7,070 research outputs found

    ANTONIO DE SIMONE, L'ultimo classico. Max Weber. Filosofo, politico, sociologo, Mimesis Edizioni, Milano, 2020.

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    Nelle gradazioni del possibile in cui si configura l’orizzonte di senso della realtà, dove si rappresentano le immagini del mondo e si interpretano nella storia le forme della soggettività e della politica, ovvero le frequenze, i casi e i destini dell’umano evento, Max Weber si appalesa come «un classico nostro contemporaneo», forse “l’ultimo classico” che, pur nelle sue interne e irresolubili contraddizioni vitali e di pensiero, può ancora rappresentare una guida essenziale per comprendere la complessità costitutiva dell’agire umano dotato di senso. Il “paradigma weberiano”, con i suoi sviluppi critici e problematici, entro e oltre il Novecento, non ha smesso, anche nelle trasformazioni della filosofia, della politica e delle scienze umane e so-ciali contemporanee, di declinarci, con la sua originale Zeitdiagnose, nella nostra “ontologia dell’attualità”, quali sono i problemi rilevanti del conflitto della ragione nel disin-canto moderno. Nelle pagine di questo libro Antonio De Simone ricostruisce i motivi salienti in cui si articolano gli esercizi di pensiero nei quali rilegge alcuni dei principali temi che possono, nel loro insieme, restituire i diagrammi principali dell’antropologia dell’umano che Weber diagnostica criticamente nella sua enciclopedica opera filosofica, politi-ca, storica, giuridica, etica e sociologica. Un’analitica e un’ermeneutica della modernità che, con accenti diversi, hanno continuamente attratto l’attenzione dei grandi interpreti contemporanei che all’opera di Weber hanno rivolto il loro ascolto per decifrarne l’ineffabile destino, e che questo volume recepisce non solo nella sua storica e de-terminata Wirkungsgeschichte ma anche come lascito problematico di una grande “lezione” e di una difficile e in-dispensabile “eredità” di pensiero di un genio poliedrico inteso appunto come “filosofo, politico e sociologo”

    Il disincanto tragico del moderno. Habermas & Weber

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    Il contributo di Antonio De Simone in questo volume è rivolto ad analizzare e ricostruire criticamente la lettura che Habermas compie nella Theorie des kommunikativen Handelns (1981) del problema weberiano della razionalizzazione sociale, della "perdita di senso" e della "perdita di libertà" nel disincanto tragico della modernità

    Die Bibliothekskatze : wie sie ihren Platz in der Bibliothek von der Mäusefängerin zur Botschafterin für Storytelling behauptet

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    verfasst von Astrid Simone Weber, M.A.Masterarbeit Universität Wien, Universitätslehrgang Library and Information Studies (MSc) 202

    Rozpor ako východisko, láska ako smer u Simone Weilovej (Contradiction as base, Love as direction in writings of Simone Weil)

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    Article is explaining contradiction and love, Simone Weil‘s essential terms of hermeneutics of human Being. It introduces close relation of these terms with her understanding of God as well as with her overall concept of religion. Author also mentions Simone Weil‘s inspirations with philosophical and spiritual concepts of the East

    Scheler contra Weber. Filosofia e scienza nell’epoca del disincanto

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    In this essay I aim to make a brief examination of some of the considerations made by Max Scheler in a short paper – entitled The Exclusion of Philosophy in Max Weber. On the psychology and sociology of nominal thinking (1921-1923) – in which Scheler sketches the portrait of a Weber “almost nihilistic”, centered on “a tragic and unresolved irrational polytheism of values”, and mainly aimed at accomplishing, in particular, an interpretation of Wissenschaft als beruf dominated by a reading of weberian thought aimed at emphasizing in it the theme of the “exclusion” of philosophy

    Women into Engineering: An interview with Simone Weber

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    “I beg you to tell me what has become of Djamila”: The Political Mobilization of Simone de Beauvoir’s Readers During the Boupacha Affair

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    By Sophia Millman This is a condensed version of a Masters thesis dedicated to the political mobilization of Simone de Beauvoir’s readers. The citations from the letters were translated from French by the author. *** On June 2, 1960, the French government ordered all copies of the daily Algiers edition of Le Monde seized and destroyed to suppress the publication of Simone de Beauvoir’s article “Pour Djamila Boupacha.” Beauvoir, a self-professed “woman of letters”, not “of action[1]”, and one ..

    A comparative study of form and theology in the works of Flannery O'Connor and Simone Weil

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    In this comparative study of the form and theology of Flannery O'Connor and Simone Weil I interrogate how Weil's philosophical writings and her theology illuminate O'Connor's use of both narrative and non-fictional forms, and her Catholicism. The Introduction analyses how Weil's concept of superposed reading provides a new method of approaching both O'Connor, her writings, and O'Connor studies, and focuses on how such apparently different women interconnect. Chapter One explores how both Weil and O'Connor attempt to write their theologies on the souls of their readers yet are each subject to constraints imposed by form. Weil's concept of locating equilibrium between incommensurates is discussed, and her distinctively philosophical approach to fictions and fictionality is used to investigate O'Connor's notion of prophetic fictions and the writer's role. Chapter Two assesses how both writers revivify Christian paradoxes. Weil's monstrous concept of affiiction, and O'Connor's use of the grotesque genre to jolt secular man into an awareness of the sacred are scrutinised. Chapter Three studies how both writers consider an encounter between God and man is possible through the action of grace. My Conclusion interrogates how Weil's work can deepen our understanding of O'Connor's writings, and examines how successful O'Connor is at realising a truly Christian literature. I conclude that despite being a writer of powerful fictions, O'Connor can not be totally successful in her mission as writer-prophet because ultimately fiction escapes orthodoxy

    Microlinices benthovus Simone 2014

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    benthovus, Microlinices Simone, 2014 Microlinices benthovus Simone, 2014: 575–578 (figs 6A–J, 7A–H, 11A–C). Gastropoda, Naticidae Paratypes (22 spc): MZSP 105269. Paratypes 1 (15 spc): MZSP 105270. Paratypes 2 (16 spc): MZSP 105271. Paratypes 3 (7 spc): MZSP 105272. Localities: Brazil, Espírito Santo, off Itaúnas, Abrolhos Slope, 18°59' S, 37°50' W, MD55 sta. DC 73, 637 m depth, 27 May 1987; 1) 19°00' S, 37°48' W, MD55 sta. DC72, 950– 1050 m, 27 May 1987; 2) off Regência, 19°40' S, 37°48' W, MD55 sta. CB77, 790– 940 m depth, 27 May 1987; 3) off Itaúnas, Abrolhos Slope, 19°01' S, 37°47' W, MD55 sta. CB79, 1500–1575 m depth, 28 May 1987. Collectors: P. Bouchet, J.H. Leal and B. Métivier. Preservation: Dry. Remarks: Former MNHN, Paris. The catalogue number MZSP 105250 is mentioned twice in Simone’s (2014) paper, among the paratypes of M. ibitingus Simone, 2014 and M. benthovus. This duplicity was a mistake by the author: the latter is an erroneous designation and should be disregarded. The only valid paratype lots for M. benthovus are the ones shown above.Published as part of Cavallari, Daniel C., Dornellas, Ana Paula S. & Simone, Luiz Ricardo L., 2016, Second annotated list of type specimens of molluscs deposited in the Museu de Zoologia da Universidade de São Paulo, Brazil, pp. 1-59 in European Journal of Taxonomy 213 on page 10, DOI: 10.5852/ejt.2016.213, http://zenodo.org/record/384012
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