44,556 research outputs found

    Song Qinghu Wangzi Zisu xian sheng chu shou Sizhou xu

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    卷一. 奏疏 -- 卷二. 序 -- 卷三. 記 -- 卷四. 雜著 -- 卷五. 祭文 -- 卷六. 銘志 -- 卷七. 書柬 -- 卷八. 五言古詩 -- 卷九. 七言古詩 -- 卷十. 五言律詩 -- 卷十一-十二. 七言律詩 -- 卷十三. 五言絶句 -- 卷十四. 七言絶句.Juan yi. Zou shu -- juan er. Xu -- juan san. Ji -- juan si. Za zhu -- juan wu. Ji wen -- juan liu. Ming zhi -- juan qi. Shu jian -- juan ba. Wu yan gu shi -- juan jiu. Qi yan gu shi -- juan shi. Wu yan lü shi -- juan shi yi - shi er. Qi yan lü shi -- juan shi san. Wu yan jue ju -- juan shi si. Qi yan jue ju.汪應軫著 ; 汪延艮編 ; 楊汝輔輯.綫裝, 1函.框18.2x13.8公分, 10行20字. 白口, 四周單邊, 無魚尾. 版心上鐫題名, 中鐫小題, 下鐫葉次並記刻工.出書年據序.前有嘉靖丙辰[1556]翁溥序, 及嘉靖三十八年[1559]葉邦榮序.文集共五冊, 存於精美木函套中, 函套附鎖及銷匙, 上刻有"青湖集 嘉靖栞本"見《香港中文大學圖書館古藉善本書錄》(2001, p. 242)附錄題: 送青湖汪子子宿先生出守泗州序 / 朱節撰.鈐有"姜公銓鑒藏圖書", "汪兆鏞印", "番禺汪氏藏書", "汪兆鏞長壽年宜子孫", "宣統辛亥得番禺汪氏賜福堂印", "微尚齋", "番禺何氏靈壁山房藏", "三十二芙蓉山主曼庵", "何曼盦鑒藏", "靈壁何氏"Xian zhuang, 1 han.Kuang 18.2 x 13.8 gong fen, 10 hang 20 zi. Bai kou, si zhou dan bian, wu yu wei. Ban xin shang juan ti ming, zhong juan xiao ti, xia juan ye ci bing ji ke gong.Chu shu nian ju xu.Qian you Jiajing bing chen [1556] Weng Pu xu, ji Jiajing san shi ba nian [1559] Ye Bangrong xu.Wen ji gong wu ce, cun yu jing mei mu han tao zhong, han tao fu suo ji xiao shi, shang ke you "Qinghu ji Jiajing kan ben"Jian "Xianggang Zhong wen da xue tu shu guan gu ji shan ben shu lu"(2001, p. 242)Wang Yingzhen zhu ; Wang Yangen bian ; Yang Rufu ji.Fu lu ti: Song Qinghu Wangzi Zisu xian sheng chu shou Sizhou xu / Zhu Jie zhuan.Qian you "Jiang gong Quanjian cang tu shu", "Wang Zhaoyong yin", "Panyu Wang shi cang shu", "Wang Zhaoyong chang shou nian yi zi sun", "Xuantong xin hai de Panyu Wang shi Ci fu tang yin", "Wei shang zhai", "Panyu He shi Ling bi shan fang cang", "San shi er fu rong shan zhu man an", "He Manan jian cang", "Lingbi He shi

    Napialus jiangxiensis Chu & Wang 2004

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    Napialus jiangxiensis Chu & Wang, 2004 Napialus jiangxiensis Chu & Wang, 2004, in Chu, Wang & Han, 2004: 186, figs. 135 a, 135 b, pl. v fig. 2. Type locality: Taihe, Jiangxi Province, China. Distribution. China (Jiangxi).Published as part of Li, Weichun & Wei, Hongyi, 2014, Notes on the genus Napialus Chu & Wang (Lepidoptera: Hepialidae), with description of a new species from China, pp. 387-392 in Zootaxa 3793 (3) on page 391, DOI: 10.11646/zootaxa.3793.3.7, http://zenodo.org/record/22852

