527 research outputs found
Faith, feeling and gender in the writing of Hartley, Wollstonecraft and Blake
No full textThis thesis examines David Hartley’s Observations on Man (1749) and elucidates how Hartley’s mechanical approach to mind, his conception of emotion, and the religious status he awards the body were newly relevant after 1791. In this way it identifies a ‘Hartlean culture’ within the Romantic period and seeks to explore how such an intellectual climate influenced the radical writers William Blake (1757–1827) and Mary Wollstonecraft (1759–1797). Blake and Wollstonecraft were acquainted with the famous bookseller Joseph Johnson, who republished Observations on Man in various forms and versions between 1775 and 1801. They also had an association with Johnson’s circle; the Hartlean concepts found throughout their work evidence Hartley’s latent popularity within intellectual culture, as well as the writers’ engagement with contemporary philosophical ideas. I propose that the renewed curiosity in Hartley during the 1790s reveals a specific religious and revolutionary culture wherein non-conformist views about Christianity and new ideas about the body, emotion and women flourished. Such a cultural moment renders Hartley a particularly important figure for debate since he integrated progressive values about equality and faith alongside advancing understanding of anatomy and mind. Hartley identified how God and happiness could be found physically within each person. He did this by combining a complex theory of vibrations and theory of association, where the body and mind functioned mechanically through a person’s feelings of pleasure and pain. These feelings manifested as physical vibrations and eventually led every person to desire goodness until finally, they can become ‘Godlike’ themselves. Hartley’s amalgamation of Christian and new theoretical concepts appealed to Blake and Wollstonecraft, and was much unlike the approach of Joseph Priestley who abridged Observations in 1775 to promote a wholly ‘scientific’ text. In this way, we can see resonances between Hartley, Blake and Wollstonecraft, even if they existed in different cultural contexts. In rethinking Blake and Wollstonecraft through Hartley, I offer new insights into their feminism. In particular I attend to how Hartlean culture enabled these writers to re-imagine gender and emotion: Wollstonecraft reinstates the female experience back into Hartlean concepts in order to promote women’s emotional potential and what she understands as the special power of the female-female bond. Blake responds to both Wollstonecraft and Hartley with his elevation of the feminine, one that envisions new potential for both sexes, emotionally and spiritually. In both cases, the writers share a fascination for the image of the female saviour, and they use terminology and concepts found in Hartley’s work to communicate their views. In being attentive to the shared vocabulary and ideas of these three writers’ works, this thesis highlights the importance of David Hartley and Hartlean culture for the field of Romantic Studies. It also illuminates Observations on Man as a vital contribution to the intellectual context of the 1790s
Music for classical guitar by South African composers : a historical survey, notes on selected works and a general catalogue
No full textIncludes abstract.Includes bibliographical references (leaves 296-309).This is the first comprehensive investigation of music for, or including, the classical guitar by South African composers. The focus of this research has been, firstly, to uncover as much of the repertoire as possible, and, secondly, to collate, study, catalogue and report on the information. A brief historical survey of the guitar in South Africa provides the context within which this study was conducted. The primary sources of quantitative data collection were through the archival catalogues of the South African Music Rights Organisation and through personal contact with guitarists, composers and guitar teachers. Other sources consulted were publishers, broadcasting corporations, recording companies, libraries and the internet. The body of the dissertation comprises biographical sketches, background notes, analyses and technical notes on 17 selected solo and chamber works dating from 1947 to 2007 by some of South Africa's most prominent composers and guitaristcomposers. The repertoire ranges in style from the traditional and ethnically inspired to the experimental and abstract. As this is an empirical survey, each selected entry includes details on instrumentation, duration, level of difficulty, number of pages, scordatura, commissions or requests, sources or publishers, premières and recordings. A biography of each composer is provided as well as background notes which offer an overview of the selected work. The notes discuss historical, cultural, musical and extra-musical influences, and frequently include references to interview material. The commentaries on the selected works, with musical examples, include an analytical component describing structure, form, stylistic and compositional elements, while the technical observations include performance suggestions and a grading for each work
