorporating soil salinity field measurements over a decade, employing the Bootstrap Soft Shrinkage(BOSS) algorithm to select feature variables, and building soil salinity inversion models at various depths through a Convolutional Neural Networks and Long Short-Term Memory networks (CNN-LSTM) framework. The spatiotemporal variation of soil salinity in the Wei-Ku Oasis is analyzed, and the driving mechanisms of soil salinity change in the study area are explored using the optimal geographic detector. Results indicate that: (1) The multi-depth soil salinity inversion models built with the CNN-LSTM framework exhibit superior predictive performance, with the 0–10 cm soil salinity prediction model achieving the highest accuracy, attaining an R² of 0.7 in the test set. The R² values for the test set of soil salinity prediction models at 10–20 cm, 20–40 cm, 40–60 cm, 60–80 cm, and 80–100 cm depths are 0.5, 0.57, 0.53, 0.5, and 0.52, respectively. (2) Based on soil salinity classification, the area of non-salinized soil at all depths shows an increasing trend, whereas non-salinized soil within the oasis exhibits salinity accumulation. (3) Soil salinity in the Wei-Ku Oasis is influenced by multiple types of driving factors, with the interaction of any two factors enhancing the explanatory power for salinity changes. Future research could also focus on more refined soil salinity mapping across seasons, obtaining more comprehensive driving data with higher temporal and spatial resolutions, analyzing the transfer mechanisms of soil salinity between different soil depths, and providing a theoretical basis for the scientific management of salinization

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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