56,048 research outputs found

    Anaphothrips dentatus Cui, Xi and Wang

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    Anaphothrips dentatus Cui, Xi and Wang Anaphothrips dentatus Cui, Xi & Wang, 2017: 50. This species, known only from Heilongjiang Province, has previously been known only from Sanjiang Plain (47°35.08'N, 133°31.42'E) (Cui et al. 2017), but is here recorded from Nanwenghe national Nature Reserves (51°22.83'N, 124°34.24'E). Specimens examined. China, Heilongjiang Province, Sanjiang Plain, 18.vii.2013, holotype female aptera with 1 male, 1 female paratypes from grasses (Jun Wang); same locality and habitat as holotype, 2.vii.2014, 3 females from grasses (Jun Wang); Nanwenghe National nature reserve (51°22.83'N, 124°34.24'E), 21.vii.2017, 4 female apterae from grasses (Jun Wang).Published as part of Cui, Yanze & Wang, Jun, 2019, The genus Anaphothrips (Thysanoptera, Thripidae) in China, with three new species, pp. 246-258 in Zootaxa 4700 (2) on page 249, DOI: 10.11646/zootaxa.4700.2.4, http://zenodo.org/record/354844

    Xi qu qie mo yu wu tai zhuang zhi.

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    王遐举, 金耀章著 ; 中囯戏曲硏究院編.Wang Xiaju, Jin Yaozhang zhu ; Zhongguo xi qu yan jiu yuan bian

    Wang Shuo and the commercialisation of contemporary Chinese culture

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    This thesis examines the commercialisation of Chinese culture that has taken place over the past twenty years in mainland China. It explores the contribution of Wang Shuo, a cultural figure who straddles different fields of culture, moving from literature to the ultimate mass culture medium of television, this study plots Wang Shuo' s development from educational failure, to business failure, to fiction writer, film & TV editor, film director and cultural critic and analyst. His stories, films, TV series and articles have caused shock-waves throughout national cultural circles as he has transformed the terms of the debate from academic discourse to a validation of the role of the market in the culture field. Although Wang Shuo has not been labelled as a dissident, his approach to the culture market has had a more subversive effect on official ideology that those overt dissidents who have had to live in exile or have been imprisoned. He has utilised the language of official ideology to satirise the authorities, turning the ideology and its supporters into figures of fun. Yet his own goals have been strictly personal and economic ones. The authorities recognize the value of Wang Shuo's work in the cultural market but at the same time distrust his works and place him under strict censorship. Examining the way Wang Shuo and people surround him have succeeded in different fields of cultural achievement is a mirror to understanding the process of the transformation of contemporary Chinese culture from a socialist state-controlled culture to a market-oriented mass culture industry

    Zographetus pangi Fan, Wang & Chen 2007

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    78. Zographetus pangi Fan, Wang & Chen, 2007 Zographetus pangi: Wang & Tang 2012: 62 (Mao’ershan). Distribution in Guangxi. Xing’an (Mao’ershan).Published as part of Xue, Guo-Xi, Sun, Hao, Sun, Zhou & Wang, Shao-Neng, 2016, A preliminary checklist of the skippers (Rhopalocera: Hesperiidae) of Guangxi, China, pp. 311-334 in Zootaxa 4147 (3) on page 324, DOI: 10.11646/zootaxa.4147.3.5, http://zenodo.org/record/26508

    Jiang zhuang: hua qiao xi ju ji.

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    獎狀 -- 春回來了 -- 串好的把戲 -- 後臺 / 夏楓 -- 椰林小景 / 王紹淸.葉尼著.Includes prefatory material.Ye Ni zhu.Jiang zhuang -- Chun hui lai le -- Chuan hao de ba xi -- Hou tai / Xia Feng -- Ye lin xiao jing / Wang Shaoqing

    Xi Wang Mu with bird

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    This is the earliest representation of the Queen Mother of the West, Xi Wang Mu, referred by the Zhuangzi (a philosophical text), as an exemplary being who had achieved the dao. She was living in the Shaoguang Mountain; no one had knowledge of her beginning or her end. She wears a flower and a sheng crown on her hair, which is often shaped on a transverse rod with discs at its ends, as clearly shown here. She also wears a stylized long-sleeved garment and a flapping sash. This motif is one of the principal ways of identifying the deity. Birds such as peacocks and cranes are always associated with the image of Xi Wang Mu. She is flanked by a tall, upright, compacted-body bird that bears resemblance to a crane. It has very straight legs and a long curved beak, is represented standing next to the deity, and is braced against her long, right sleeve. The crane confers immortality and may indeed have an escorting function. The figure of Xi Wang Mu is carried out in low relief with clear instance under the swept-over waist sash. She also carries on her right hand a long fly flap or chowry, an ancient Taoist emblem of immortality (sometimes an emblem of royalty or rank, if seen with a different figure), usually made of yak-tails or coir. The stylized lotus motif for the wooden base can confuse viewers that this is a representation of Guanyin. The above description may help reaffirm that this is indeed a Xi Wang Mu figure.Qing dynasty; Qianlong reig

    Supporting data used in the paper: Xi Chen, 2020, The LMARS based shallow-water dynamical core on generic gnomonic cubed-sphere geometry

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    # Simulation results of the unstaggered shallow water model This repository contains the supporting data used in the paper: Xi Chen, 2020, The LMARS based shallow‐water dynamical core on generic gnomonic cubed‐sphere geometry, DOI: 10.1029/2020MS002280 Organization of the repository: The tar archive with this data submission has a: doc directory contains a README.md with information regarding naming conventions to label the model configurations for a shallow water test simulation. Additional information can also be found in README.md. Table 4 in the paper provides additional details. The data directory contains the supporting data files (NetCDF format).Disclaimer: "This was prepared by Xi Chen under award NA18OAR4320123 from the National Oceanic and Atmospheric Administration, U.S. Department of Commerce. The statements, findings, conclusions, and recommendations are those of the author(s) and do not necessarily reflect the views of the National Oceanic and Atmospheric Administration, or the U.S. Department of Commerce.

    Xi Wang, violin

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    Johann Sebastian BachPablo de SarasateNiccolo PaganiniPeter Ilich Tchaikovsk

    Xi Wang, violin

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    Ludwig van BeethovenEugene YsayeCesar Franc

    [Bi shi lun 筆 勢 論 de Wang Xi zhi 王 義 之].

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    Bi shi lun 筆 勢 論. Wang Xi zhi 王 羲 之Numérisation effectuée à partir d'un document original.Traité de calligraphie. Subsistent les sections suivantes : [n°s 6, 7,] 8 (col. 10), 9 (col. 12), 10 (col. 17). Quoique comparable, le texte est différent de celui du Bi shi lun lüe 略, éd. in Shuo fu 説 郛, j. 86 de l'éd. en 120 j. Éd. et étudié par Chen Zuo long in TLKS , pp. 151-155. Écr. plutôt xing. Encre assez foncée. Espace ou alinéas pour marquer les débuts de section. Commentaires en petits car. sur col. dédoublées. 20 col., les 8 premières mutilées, 21 à 24 car. par col. Marges sup. 1 cm, inf. 0,5 cm. Réglures par pliage, 1,8 à 2,2 cm
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