1,721,578 research outputs found
Webb, E A, 420089
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/424563Surname: WEBB. Given Name(s) or Initials: E A. Military Service Number or Last Known Location: 420089. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 52838.252504
Item: [2016.0049.56824] "Webb, E A, 420089
webb-e/Siberia_fire_mortality: First release
No full textCode for the analysis published in 'Carbon loss and tree mortality following fire in Siberian larch forests
webb-e/Siberia_fire_mortality: First release
No full textCode for the analysis published in 'Carbon loss and tree mortality following fire in Siberian larch forests
Webb, E J, NX4116
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/424584Surname: WEBB. Given Name(s) or Initials: E J. Military Service Number or Last Known Location: NX4116. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 9277.252546
Item: [2016.0049.56845] "Webb, E J, NX4116
An introduction to 'The age-friendly lens'
No full textThis chapter presents the rationale and utility of the age- friendly lens, which is neither a textbook nor a survey of age- friendly environment initiatives.Arranged into two parts – Part I – Age- friendly systems and Part II – Age friendly housing and accommodation – the primary theme of this book is framing the age- friendly environment agenda as a perspective as well as a process and destination and to encourage critical engagement with the issue of ageism in age- friendly scholarship. As a perspective, the age-friendly lens encourages examination of the different ways individuals and societies think, feel and act towards age and ageing. In so doing, the age-friendly lens helps mitigate the risks of personal, interpersonal and institutional ageism, supporting healthier and more fulfilling lives
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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