2,758 research outputs found

    Wang Shuo and the commercialisation of contemporary Chinese culture

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    This thesis examines the commercialisation of Chinese culture that has taken place over the past twenty years in mainland China. It explores the contribution of Wang Shuo, a cultural figure who straddles different fields of culture, moving from literature to the ultimate mass culture medium of television, this study plots Wang Shuo' s development from educational failure, to business failure, to fiction writer, film & TV editor, film director and cultural critic and analyst. His stories, films, TV series and articles have caused shock-waves throughout national cultural circles as he has transformed the terms of the debate from academic discourse to a validation of the role of the market in the culture field. Although Wang Shuo has not been labelled as a dissident, his approach to the culture market has had a more subversive effect on official ideology that those overt dissidents who have had to live in exile or have been imprisoned. He has utilised the language of official ideology to satirise the authorities, turning the ideology and its supporters into figures of fun. Yet his own goals have been strictly personal and economic ones. The authorities recognize the value of Wang Shuo's work in the cultural market but at the same time distrust his works and place him under strict censorship. Examining the way Wang Shuo and people surround him have succeeded in different fields of cultural achievement is a mirror to understanding the process of the transformation of contemporary Chinese culture from a socialist state-controlled culture to a market-oriented mass culture industry

    Letter from T.T. Richards to Thomas Lamb Eliot

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    https://rdc.reed.edu/v1/resources/692f01b5-3181-48ab-b448-088b2b74ffc3/thumb/128.jpgLetter explaining that the author mailed a copy of the "History of the Halleck Guard" to Thomas Lamb Eliot

    Op welke wyse word die waarheid gelieg? Die kortverhale van T.T. Cloete

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    Truthful lying in T.T. Cloete’s short stories In this article an attempt is made to characterize the short stories of T.T. Cloete in Die waarheid gelieg. The theory of focalization is examined briefly and a definition of focalization which emphasizes the epistemological aspects ofperspective and formulation is used to examine the stories. The stories are compared to stories of Kafka and Borges indicating the resemblances, especially the fascination with the unexpected and weird contradictions in reality, as well as the differences. An intratextual reading of the stories and poems by the same author is undertaken in an attempt to formulate the epistemic position of the focalization in the texts. The article concludes that the Christian worldview as well as a poetics of nomenliterature of the abstract author can be deduced from the stories on account of the assumption that epistemic stances are reflected in the narrative representation and can be communicated to readers by means of propositional attitudes
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