1,720,953 research outputs found
PROSES KREATIF ADITYA PRATAMA DALAM KARYA ARANSEMEN LAGU BUAH KAWUNG
Full text linkPenelitian berjudul “PROSES KREATIF ADITYA PRATAMA DALAM KARYA ARANSEMEN LAGU BUAH KAWUNG” ini bertujuan untuk mengetahui bagaimana tahapan yang dilakukan Aditya Pratama dalam mengaransemen lagu Buah Kawung, bagaimana strategi Aditya Pratama dalam proses kreatif aransemen lagu Buah Kawung, serta bagaimana hasil proses kreatif Aditya Pratama dalam mengaransemen lagu Buah Kawung. sebelum adanya A.I (artificial intelegent), DAW (Digital Audio Worktesion), dan VSTi (Virtual Audio Technology Instrument), seorang Komposer dan Arranger masih menggunakan Metode konvensional salah satu contohnya mengumpulkan musisi dan menggarap karya secara alami ditempat, dan dalam tahap proses rekaman masih terbatas dari segi pemilihan software musik dan virtual instrumen yang akan digunakan serta masih terbatas dalam simulasi audio. Berdasarkan pengamatan peneliti, Aditya Pratama dalam menggarap lagu Buah Kawung adanya pemanfaatan teknologi digital musik dalam proses penciptaan karyanya, hingga proses transformasi gagasan kepada para pemainya. Konsep ini dapat dijadikan sebagai model bagaimana proses pencipta musik dalam era sekarang. Untuk menjawab semua pertanyaan penelitian, maka dilakukan metode penelitian kualitatif dengan pendekatan deskriptif analitis, Penelitian deskriptif yang dimaksud dalam penelitian ini merupakan suatu bentuk penelitian paling dasar yang ditujukan untuk mendeskripsikan atau menggambarkan fenomena-fenomena yang bersifat ilmiah ataupun tanpa rekayasa. Data yang dianalisis berupa data yang diperoleh dari hasil penelitian dilapangan seperti informasi lisan, tulisan, dokumentasi berupa rekaman yang menginformasikan bagaimana proses kreatif Aditya Pratama dalam karya aransemen lagu Buah Kawung. Berdasarkan hasil temuan penelitian, bahwa ada beberapa tahapan yang dilakukan Aditya Pratama dalam mengaransemen lagu Buah Kawung yang peneliti temukan diantaranya penentuan ide, observasi lagu, menentukan lagu, proses membuat simulasi audio, rekaman audio dan video, mixing dan mastering. Strategi Aditya Pratama dalam proses kreatif aransemen lagu Buah Kawung diantaranya tuning, mengembangkan progresi akor, dan penerapan dalam melatih para pemain menggunakan simulasi audio. Hasil akhir dari penelitian ini adalah bagaimana hasil proses kreatif Aditya Pratama dalam mengaransemen lagu Buah Kawung diantaranya menganalisis perubahan dari simulasi audio sampai hasil akhir yang dibawakan secara langsung, menjelaskan fitur dan ke-khasan virtual instrumen.
Kata Kunci : Proses Kreatif, Aransemen, Penciptaan
The research entitled "ADITYA PRATAMA'S CREATIVE PROCESS IN BUAH KAWUNG SONG ARRANGEMENT WORKS" aims to find out what stages Aditya Pratama does in arranging Buah Kawung songs, how Aditya Pratama's strategy in the creative process of arranging Buah Kawung songs, and how the results of Aditya Pratama's creative process in arrange the song Buah Kawung. before the existence of A.I (artificial intelligence), DAW (Digital Audio Worktesion), and VSTi (Virtual Audio Technology Instrument), a Composer and Arranger still uses conventional methods, one example is collecting musicians and working on works naturally on the spot, and in the recording process stage is still limited in terms of the selection of music software and virtual instruments to be used and still limited in audio simulation. Based on the observations of the researchers, Aditya Pratama in working on the song Buah Kawung used digital music technology in the process of creating his work, to the process of transforming ideas to the players. This concept can be used as a model of how the process of creating music in the current era. To answer all research questions, qualitative research methods were carried out with a descriptive analytical approach. Descriptive research referred to in this study is the most basic form of research aimed at describing or describing phenomena that are scientific or non-engineered. The data analyzed in the form of data obtained from the results of research in the field such as oral, written information, documentation in the form of recordings that inform how Aditya Pratama's creative process in the arrangement of the Buah Kawung songs. Based on the research findings, that there are several stages that Aditya Pratama did in arranging the Buah Kawung song that the researchers found, including determining ideas, observing songs, determining songs, the process of making audio simulations, audio and video recordings, mixing and mastering. Aditya Pratama's strategies in the creative process of arranging Buah Kawung songs include tuning, developing chord progressions, and implementing it in training players using audio simulations. The final result of this study is how the results of Aditya Pratama's creative process in arranging the Buah Kawung song include analyzing changes from audio simulations to the final results that are delivered live, explaining the features and characteristics of virtual instruments.
Keywords: Creative Process, Arrangement, Creatio
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
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koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
Author Under Sail The Imagination of Jack London, 1893-1902
No full textIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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