    Napialus chenzhouensis Chu & Wang 2004

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    Napialus chenzhouensis Chu & Wang, 2004 Napialus chenzhouensis Chu & Wang, 2004, in Chu, Wang & Han, 2004: 185, figs. 134 a, 134 b, pl. v fig. 1. Type locality: Chenzhou, Hunan Province, China. Material examined. China, Jiangxi Province: 1 ♂, Wuyishan, 900 m, 5.v. 2012, leg. Weichun Li; 12 ♂♂, Tongbo Hill, 300–700 m, 27.iv– 4.v. 2012, leg. Weichun Li. Distribution. China (Hunan, Jiangxi).Published as part of Li, Weichun & Wei, Hongyi, 2014, Notes on the genus Napialus Chu & Wang (Lepidoptera: Hepialidae), with description of a new species from China, pp. 387-392 in Zootaxa 3793 (3) on pages 390-391, DOI: 10.11646/zootaxa.3793.3.7, http://zenodo.org/record/22852

    Napialus hunanensis Chu & Wang 1985

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    Napialus hunanensis Chu & Wang, 1985 Napialus hunanensis Chu & Wang, 1985 a: 130, figs. 35, 36. Type locality: Changsha, Hunan Province, China. Distribution. China (Guangdong, Guangxi, Hainan, Hunan, Jiangxi).Published as part of Li, Weichun & Wei, Hongyi, 2014, Notes on the genus Napialus Chu & Wang (Lepidoptera: Hepialidae), with description of a new species from China, pp. 387-392 in Zootaxa 3793 (3) on page 390, DOI: 10.11646/zootaxa.3793.3.7, http://zenodo.org/record/22852

    A Study of the Classical Landscape at the Wang River Villa of Wang Wei

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    The landscape of Wang Wei's Wang River Villa is examined by reviewing the essays and papers written about the poetical collaboration, the “Wang River Collection.” The purpose of this paper is to clarify the meaning of villa architecture in China. The author expects that this research will contribute to a mutual understanding between cultures. The villa was a Utopia for Wang. On the other hand, he was a pious Buddhist and Buddhistic concepts are reflected in the landscape. I consider the features of the classical landscape of Xie Lingyun and "Chu Ci," as written in “The Collection,” a reflection of the Buddhistic concept. When considering what the classics meant to Wang Wei, it is apparent that his villa is a representation of the classical landscape. It is not an imitation of the classical landscape, but a unique and original creation of art by Wang.departmental bulletin pape

    Oreta bilineata Chu & Wang 1987

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    Oreta bilineata Chu & Wang, 1987 Figs. 49, 179 Oreta bilineata Chu & Wang, 1987, Acta. Ent. Sin. 30 (3): 299. Holotype Ƥ, China: Sichuan, Mt. Emei. (IZCAS) Material examined. CHINA, Sichuan: Mt. Emei, Qingyinge, 800–1000 m, 30.IV. 1957, coll. Zhu Fuxing, 1 Ƥ (Holotype) (IZCAS). Diagnosis. Only the female of this species is known. On wing pattern, O. bilineata is distinctive in that there is a distinct antemedial line on the forewing in addition to the postmedial line. In the female genitalia, the signum is absent. Distribution. China (Sichuan). Remarks. O. bilineata might prove to belong to the O. rosea species-group, but this can be determined only when a male is found.Published as part of Song, Wenhui, Xue, Dayong & Han, Hongxiang, 2012, Revision of Chinese Oretinae (Lepidoptera, Drepanidae), pp. 1-36 in Zootaxa 3445 on page 28, DOI: 10.5281/zenodo.21298

