1,720,988 research outputs found
Geometrik Songket / Wan Samiati Andriana
Get PDFDiambil dari kefahaman dari Jurnal Pengajian Melayu, Jilid 17, 2006, ESTETIKA DAN KEINDAHAN SONGKET MELAYU yang ditulis oleh Othman Mohd Yatim, Zainal Abidin Borhan, Mohammad Nazzri Ahmad dan Mohamad Anis Abdul Samad yang menggabungkan pendekatan Ku Zam Zam Ku Idris (1984) dan Zakaria Ali (1989) dalam melihat keindahan songket Melayu. Berdasarkan gabungan pendekatan-pendekatan tersebut dapat dirumuskan bahawa dalam melihat keindahan seni songket Melayu secara keseluruhannya, dapat dilihat daripada tiga prinsip utama iaitu prinsip bijak, baik, dan benar. Dalam seni songket Melayu, bijak dilihat dari sudut kebijaksanaan melalui kemahiran yang dimiliki oleh penenun Melayu dalam menghasilkan songket. Dalam seni Songket Melayu, baik dilihat melalui penghasilan songket yang bersesuaian dengan kehendak dan nilai dalam masyarakat. Dalam seni Songket Melayu, benar itu dilihat dari kesesuaian yang berpadanan, berpatutan, serasi, secocok, dan tidak membazir yang mana kesemuanya tadi bermaksud bahawa kain songket tidak dihasilkan dalam keadaan nipis dan pakaian yang diperbuat daripada songket kebiasaannya tidak ketat
An axiological study on Islamic visual art in Malaysia from 1957 to 1999 / Wan Samiati Andriana W.Mohamad Daud
Get PDFThe Islamic values were determined from Allah SWT through the Al-Quran and the guidance of the Prophet Muhammad SAW. The aims of this study were to determine the axiological aspect of the Contemporary Malaysian Islamic Visual Art, to explore the historical events and the development of the Malaysian Islamic Art from the year of 1957 to 1999, and to provide a comprehensive document on the history of the Contemporary Malaysian Islamic Visual Art based on history, tradition and culture of Islam. This research was conducted by using mixed methods of qualitative and quantitative research method. The quantitative research utilized questionnaire to solicit the data. The information gathered through data collection inclusive of three major issues, the concept , the national policies and the events or exhibitions gathered from various source s, including academic books , journal, proceedings as well as exhibition catalogues cum books of painting, retrospectives, biographies, competition booklets and website. The important events on Islamic art were also gathered through the articles presented at seminars and symposiums as well as newspaper cuttings and magazines. The study also analysed ninety five (95) pieces of artworks consist of artwork from painting, printmaking, sculpture and mix media such as collages, assemblages, digital print, fabric works and two-dimensional construction that were exhibited in Islamic Art exhibitions held in Malaysia from the years 1957 to 1999 and were selected from those created by the Muslim artists with the Islamic Art themes only. As for the survey, 407 questionnaires were distributed to the UiTM communities through out Malaysia focusing on the view and exposure of Islamic Art, the understanding of the axiology philosophy, the awareness of visual art and the artist artwork. The soliciting process has enabled the researcher to record and organize all important details of each selected sample of artworks, including the name of the artist, the venue of the exhibition, and the date according to the Islamic theme exhibition. Other details of the sample artworks also have been put into consideration and recorded accordingly, such as the artwork's title, dimension or size of the artwork, media and techniques used in produc ing the artwork. The researcher followed the integrative approach and applied the technique of the descriptive quantitative approach and report the summary database on the percentage, to describe, explain and validate the findings. In the assessment of the awareness of the respondents pertaining to visual art, finding reveals that the majority of the respondents has taken art education before were aware of visual art because they have been to an art exhibition and like any exhibited artwork. However, most of the respondents have never heard about the National Cultural Congress (1971). The finding also shows that most Malaysian have never heard of the term 'axiological study' before and does not know about the development of Islamic Art in Malaysia. 71% the respondents believed that the image of the pictures produced by the artists was not an Islamic art and only 29% believed they were Islamic art. This is a clear indication that the Malaysian are lacking in the knowledge pertaining to the Islamic visual art. Hence, it is recommended that further research should review the axiological aspects of visual art in Malaysia and Southeast Asia. The studies on Islamic art and its spiritual message in Malaysian visual art should also be conducted
An axiological study on islamic visual art in Malaysia from 1957 to 1999 Vol. I / Wan Samiati Andriana W.Mohamad Daud