CHIRALITY IN QUANTUM FIELD THEORY AND ITS ROLE IN THE STANDARD MODEL AND BEYOND
No full textChirality as a symmetry of particle physics occupies a unique role in the standard model. It arises from general space-time principles yet remains central to the formulation of local gauge theories. This work explores the complexities arising from a physically comprehensive treatment of this topic. We present the origins of the property from first principles by deriving the chiral Dirac equation (CDE). We demonstrate how the resulting chiral degrees of freedom for spin-1/2 objects may be employed in constructing composite chiral objects through the Bargmann-Wigner formalism, leading to novel couplings. We then consider means by which the degrees of chiral freedom in the standard model may be spontaneously broken through left-chiral Majorana neutrino fields. The resulting modifications to standard model processes are explored before a final exploration of chirality in curved space-time
Supernatural bodies: the intersection of Nigerian feminism and body autonomy
No full textMany Nigerian women are depicted in literature as possessing little to no personal agency. Due to socio political issues, these women are often relegated to the margins of discourse surrounding Nigerian literature. Because of the chasm left within this arena, it becomes apparent that a critical investigation should be complied on the ways in which Nigerian feminism is employed within literature of the Global South. Specifically, with the recent surge in young, female, Nigerian authors being published, there has been an increase in the usage of the supernatural as a key element to provide women a semblance of agency. These young writers use various supernatural elements to open the discourse on Nigerian bodies, and how previous scholarship has failed to adequately capture underpinnings that are crucial to Nigerian feminism. The female protagonists in Ayobami Adebayo's Stay with Me, Helen Oyeyemi's White is for Witching, and Akwaeke Emezi's Freshwater each find agency via supernatural elements. Applying the theoretical framework of Oye?Çro?ünke?ü Oye?Çwu?Çmi?ü, specifically regarding gender roles in Nigeria, it becomes clear that each of these protagonists adheres to but also rejects Nigerian gender roles. Through this subversion of Western patriarchal notions of gender and feminism, the three authors studied provide a new type of Nigerian feminism, one that accounts for all feminine bodies, binary or non. By looking at how each author uses supernatural elements in tandem with bodies, it becomes clear that a discourse on the body cannot be parsed from its attachment to agency
Reading acts of narrative appropriation: four instances of fraudulent memoir
No full textPhDThis thesis examines acts of narrative appropriation, the telling of purportedly‘authentic’ life stories by those for whom the stories are not theirs to tell. This
misuse or subversion of genre - the discipline of historical writing and the category
of autobiography - becomes a means for cultural, social and political dissimulation,
and the analysis focuses both on the act: the event, trespass, or ‘theft’ of another’s
life story, and on the cultural meaning that this event reveals. These narrative acts
are approached theoretically through discussions of what it means to be an author, a
reader, and through the consideration of literary and social genre, category and form.
In exploring identities at particular risk of appropriation, this thesis shows how
fraudulent appropriated narratives affect our reading of the world, and in turn
influence our perception of already marginalized social groups. My primary
examples include prostitution ‘narratives’, Native North American ‘memoir,’ and
fraudulent Holocaust survivor ‘testimony,’ with each text providing decoded
evidence of ‘genre-bending’ exhibiting a social and political intent. These works
seek to be read as authentic personal narratives, as autobiography, and that is how
they have been presented to the reader. However, they are imposters – fictional tales
desiring the elevated status of historical authenticity and willing to bend the rules
