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    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used

    Skirting the abyss:Eastern European space and the limits of German Holocaust memory

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    This article discusses some of the ambivalences that arise in Western efforts to represent Eastern Europe in the context of Holocaust memory. Focusing on German-language literature, I examine how tropes of boundlessness, violence and contamination derived from the pre-WWI colonialist vision of 'the East' reassert themselves in various eras of representation, including recent works inspired by contemporary historiography. While the embrace of 'discoveries' about the history of the Holocaust in Eastern Europe signals an appetite among the German-speaking public to do away with historical ignorance, these discursive continuities suggest that the appetite for alterity is undiminished. The adoption of the term “Bloodlands” from Timothy Snyder's book of the same name is a case study in how fresh perspectives on Holocaust history can be decontextualized and co-opted, contributing to an imaginary landscape that is remarkably unchanged in the German context

    'man bedauert es, daß die stimmen nur selten, nur in ganz besonders hellen und klaren nächten zu hören sind‘:Haunted landscapes and Holocaust memory in Romanian-German literature

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    Confronting the local history of the Holocaust, ethnic German writers such as Franz Hodjak, Werner Söllner and Herta Müller focus on the rural landscape and the proximity of killing to daily life in Romania, rendering innocuous agricultural activities and the beauty of the countryside – so often idealised in the German culture of Heimat – uncanny and threatening. The presence of human remains in the soil and the function of rural tranquillity in facilitating amnesia surrounding the fascist past mean that landscapes become a veneer concealing historical realities. In thematising the tension between local memory and international remembrance these authors pre-empt recent efforts by historians and cultural theorists to diversify and complicate Holocaust memory
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