11,419 research outputs found
Ep. #009 - Laura Watts
No full textThis recording and transcript form part of a collection of podcasts conducted by the Cultures of Energy at Rice University. Cultures of Energy brings writers, artists and scholars together to talk, think and feel their way into the Anthropocene. We cover serious issues like climate change, species extinction and energy transition. But we also try to confront seemingly huge and insurmountable problems with insight, creativity and laughter.This episode is our first recorded out of the studio and on the road in St. Andrews, Scotland. Dominic and Cymene appreciate all that St. Andrews has to offer by way of golf, gulls and edible money and then (7:11), in the comfort of lovely 5 Pilmour Place (http://www.5pilmourplace.com), speak with writer, poet and ethnographer Laura Watts (http://sand14.com) about her longstanding research in Orkney. We learn about an extraordinary place where the world’s renewable energy future has already been realized, where wind, wave and tidal power provide over 100% of the archipelago’s electricity, where people talk and think energy constantly. Laura reads from her new poetic primer on marine renewable energy, Ebban An’ Flowan, and introduces us to The Electric Nemesis, Victor Frankenstein’s Orcadian bride, born out of electricity and abandoned by hubris, a reminder of the importance of what is happening in the “energy islands.
Laura Barney Watts
No full textJay Cooke's granddaughter Laura Barney Watts [1878 - 1950] tries out the new tennis court on Gibraltar Island, the Cooke family's vacation site
Recommended from our members
[Laura Watts at TXSSAR Dallas Chapter meeting]
No full textPhotograph of Laura Watts at the January 13, 2018 Dallas Chapter TXSSAR meeting. She is sitting down, looking to the left of the camera
Creating Better Visualisations With STS
No full textA workshop with guest lecture by Laura Watts, Interdisciplinary Senior Lecturer in Energy & Society, University of Edinburgh. Workshop held at Goldsmiths, University of London, and organised by Michael Guggenheim, Isaac-Marrero Guillamon and Alex Wilkie of the Centre for Innovation and Social Process
Peer review of an anonymous Energy Humanities paper - by Laura Watts
No full textPeer review of an anonymous Energy Humanities paper Laura Watts www.sand14.com IT University of Copenhagen The following is based on my comments made at the Energy Impacts Roundtable, Bergen, 2017. This was, as ever, a delightful paper to read; more research into social, cultural, and material relations with energy is always welcome. However, I do have some comments for the editors and authors to reflect on before publication. First, there are moments when I feel the author is not sufficientl..
Smart power flows at the island edge
No full textEthnographer of Futures and Associate Professor at IT University of Copenhagen, Laura Watts, talks about her response to the UK National Infrastructure Commission’s vision for the future of the electricity grid in her guest blog
Smart power flows at the island edge
No full textEthnographer of Futures and Associate Professor at IT University of Copenhagen, Laura Watts, talks about her response to the UK National Infrastructure Commission’s vision for the future of the electricity grid in her guest blog
Correspondence: Laura Kephart and Arthur Stupka
No full textThis 1936 correspondence, between Laura Kephart (Mrs. Horace Kephart) and Arthur Stupka, concerns a possible Kephart Memorial. Horace Kephart (1862-1931) was a noted naturalist, woodsman, journalist, and author and promoter of the Great Smoky Mountains National Park. Arthur Stupka (1905-1999) was the first park naturalist to work at the Great Smoky Mountains National Park
Mindscapes: Laura Riding's poetry and poetics /
No full textTese (doutorado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão.Esta tese propõe uma leitura revisionista da poesia contemporânea através do exame do caso de um dos mais esquecidos escritores norte-americanos do século XX: Laura (Riding) Jackson (1901-1991). O objetivo é demonstrar que Riding não apenas possuía uma poética definida e singular, mas que ela permanece uma das instâncias mais extremas e paradoxais do modernismo anglo-americano, a ponto de Riding abandonar a escrita da poesia em 1938. Recorrendo a conceitos de "formação do cânone" bem como às noções de "discurso" e "função do autor", em Foucault, investigo a construção do cânone da poesia moderna anglo-americana, recuperando o contexto e as circunstâncias da ocultação de Riding. Enquanto cubro os "discursos" poéticos em circulação na primeira metade do século XX-o "imagismo" de Pound, a "dissociação da sensibilidade", "impersonalidade" e "tradição" de Eliot, a "unidade orgância" e "ambigüidade" da Nova Crítica-ofereço um panorama crítico de modernismos alternativos sendo articulados à época. Minha intenção é demonstrar que os poemas de Riding são expressões vigorosas de um escritor para quem "a mente pensando se torna a força ativa do poema", para usar a apta formulação de Charles Bernstein. Entre minhas descobertas sobre as várias e complexas razões que levaram à não-canonização de Riding estão a hegemonia da Nova Crítica, o exílio voluntário de Riding da cena literária (onde são feitas ou desfeitas as reputações), sua recusa em ser antologiada, bem como em ser explicada em termos críticos que não os dela. Todos esses fatores, mais a "dificuldade" de sua poesia, contribuíram para fazer de Riding "a maior poeta esquecida da poesia norte-americana", como escreveu Kenneth Rexroth. Ajudado pelos insights de dois importantes críticos de poesia norte-americana, Charles Bernstein e Marjorie Perloff, defendo que a "poesia da mente" de Riding-onde o que está em jogo é que o que pensamos ser a nossa realidade-representa uma mudança radical no paradigma da poética modernista: de uma poesia centrada na imagem para uma poesia centrada na linguagem. Focalizando a experiência consciente e o tempo duracional do pensamento presente em seus poemas, concluo que as "pensagens" de Riding têm o objetivo preciso de constatar um fato universal: enquanto seres humanos e pensantes, estamos numa condição permanente chamada linguagem
Letter, Julia Gardiner Tyler to Mrs. Laura Holloway, author of First Ladies, dated September 20, 1869
No full textALS of Julia Gardiner Tyler to Mrs. Laura Holloway, author of First Ladies, dated September 20, 1869, about interviewing other first ladies. ALS.Found in:Mss. 65 T97 Additions, Series 1: Mss. Acc. 1993.19 Addition, 186
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