Get PDFThe Islamic values were determined from Allah SWT through the Al-Quran and the guidance of the Prophet Muhammad SAW. The aims of this study were to determine the axiological aspect of the Contemporary Malaysian Islamic Visual Art, to explore the historical events and the development ofthe Malaysian Islamic Art from the year of 1957 to 1999, and to provide a comprehensive document on the history of the Contemporary Malaysian Islamic Visual Art based on history, tradition and culture of Islam. This research was conducted by using mixed methods of qualitative and quantitative research method. The quantitative research utilized questionnaire to solicit the data . The information gathered through data collection inclusive of three major issues, the concept, the national policies and the events or exhibitions gathered from various sources, including academic books, journal, proceedings as well as exhibition catalogues cum books of painting, retrospectives, biographies, competition booklets and website. The important events on Islamic art were also gathered through the articles presented at seminars and symposiums as well as newspaper cuttings and magazines
An axiological study on Islamic visual art in Malaysia from 1957 to 1999 / Wan Samiati Andriana W. Mohamad Daud
Get PDFThe Islamic values were determined from Allah SWT through the Al-Quran and the guidance of the Prophet Muhammad SAW. The aims of this study were to determine the axiological aspect of the Contemporary Malaysian Islamic Visual Art, to explore the historical events and the development of the Malaysian Islamic Art from the year of 1957 to 1999, and to provide a comprehensive document on the history of the Contemporary Malaysian Islamic Visual Art based on history, tradition and culture of Islam. This research was conducted by using mixed methods of qualitative and quantitative research method. The quantitative research utilized questionnaire to solicit the data . The information gathered through data collection inclusive of three major issues, the concept, the national policies and the events or exhibitions gathered from various sources, including academic books, journal, proceedings as well as exhibition catalogues cum books of painting, retrospectives, biographies, competition booklets and website. The important events on Islamic art were also gathered through the articles presented at seminars and symposiums as well as newspaper cuttings and magazines. The study also analysed ninety five (95) pieces of artworks consist of artwork from painting, printmaking, sculpture and mix media such as collages, assemblages, digital print, fabric works and two-dimensional construction that were exhibited in Islamic Art exhibitions held in Malaysia from the years 1957 to 1999 and were selected from those created by the Muslim artists with the Islamic Art themes only
Converting sago by-product into kraft paper / Wan Samiati Andriana W. Mohamad Daud … [et al.].
Get PDFAbundant sources of sago bark and fibre of extracted sago flour does not bring significant momentary economics to the farmers although the locals use the barks of the trunk as timber fuel, wall materials, ceilings and fences and fibre of extracted sago flour as animal feed. The processed into Kraft paper used a simple natural process. The Kraft paper can be used an innovative media in new surfaces for painters in their artwork and handicraft paper for gift wraps, fhoto frames and gift boxes. The utilities of this by-products reduces the enviromental pollution
Figure images in Artjamila’s Artworks: an autism spectrum perspective/ Mumtaz Mokhtar, Wan Samiati Andriana WMD and Noorhashimah Mohamed Noordin
No full textChildren with autism have problems expressing themselves. One of these problems is communication. This communication disorder involves not only speech but also facial expressions and body movements. Yet children with autism can express themselves through drawing. Artjamila, or the full name Wan Jamila Wan Shaiful Bahri, is a child with autism who has extraordinary abilities which she tends to draw. Most of her drawings are based on interests, experiences, careful observation, and things that touch his heart. One of her abilities can be seen through the development of figure image in her artworks. The method of this study is a qualitative method with a case study of selected paintings. This approach has the intent to better understand the human figure artworks from an autism spectrum perspective. The data is collected from studio visit, gallery visits and observation of artefacts. By observing Artjamila’s artwork of figure images there found 3 major phases in Jamila’s development of the figure which are early phase which starts at 5 years old, elongation ability and towards maturity. In general, society often associates autism with the individual's deprivation and vulnerability to the environment or association. However, they are found to have creativity and thoroughness in doing
things. The image of figure that was revealed succeeded in becoming an expression of the feelings and thoughts of the autistic painter, thus alleviating the explosion of silenced feelings
Penggunaan motif-motif tradisional songket dalam menghasilkan rekacorak geometri baru / Wan Samiati Andriana W. Mohamad Daud and Norazlin Abdullah