    Wang Shuo and the commercialisation of contemporary Chinese culture

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    This thesis examines the commercialisation of Chinese culture that has taken place over the past twenty years in mainland China. It explores the contribution of Wang Shuo, a cultural figure who straddles different fields of culture, moving from literature to the ultimate mass culture medium of television, this study plots Wang Shuo' s development from educational failure, to business failure, to fiction writer, film & TV editor, film director and cultural critic and analyst. His stories, films, TV series and articles have caused shock-waves throughout national cultural circles as he has transformed the terms of the debate from academic discourse to a validation of the role of the market in the culture field. Although Wang Shuo has not been labelled as a dissident, his approach to the culture market has had a more subversive effect on official ideology that those overt dissidents who have had to live in exile or have been imprisoned. He has utilised the language of official ideology to satirise the authorities, turning the ideology and its supporters into figures of fun. Yet his own goals have been strictly personal and economic ones. The authorities recognize the value of Wang Shuo's work in the cultural market but at the same time distrust his works and place him under strict censorship. Examining the way Wang Shuo and people surround him have succeeded in different fields of cultural achievement is a mirror to understanding the process of the transformation of contemporary Chinese culture from a socialist state-controlled culture to a market-oriented mass culture industry

    Chu Calligraphy on Bamboo Slips. The Visual Evolution from Seal Script to Clerical Script and Its Artistic Value.

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    Since the 1950s, the field of Chinese archaeology has seen significant advancements with the unearthing of Chu Calligraphy on Bamboo Slips, hidden underground for over 2,000 years. These discoveries have provided a wealth of data for studying the development of pre-Qin ink writing and its calligraphic impact. The bamboo slips, as a multi-dimensional cultural artifact, hold substantial academic value in calligraphy and have deeply influenced the calligraphic styles of the Warring States period. Chu Calligraphy on Bamboo Slips is among the earliest ink-written scripts in Chinese archaeology, showcasing the evolution from Seal Script to Clerical Script, which marked early Chinese calligraphy. The use of specific writing tools and techniques not only set the foundational aesthetics of Chinese calligraphy but also played a critical role in the development of calligraphic styles and the establishment of calligraphy as an independent art form. This paper analyzes the visual and artistic value of Chu Calligraphy on Bamboo Slips, highlighting its role in linking historical and contemporary Chinese calligraphy and its potential influence on artistic and design fields

    Tridrepana hypha Chu & Wang 1988

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    Tridrepana hypha Chu & Wang, 1988 Figs 13–14, 65 Tridrepana hypha Chu & Wang, 1988, Acta Entom. Sinica, 31 (2): 206, fig. 4, pl.1: 7. Holotype ♂, China: Yunnan: Lushui. (IZCAS) Diagnosis. This species is close to T. finita on the wing pattern but larger. Two brownish black spots are present under M 3 and CuA 1 near the lower angle of the cell on the forewing, instead of big grayish brown patches centered by dark spots as in T. finita; the postmedial line is thin and deeply wavy, nearly continuous. In the male genitalia, the two lobes of the uncus are triangular, with the lateral margins oblique, while in T. finita, the lobes of the uncus are nearly quadrate, with lateral sides nearly erect. Material examined. CHINA, Yunnan: Lushui, Yaojiaping, 2500 m, 4. VI.1981, coll. Wang Shuyong, 1♂ (Holotype) (IZCAS). Distribution. China (Yunnan). Remarks. The holotype of this species was dissected by the original authors. In the genitalia slide of the type, the aedeagus has accidentally been placed under the left side of the uncus and is partly covered by the uncus (Fig. 65). Fortunately the features of the aedeagus are recognizable. It is stout and small, lacking a spinose band inside; the cornuti are composed of a bundle of spines.Published as part of Song, Wenhui, Xue, Dayong & Han, Hongxiang, 2011, A taxonomic revision of Tridrepana Swinhoe, 1895 in China, with descriptions of three new species (Lepidoptera, Drepanidae), pp. 39-62 in Zootaxa 3021 on pages 45-4

    Saint John's University diploma of Charles Chun Chu Wang

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    Original diploma of Johannean Charles Chun Chu Wang, who earned a Bachelor of Science degree in Civil Engineering from Saint John's University, Shanghai in 1942
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