and contracts of genre to achieve their end. Here the appearance of authenticity is
achieved through the use of cultural and social ‘myth,’ or perceptions of cultural
identity, and as such its fraudulent construction is first and foremost a social act,
with a social and economic motivation. As this thesis concludes, these texts are
most successful when their own political and social ideologies echo and confirm that
of the readership; when their subjects, the fraudulent ‘I’ at the center of the text is
also a performative elaboration of cultural belief
Leaders' Daily Work Demands, Recovery, and Leadership Behaviors
No full textabstract: In my dissertation, I develop a theoretical model that explains how leaders' daily work demands and recovery affect their leadership behaviors. In a departure from the trait approach of leadership which suggests that leaders tend to behave in certain ways that are determined by their heritable characteristics such as personality and intelligence (e.g., Bono & Judge, 2002), and from the contingency approach that suggests leaders behave in ways that are most suitable to the situation based on the needs of followers and the demands of their tasks (e.g., House, 1971), this dissertation draws from the transactional theory of stress (Lazarus & Folkman, 1984) and positions the stressful demands that leaders experience at work as important determinants of their leadership behaviors. Specifically, I propose that leaders' daily challenge demands (e.g., workload, time pressure, responsibilities) are positively related to job engagement whereas their daily hindrance demands (e.g., role ambiguity, office politics, and hassles) are negatively related to engagement. Engagement, in turn, is positively related to transformational and transactional leadership and negatively related to laissez-faire leadership and abusive supervision. Meanwhile, both challenge and hindrance demands are positively related to strain, which is negatively related to transformational and transactional leadership, and is positively related to laissez-faire leadership and abusive supervision. In addition, leaders' daily after-work recovery experience influences the mediating roles of engagement and strain in the relationships between work demands and leadership behaviors. Specifically, daily recovery moderates both the first stage (i.e., the linkages between work demands and engagement and strain) and the second stage (i.e., the linkages between engagement and strain and leadership behaviors) of the mediation. I test this two-level dual-stage moderated mediation model using a two-week experience sampling design. The sample consists of 26 supervisors and 73 employees who directly report to these supervisors from the flood control district of a metropolitan county in the Southwest United States. Results suggest that leaders' daily challenge demands have a positive influence on transformational leadership attributable to engagement, a negative influence on abusive supervision attributable to engagement, and a positive influence on abusive supervision attributable to strain. Leaders' daily hindrance demands, in contrast, have a positive influence on abusive supervision attributable to strain. In addition, leaders' daily recovery moderates the relationship between strain and laissez-faire leadership so that hindrance demands have a positive influence on laissez-faire leadership when the individual is poorly recovered. Leaders' daily recovery also moderates the relationship between strain and abusive supervision so that hindrance demands have a stronger positive influence on abusive supervision through strain when the individual is poorly recovered.Dissertation/ThesisPh.D. Business Administration 201
University of Nebraska College of Medicine, Class of 2016
No full textAdamson, Peter, Albracht, Brenton, Alex, Brandon, Barker, Daniel, Bayne, David, Bernstein, Sean, Blount, Thomas, Borcyk, Kathleen, Bosco, Annaliese, Bowder, Alexis, Braun, Alexander, Brennan, Stephanie, Cassling, Kyle, Chima, Margot, Chiu, Max, Coe, Matthias, Cook, Gates, Cover, Blake, Deans, Christopher, Dietle, Drew, Dondlinger, Steven, Dryden, Meredith, Ducey, Kevin, Ebers, Steven, Ely, Gregory, Epstein, Adrian, Ernst, Katherine, Gardner, Kelsey, Gregory, Shaila, Gruhl, Joshua, Guenther, Timothy, Gurney, Antonia, Hahn, Kaitlin, Harms, Taylor, Haschke, Mary, Hessel, Matthew, Higgins, Suzanne, Hitchler, Tyler, Hoden, Laura, Homer, Paul, Horan, Nicholas, Hu, Yang, Hughes, Kendal, Humphreys, Meredith, Hynes, Allyson, Johnson, Tate, Juma, Einstein, Karpisek, Andrew, Kathol, Haley, Keller, Weston, Kelly, Sean, Kennedy, Audra, Klammer, Kyle, Klug, Drew, Klug, Lindsay, Klug, Michael, Koehn, Christopher, Kresha, Autumn, Lackore, Evin, Langeveld, Andrea, Langnas, Erica, Loseth, Caitlin, Luers, Thomas, Lukens, Nicholas, Machal, Riley, Makovica, Justin, Maliszewski, Katherine, Maloley, Lauren, Marion, Joseph, Marston, Thomas, McCabe, Mesloh, Miranda, Messbarger, Nathan, Nelsen, Dalton, Nelson, Kellie, Nguyen, Christina, Niazi, Ismatt, Olson, Chloe, Owen, Daniel, Palmisano, Katherine, Pazderka, Matthew, Pelletier, Daniel, Pflug, Elizabeth, Powers, Edward, Puckett, Megan, Purnell, Phillip, Rae, Christopher, Ranum, Erin, Rees, Sydney, Riggle, Jakeb, Rowley, Benjamin, Savalia, Krupa, Schenk, Sara, Schmid, Jesse, Shafer, Derek, Shoiab, Irsa, Sonderup, Jessica, Souchek, Jesse, Stuelpnagel, Amanda, Sudbeck, Craig, Sutton, Thompson, Katie, Elizabeth, Van Briggle, Brett, Vogl, Chris, Wagoner, Jill, Wahlmeier, Steven, Walker, Alex, Watley, Duncan, Watson, Rachel, Weber, Lauren, White, Tyler, Wilke, Trevor, Woodward, Kiel, Yu, Leihttps://digitalcommons.unmc.edu/comclass/1101/thumbnail.jp
The translation of identity in the satanic verses: a love song to our mongrel selves
No full textThis thesis examines the translation of character identities within Salman Rushdie's novel, The Satanic Verses, and seeks to demonstrate how the dynamics of translating a text can be used as a model for discussing the transformations of characters within the book. Rushdie uses the term "translation" as a metaphor for the migrant experience of uprootedness that is a result of being "borne across" from one culture to another. From it, however, can be derived a metaphor for the universal experience of alienation that is a part of our shared humanity, and which describes the process of responding to a sense of "otherness" within ourselves and within a pluralistic culture. The framework which will be used to examine characters within The Satanic Verses responding to such conditions is George Steiner's translation hermeneutic outlined and discussed In his book. After Babel: Aspects of Language and Translation. The Introduction will set the context for the use of the term "translation”. Chapter One will discuss Steiner's position within translation theory and Rushdie's affinity to it as well as explain the basic translation model. Chapters Two through Five will look closely at Rushdie's text, analyzing the two protagonists, Gibreel and Saladin, as they undergo, or fail to undergo, the translation process. Finally, the conclusion will suggest that the Rushdie affair engendered by this novel is, ironically, a linguistic debate provoked by a text that urges its readers to be translated. By making its readers acutely aware of what is "other" to them, the The Satanic Verses proposes and attempts to answer a single, profoundly religious, question: "How are we to live in the world?
Silence and the crisis of self - legitimation in English romanticism
No full textMy thesis depicts the crisis of self-legitimation that has accompanied the onset of modern hermeneutics, with its historicised and organicised version of the Enlightenment's 'universal perspective.' In this it follows the lead of the contemporary hermeneuticist Hans- Georg Gadamer in resuscitating the notion of prejudice, but contrasts it with Hannah Arendt's discussion of the human condition. She implicitly locates the problem in modern hermeneutics, the aporia, in the very philosophy of life that Gadamer embraces as its solution. Gadamer confuses the task of the humanities as a search for truth with what it ought to be, a search for meaning. I begin with his depiction of Kant's attack on the sensus communis; I conclude with an examination of the consequences of this attack on the orientation and interpretative practices of current schools of literary criticism with specific reference to Keats's Ode on a Grecian Urn. In the central chapter, I focus upon Coleridge's attack on Wordsworth's Preface to Lyrical Ballads (1802) in the Bioeraphia Literaria, reading it as a fundamental defence of prejudice based on the very fact that man has been made in imago Dei. The consequent logocentricity of humanity that Coleridge insists upon opposes Wordsworth's emphasis upon a transcendental idea of 'feeling.' This fundamental notion forms the basis of Coleridge's definition of the primary imagination. I argue the distinctiveness of his definition from that of the other Romantics and maintain its necessity to escape the aporia. This point is proved negatively by Shelley's Mont Blanc, which seizes upon the radical consequences of Wordsworth's poetics, presenting both heresy and obscurity in the poem. The word 'crisis' thus reflects the urgency with which I advocate the need to re-adopt Coleridge's emphases in contemporary literary criticism
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