Get PDFMotif dikatakan mempunyai hubungan yang rapat dengan penciptaan seni. Motif adalah benda atau objek yang membentuk unsur dalam pada sesuatu reka corak atau design. Penggunaan motif-motif tradisional songket kebanyakan hanya diaplikasikan di atas fabrik. Songket merupakan sejenis kain yang biasanya ditenun dengan menggunakan tangan dan mempunyai corak rumit yang kebiasaannya menggunakan benang emas dan perak. Selain daripada bidang tekstil, motif songket mempunyai potensi besar untuk diperkembangkan ke dalam beberapa bidang lain seperti bidang senibina dan hiasan dalaman. Penghasilkan motif-motif rekacorak baru yang menggunakan motif bogan, motif bunga semangat dan motif bunga bintang pecanh lapan dan warnakan menggunakan tone warna acromatic dan warna sejuk dan panas (contras) ini boleh dijadikan hiasan dalaman seperti kertas hiasan dinding atau wall paper yang lebih menekankan aspek-aspek formalistik
The spirit and elements of Malaysian multiculturalism in Chuah Thean Teng’s Batik paintings / Geng Wenyan, Wan Samiati Andriana WMD and Azian Tahir
No full textThis paper examines the batik paintings of Chinese artist Chuah Thean Teng in the context of Malaysia’s multicultural society. Batik, an ancient traditional craft in Malaysia, was initially produced on textiles through wax and dyes and is often applied to daily clothing and objects. As such, the motifs and elements of batik paintings are closely related to the local culture and have a high symbolic value. Chuah Thean Teng has improved and developed the batik process into a work of art with aesthetic value. This paper aims to understand the social and cultural climate of the time through a generalised analysis of the results of Chuah Thean Teng to evaluate the artistic elements embedded in the batik works. The paper adopts an art historical research approach, which consists mainly of form and context analysis. The study is descriptive, with data in the form of text and images, including the artworks themselves, publications, books, journals, and other official records. Chuah Thean Teng, a Chinese
artist, has inherited and evolved the traditional Malaysian batik art by seeking artistic inspiration in a culturally diverse environment. His work is a hybrid expression, reflecting the exchange and borrowing between cultures. This is in keeping with the historical context of the time and also conveys modern Malaysian art’s inclusiveness, diversity, and richness. As an essential part of contemporary Malaysian art, batik painting is itself a sign of modernity. It is hoped that this study will help to enrich the research and analysis of Malaysian batik painting and, through it, generate interest in batik painting and provide knowledge and methods of interpreting the content of the artwork
Culture Malay community value profane on modern Malaysian Islamic Art Exhibition/ Wan Samiati Andriana WMD ... [et al.]
No full textArt and culture are two entities that are closely related and are suspended from each other. The arts have become an identity and practice essential to Malaysia’s cultural society, which is a multiracial nation. With the diversity of the art practices of multi-ethnic societies in the country, the identity of multicultural Malaysia has become more highlighted and recognizable. The objective of this paper is to gather visual artwork on Culture values found in the Islamic exhibition from 1957 to 1999. The artworks have been put into consideration and recorded accordingly, such as the artwork’s title, dimension or size of the artwork, media, and techniques used in producing the artwork. The researcher followed the integrative approach and applied the technique of the descriptive quantitative approach. The information gathered through data collection inclusive of three major issues, the concept, the national policies, and the events or exhibitions gathered from various sources, including academic
books, journals, proceedings as well as exhibition catalogues cum books of painting, retrospectives, biographies, competition booklets, and website. The important events on Islamic art were also gathered through the articles presented at seminars and symposiums as well as newspaper cuttings and magazines. It is hoped that through visual arts, generations of Malaysians will be literate in culture, have high aesthetic values, critical, creative, imaginative, innovative, and inventive, as well as explore thought explorations, and design in a wide range of visual arts to allow the development of ideas and self-expression
A review in developing body shaping jeans / Aisyah Mohd Yasim, Rosita Mohd Tajuddin and Wan Samiati Andriana Wan Mohd Daud
Get PDFMost Malaysian women who have bigger lower torso areas, wish to tighten up the hips to enhance the overall shape. However, many Malaysian women encounter difficulty in finding form-fitting jeans that flatter their body shape and smooth out the problematic areas. Despite the pressures of beauty expectation in today’s world, many designers have created garments that accentuate their figure to looking slimmer and curvier at the same time. Thus, this study analyzed the review on designers’ trends and experiments conducted by researchers towards designing body shaping jeans and its potential to accentuate one’s figure besides being stylish and comfortable for daily wear. The production of these attires will help to enhance the innovation in textile design technology while establishing good collaboration between the design experts and manufacturing companies
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