1,721,065 research outputs found

    Ludwig Koehler et Walter Baumgartner. — Lexicon in Veteris Testament! Libros

    No full text
    Dussaud René. Ludwig Koehler et Walter Baumgartner. — Lexicon in Veteris Testament! Libros. In: Syria. Tome 27 fascicule 1, 1950. pp. 161-163

    Walter Baumgartner. — Ras Shamra und das Alte Testament

    No full text
    Dussaud René. Walter Baumgartner. — Ras Shamra und das Alte Testament. In: Syria. Tome 23 fascicule 3-4, 1942. pp. 285-288

    Paul Humbert. — Opuscules d'un hébraïsant. Préface de Walter Baumgartner, 1958

    No full text
    Vajda Georges. Paul Humbert. — Opuscules d'un hébraïsant. Préface de Walter Baumgartner, 1958. In: Revue des études juives, tome 1 (118),1959. p. 165

    Ludwig Kœhler et Walter Baumgartner. — Lexicon in Veteris Testamenti libros.

    No full text
    Dussaud René. Ludwig Kœhler et Walter Baumgartner. — Lexicon in Veteris Testamenti libros.. In: Syria. Tome 31 fascicule 1-2, 1954. pp. 131-132

    Ludwig Kœhler et Walter Baumgartner. — Lexicon in Veteris Testamenti libros.

    No full text
    Dussaud René. Ludwig Kœhler et Walter Baumgartner. — Lexicon in Veteris Testamenti libros.. In: Syria. Tome 31 fascicule 1-2, 1954. pp. 131-132

    Auch Professor Walter Baumgartner hatte in Stralsund protestiert

    No full text
    Dankbar bin ich, dass Walter Baumgartner, Emeritus in Greifswald, mir soeben seinen Brief zur Veröffentlichung überließ, als ich ihn anmailte, nachdem ich seinen Aufsatz in dem von ihm herausgegebenen Band "Ostsee-Barock" zu deutschen und schwedischen Hochzeits- und Trauergedichten in Stralsund gesehen hatte. Kopie: Stralsunder Gymnasialbibliothek Datum: 17. November 2012 13:08:15 MEZ An: [email protected], [email protected], [email protected], ..

    Hebrâische Wortforschung (Festschrift zum 80. Geburtstag von Walter Baumgartner) [Supplements to Vêtus Testamentum, XVI], 1967

    No full text
    Ménard Jacques E. Hebrâische Wortforschung (Festschrift zum 80. Geburtstag von Walter Baumgartner) [Supplements to Vêtus Testamentum, XVI], 1967. In: Revue des Sciences Religieuses, tome 43, fascicule 1, 1969. p. 88

    Going Beyond Counting First Authors in Author Co-citation Analysis

    Full text link
    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

    Full text link
    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
    corecore