2,925 research outputs found
Anthony Wayne
No full textEngraved copper portrait of General Anthony Wayne from the original painting by Charles Wilson Peale, ca. 1850 - 1880. General Wayne lead a military campaign against Native American tribes in the Northwest Territory that culminated with the Battle of Fallen Timbers in 1794 and the signing of the Treaty of Greene Ville in 1795
Anthony Wayne to Nathanael Greene (24 June 1782)
No full textWayne reports a battle between Col. Posey\u27s battalion and a large number of Creek Indians who had combined forces with the British Army to conduct a surprise attack. The battalion held its own, and won several British trophies, mostly horses, but did lose a number of men in Cavalry, Infantry, and Artillery.https://egrove.olemiss.edu/skipwith/1022/thumbnail.jp
Spanish Two-Step
No full textWalter Davis plays banjo with Ray Greene (guitar) in his Black Mountain home with Wayne Erbsen for his 'Country Roots' radio show. Walt was born in 1905 in Newport, Tennessee. Listen to Wayne Erbsen's introduction of the musicians: ww12201
Meeting in the Air
No full textWalter Davis and Ray Greene play guitars in Walt's Black Mountain home with Wayne Erbsen for his 'Country Roots' radio show. Walt was born in 1905 in Newport, Tennessee. Listen to Wayne Erbsen's introduction of the musicians: ww12201
Love Letters in the Sand
No full textWalter Davis plays banjo with Ray Greene (guitar) in his Black Mountain home with Wayne Erbsen for his 'Country Roots' radio show. Walt was born in 1905 in Newport, Tennessee. Listen to Wayne Erbsen's introduction of the musicians: ww12201
introduction (talking)
No full textWayne Erbsen introduces Walter Davis and Ray Greene before they play for Wayne's 'Country Roots' radio show
Graham Greene An Approach to the Novels
No full textThis study reveals Greene in a dual role as author, one who projects literary experience into his view of life and subsequently projects both his experience and its "literary" interpretation into his fiction; and it defines two phases of Greenes novels through the changing relationship between writer and protagonists. The first phase progresses from acutely sensitive, self-divided young men somewhat like the young Greene to embittered, alienated characters ostensibly at great distance from their creator. The second phase (1939) includes a series of "portraits of the artist" through which Greene confronts more directly the tensions and conflicts of his private life.Book Cover -- Half-Title -- Title -- Copyright -- Dedication -- Contents -- Introduction -- Acknowledgements -- GRAHAM GREENE -- CHAPTER ONE Protagonists of the First Phase -- YOUTH -- DIVIDED SELVES -- WOMEN AND REDEMPTION -- MARRIAGE IN THE FIRST PHASE -- THE LITERARY FRAME -- THE FIRST-PHASE PROTAGONIST AND THE AUTHOR -- CHAPTER TWO Letters and Diaries -- LETTERS TO VIVIEN -- DIARIES -- CHAPTER THREE A Gun for Sale -- A GUN FOR SALE AND BROWNING'S "CHILDE ROLAND" -- A GUN FOR SALE AND TENNYSON'S MAUD -- CHAPTER FOUR Brighton Rock -- PINKIE AS NAPOLEONIC STRATEGIST -- CHARACTERS AND NAMES -- BRIGHTON ROCK AS A FAUSTIAN NOVEL -- CHAPTER FIVE Protagonists of the Second Phase -- AGE -- CHILDREN AND CHILDHOOD -- SELF-DIVISION -- MARRIAGE IN THE SECOND PHASE -- CHAPTER SIX The Strategy of Allusion in the Second Phase -- TOWARD THE WRITER AS PROTAGONIST -- CHAPTER SEVEN Portraits of the Artist -- CHAPTER EIGHT Travels with My Aunt -- CHAPTER NINE The Honorary Consul -- CHAPTER TEN The Human Factor -- CHAPTER ELEVEN Dr. Fischer of Geneva -- CHAPTER TWELVE Monsignor Quixote -- POSTSCRIPT: "YOUR DREAM HAS BEEN YOUR LIFE. -- CHAPTER THIRTEEN The Captain and the Enemy -- FINIS -- Selected Bibliography -- (A) WORKS BY GRAHAM GREENE -- (B) CRITICAL AND BIOGRAPHICAL WORKS -- Index -- Permissions Acknowledgements -- PENGUIN PUTNAM INC. -- SIMON & -- SCHUSTERThis study reveals Greene in a dual role as author, one who projects literary experience into his view of life and subsequently projects both his experience and its "literary" interpretation into his fiction; and it defines two phases of Greenes novels through the changing relationship between writer and protagonists. The first phase progresses from acutely sensitive, self-divided young men somewhat like the young Greene to embittered, alienated characters ostensibly at great distance from their creator. The second phase (1939) includes a series of "portraits of the artist" through which Greene confronts more directly the tensions and conflicts of his private life.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
Letter from Carl Hayden to Harold Greene
No full textLetter from Carl Hayden to Harold Greene regarding the progress of the national park bill
Representations of adultery and regeneration in selected novels of Ford, Lawrence, Waugh and Greene
No full textThis thesis is an examination of how the themes of adultery and regeneration are interwoven and explored by selected English novelists in the first half of the twentieth century. It is essential to establish that Ford, Lawrence, Waugh and Greene do not adhere to the ‘archetypal’ pattern of the adultery novel established in the nineteenth century and, in fact, turn that pattern on its head.
Ford’s The Good Soldier and Parade’s End provide two differing perspectives. The first uses adultery as a metaphor for the disintegration of English society, mirroring the social disintegration that accompanied the First World War; Parade’s End, however, presents an adulterous relationship as being a regenerative force in the post-war society. Lawrence’s Lady Chatterley’s Lover also uses an adulterous relationship as a means of addressing the need for social, and national, regeneration in the inter-war years.
Waugh’s A Handful of Dust presents a woman’s adultery as the ruin of not only a good man, but also civilisation in general; Brideshead Revisited is more religious in tone and traces the spiritual regeneration of its central character, whose conversion, ironically, is made possible through his adulterous relationship. Similarly, Greene’s The Heart of the Matter and The End of the Affair portray the process of spiritual regeneration; in both novels this movement towards salvation is intertwined with an exploration of adulterous love.
The ultimate question probed in this thesis is how the twentieth century novel of adultery overturns the traditional literary approach to the subject. Adulterous unions and illegitimate children are no longer presented as being exclusively socially destabilising or subversive in these novels; most intriguingly significant is that, in some of these novels, the illegitimate child becomes a symbol of hope, and, indeed, of regeneration
Letter from Harold Greene, Tusayan National Forest to Carl Hayden
No full textLetter from Harold Greene to Carl Hayden regarding the proposed boundaries for the national park bill
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