22,730 research outputs found
Social Libraries: Collaborating Worldwide from the Comfort of Home
No full textText of an informal talk to CILIP in London about the Five Weeks to a Social Library. Discusses the background to the course, how it worked and the outcomes for participants, presenters and organisers
Anne as Pagan, Anne as Queer
No full text‘Anne as Pagan, Anne as Queer’ is a critical and creative answer to the question: How do we construct Anne Shirley, and what does she mean to us? This creative research submission is a work of fanfiction, specifically a mash up based on Anne of the Island, L.M.M. Montgomery’s sequel to Anne of Green Gables. In this short work of fiction (under 4 thousand words) Anne is revealed as a changeling, one of the Faerie Folk, and also a being not strictly male or female; sometimes neither, sometimes both. The mash up is based on the last two chapters of Anne of the Island, the scenes in which Gilbert Blythe is seriously ill and Anne realises she loves him. This realisation causes Anne, in this version, to reveal to Gilbert that she is both non-human and not a girl, and to use Faerie magic to save Gilbert’s life. Anne’s revelation causes Gilbert a great relief, as he has been keeping a secret also - that he too is queer. The piece has an accompanying research statement and reflection, that reflects on the ways the contributor/author interprets Anne, as a being troubled by gender, and not strictly gender conforming. The much-loved scene from Anne of Green Gables in which Anne realises she is not wanted by the Cuthberts because she is not a boy is inserted into the mash up (as a memory) as this scene is the principal cause for the contributor’s identification with Anne as a gender non-conforming figure who resists gender expectations. Overall, this creative and critical work and reflection queers both Anne as a character and the Anne of the Island novel.Book chapter - work of fiction with a critical reflective essa
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[Lilla Dodson and Anne Weeks]
No full textPhotograph of Lilla Dodson and Anne Weeks posing in sweaters and pearl necklaces. A large bush takes up the bottom portion of the image with a grassy lawn leading to more bushes and a building behind the women
A sojourn in Paris 1824-25: sex and sociability in the manuscript writings of Anne Lister (1791-1840)
No full textThis thesis examines the day to day practices that constituted Anne Lister's (1791-1840) sexuality and sociability within the range of her writings, as well as her society. Anne's writings were a detailed account, spanning her lifetime, of her own love and relationships with the 'fairer sex' (Whitbread 1988, 145). Anne's sociality, seen in her correspondence and plain handwritten journal entries, has been explored by Muriel Green in Miss Lister of Shibden Hall and Jill Liddington in Female Fortune and Nature's Domain (Green 1992; Liddington 1998; 2003). As a gentlewoman of adequate means, Anne has garnered some attention from women's historians interested in her agency within an early nineteenth century social and historical context. Anne's sexual identity has been extensively analysed over the past nearly twenty years by lesbian feminists, queer theorists, women's historians and historians of sexuality concerned with the history and development of modern Western female homosexuality and gender. The source for theorising Anne's sexuality has been the edited selections of the crypted journal entries, published by Helena Whitbread in I Know My Own Heart and No Priest but Love (Whitbread 1988; 1992). However, many analyses deal either with the theorisation of Anne's sexuality or her sociality; the theoretical difficulty with reconciling these categories has troubled the analysis of her complex subjectivity. Drawing upon the archival materials, I have used an interdisciplinary feminist approach to analyse the sexual and social processes of Anne's everyday interactions in her writings. Taking the seven month period of the sojourn to Paris in 1824-25, I have focused upon Anne's textual practices within her journal volume and letters during her residence in Paris, her social practices with the other guests at the guesthouse 24 Place Vendome and her sexual practices with her lover, the widow Mrs. Maria Barlow. The journal volumes and correspondence are a valuable historical record of one gentlewoman's engagement with early nineteenth century British culture
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[Lilla Dodson and Anne Weeks]
No full textPhotograph of Lilla Dodson and Anne Weeks posing in sweaters and pearl necklaces smiling to something out of frame. A large bush takes up the left portion of the image with a grassy lawn leading to more bushes, trees and a building can be seen behind the women
Catherine Anne McCahon, 6 weeks old today, thursday, may 17.
No full text16 in The Jack & Ethel McCahon gift to the Hocken LibraryMcCahon writes: "Catherine Anne McCahon, 6 weeks old today, Thursday, May 17 Blue Black ink drawing. Signed Colin McCahon. 7" x 5""Upper left (u.l.) in ink: Catherine Anne McCahon, 6 weeks old today, thursday, may 17; l.r. in ink: Colin McCahon
Graduate recital, trumpet. Weeks, T., 1973
No full textRecorded during a live performance at Oakland Recital Hall, Western Michigan University, Kalamazoo, Michigan, March 28, 1973, the 191st concert of the Department of Music's 1972-1973 season.Tom Weeks, trumpet. Assisted by: Gayle Petrick, Anne Rubner, oboes ; Pat Nancarrow, cello ; Joan Nottke, harpsichord ; Marty Otto, Steve Reed, Britt Theurer, Anthony Womack, trumpets ; John Dickey, Dave Kalfsbeek, Tom Shannon, trombones ; Carl Marsman, Barb Deaton, Janet Graham, Tim Griffin, french horns ; Rick Watts, Andy Hagenbuch, tubas.In partial fulfillment of the requirements of the Master of Music degree in brass pedagogy, Western Michigan University, 1973.Information from performance program.Konzert D-dur / George Philip Telemann -- Suite for brass quintet (1971). (15:03) I. Toccata - Allegro ; (19:08) III. Scherzo - Vivace ; (26:47) IV. Arioso - Adagio ; (32:18) V. March - Allegro / Verne Reynolds -- (35:58) Caprice for trumpet and piano, op. 47 / Eugene Bozza -- Sonneries for brass choir (1971). (43:03) I. Allegro con brio ; (45:05) II. Adagio ; (49:04) III. Allegro / Donald Erb
Interview with Anne Russell
No full textInterview with Anne Russell, playwright and author of several books on local history, including Wilmington: A Pictoral History
Screencasting as an Educational Tool
No full textThis brief article gives an overview of screencasting and describes how it was used to create presentations for the Elisad Workshop 2006 and the course Five Weeks to a Social Library
Joyce Weeks Morrison Senior Recital, April 11, 1954
No full textConcert program for Joyce Weeks Morrison Senior Recital, April 11,
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