1,720,956 research outputs found
Blackfriars Dance Concert 2015 - Shapes of Matisse Concert Video
No full textProvidence College Department of Theatre, Dance & Film
Angell Blackfriars Theatre
Blackfriars Dance Concert 2015
Shapes of Matisse concert performance
November 20 & 21, 2015
Choreographed by Wendy Oliver
Original music composed by Michael Kregler (Providence College Music Dept.)
Musicians: Mary Ellen Kregler, Michael Kregler, Ian Greitzer
Dancers: Carly Furbush, Abigail Garrahan, Catherine Garrett, Monica Houghton, Christina Potts, Devin Guanci, Megan Wheeler
Videographer: Ed Wardygahttps://digitalcommons.providence.edu/bdc_2015_video/1000/thumbnail.jp
Blackfriars Dance Concert 2015 - Shapes of Matisse Concert Video
No full textProvidence College Department of Theatre, Dance & Film
Angell Blackfriars Theatre
Blackfriars Dance Concert 2015
Shapes of Matisse concert performance
November 20 & 21, 2015
Choreographed by Wendy Oliver
Original music composed by Michael Kregler (Providence College Music Dept.)
Musicians: Mary Ellen Kregler, Michael Kregler, Ian Greitzer
Dancers: Carly Furbush, Abigail Garrahan, Catherine Garrett, Monica Houghton, Christina Potts, Devin Guanci, Megan Wheeler
Videographer: Ed Wardygahttps://digitalcommons.providence.edu/bdc_2015_video/1000/thumbnail.jp
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Hamlet Production Video
No full textProvidence College Department of Theatre, Dance & Film
John Bowab Studio Theatre
William Shakespeare’s HAMLET
January 26-28 & February 8-11, 2018
Directed by John Garrity
Scenic & Lighting Design: TREVOR ELLIOTT
Costume Design: MAXINE WHEELOCK
Sound Design: PAUL PERRY
Stage Combat: JIM BEAUREGARD
Associate Sound Designer & Composer: HANNAH Y. GREENE
Voice & Text Coach: MEGAN CHANG
THE CAST
Hamlet - TIMOTHY BROWN, Claudius / Ghost - DANIEL CARROLL, Polonius - JOHNATHAN COPPE, Horatio - TEDDY KIRITSY, Laertes - AJ ROSKAM, Ophelia - JENNIFER DORN, Gertrude - MIREYA LOPEZ, Rosencrantz - EMILY CLARK, Guildenstern - DANIEL JAMESON, Leading Player / Priest - GABRIELLA SANCHEZ, Gravedigger - CHARLOTTE SEYMOUR, Player / Osrica - AISLING SHEAHAN
Videographer: Ed Wardygahttps://digitalcommons.providence.edu/hamlet_video/1000/thumbnail.jp
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
MacBeth Production Video
No full textProvidence College Department of Theatre, Dance and Film
Angell Blackfriars Theatre
MacBeth
Written by William Shakespeare
April 19-23, 1996
Directed by John Garrity
Scenery and Costumes designed by David Costa Cabral
Lighting designed by Christopher Brown
Fight Choreography by Normand Beauregard
Dance Choreography by Wendy Oliver
Original music composed and performed by Mary Casale
Cast: First Witch – Stacey Lynn Cloutman, Second Witch – Abigail Christian, Third Witch – Stephanie Kraus, Rebel Army – Thomas Gregory Broderick, Kevin Casey, Amanda Blake Davis, Christopher Motta, Karen O’Connor, Jennifer A. O’Donnell, Heath A. Tiberio, Banquo, A Lord – Dan Lesho, MacBeth, Thane of Glamis – Stephen Cabral, Malcolm, Elder Son of Duncan – Brian Patrick Gorman, Duncan, King of Scotland – John J. McNiff, Donalbain, Son of Duncan – Christopher Saulnier, Lennox, A Lord – Stephen Radochia, Ross, A Lord – Russell Berrigan, Angus, A Scottish Noble – Roberta MacIvor, MacDuff, Thane of Fire – Chris Perrotti, Fleance, Son of Banquo – Michael Sablone, Menteith, A Lord – Heath A. Tiberio, Caithness, A Lord – Thomas Gregory Broderick, A Scottish Noble – Kerrie Lynn Diana, Holy Woman – Jeanine Cappello, Lady Macbeth – Megan Gibbons, Messenger – Amanda Blake Davis, Porter – Kevin Casey, Seyton – Stephen Schonhoff, Gentlewoman – Jennifer A. O’Donnell, Servant to Lady Macbeth – Elizabeth Brady, 1st Murderer – Brian E. Canell, 2nd Murderer – Christopher Motta, 1st Apparition – Karen O’Connor, 2nd Apparition – Elizabeth Brady, 3rd Apparition – Amanda Blake Davis, Eight Kings – Jessica Billings, Thomas Gregory Broderick, Brian E. Canell, Brian Patrick Gorman, Roberta MacIvor, Jennifer A. O’Donnell, Christopher Saulnier, Heath A. Tiberio, Lady MacDuff – Beth Ford, Young MacDuff – Ethan Epstein, Soldiers – Christopher Motta and Kevin Casey, Doctor – Jessica Billings, Siward, An English Lord – Christopher Motta, Messenger – Karen O’Connor
Videographer: Ed Wardygahttps://digitalcommons.providence.edu/macbeth_video/1000/thumbnail.jp
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