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    Working 'in the opposite direction': Joseph Beuys in the field

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    This paper will argue that revisiting the ideas and practice of the twentieth-century German artist Joseph Beuys is germane to contemporary discussions of place and human ecology in anthropology. Through an exploration of work undertaken by the artist and a discussion of the influence of Goethe on his practice, it will explore the way in which Beuys' approach to art was informed by a set of methodologies which saw the inner life of the human being and the outer world with which she or he engages as profoundly linked in both physical and psychic terms. Beuys' work points, the author will suggest, to the potential for a myth of fieldwork and a communication of its results that places the anthropologist within a constantly changing world of matter that she or he shapes and transforms and is, in turn, transformed by

    Joseph Beuys and the Celtic wor(l)d: a language of healing

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    During the 1970s, the German sculptor Joseph Beuys made a number of trips to Ireland and Scotland. This interdisciplinary study of the artist's work in the "Celtic world" assesses whether the practice shown or developed during these visits could be seen, in any sense, as a language practice - more specifically as a "language of healing" - and whether Beuys could be said to have interpreted and performed notions of Celticity in these places. The book reflects on the anthropological aspect of Beuys' work and includes interview material with artists who worked with or met him at this time

    Beuysian legacies in Ireland and beyond: art, culture and politics

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    This collection of trans-disciplinary essays addresses the artistic, cultural and political legacies of Joseph Beuys' expanded concept of art and its societal application, for example through the Free International University (FIU). Since the 1980s, Beuys' practice has had a strong influence on the Peaceful Revolution, "relational aesthetics" and the "art and reconciliation" movement, attempting to bring about cultural understanding and reconciliation in situations of conflict. His work is pertinent to how we think about diversity and sustainability and may constitute an applied anthropology

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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