1,720,968 research outputs found
Les fortifications Plantagenêt de La Rochelle
Warmoes Isabelle. Les fortifications Plantagenêt de La Rochelle. In: Les fortifications dans les domaines Plantagenêt, XIIe-XIVe siècles. [Actes du Colloque international tenu à Poitiers du 11 au 13 novembre 1994] Poitiers : Centre d'études supérieures de civilisation médiévale, 2000. pp. 119-122. (Civilisation Médiévale, 10
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Le musée des Plans-reliefs
Installé au 4e étage de l’hôtel des Invalides, le musée national des Plans-reliefs conserve une collection singulière et méconnue, qui dépend du ministère de la Culture. Son nom intrigue et renseigne peu sur la nature de ses collections. Le mot « plan-relief », appellation apparue au xixe siècle, provient de la contraction du terme « plan en relief » habituellement utilisé tout au long des xviie et xviiie siècles, en même temps que les mots « modèle », « relief » ou encore « plan », pour dési..
Le plan en relief du canal de Suez de Charles Muret (1878, actualisé en 1900)
Le plan-relief du canal de Suez, entré dans les collections du musée des Plans-Reliefs en 1910, a été réalisé par Charles Muret à la demande de la Compagnie universelle du canal maritime de Suez pour l’Exposition universelle de Paris de 1878, puis largement actualisé pour celle de 1900. Destiné à rendre compte de l’importance et de l’évolution des aménagements réalisés depuis l’ouverture de cette voie commerciale, il constitue un précieux témoignage de l’état du canal de Suez, des villes nouvelles et des équipements aménagés à ses abords à la fin du xixe siècle.The relief map of the Suez Canal, entered into the collections of the Musée des Plans-Reliefs in 1910, was made by Charles Muret at the request of the Universal Suez Canal Company for the Paris International Exhibition of 1878, then extensively updated for that of 1900. Intended to reflect the importance and evolution of developments since the opening of this trade route, it is now a valuable testimony to the state of the Suez Canal, new cities and equipment built around it at the end of the 19th century
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