1,721,073 research outputs found

    THE SIGNING

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    Tony Conrad collaborates with Jennifer Walshe to present THE SIGNING, a street spectacle shadow-opera that centres on the tension enacted in the signing of a document. The project uses shadow puppetry, voice, violin, electronics and projections. The perfrmance is listed on p. 54 of the Scotiabank Nuit Blanche October 4, 2014 exhibition guidebook available at: http://www.shastiolearysoudant.com/files/snb14guidebook.pdf (accessed: 2020-02-22).THE SIGNING is a street spectacle shadow opera which will be performed in Toronto and on the Internet. THE SIGNING will transform Nathan Phillips Square in Toronto into a vortex of sound, image, energy and movement during the night of October 4th 2014 for Toronto’s Nuit Blanche. The conceptual narrative takes the dramatic tension enacted in the signing of a contract, filtered through the myth of Orpheus. The project is a collaboration from experimental film, video, sound, installation and Performance Art cult figure Tony Conrad and renowned Irish composer and performer Jennifer Walshe.http://www.shastiolearysoudant.com/files/snb14guidebook.pd

    THE TOTAL MOUNTAIN

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    Walshe, J. SWR Donaueschinger Musiktage (18/10/2014 15:00 – 18:00) THE TOTAL MOUNTAIN (41' 50"). Available at: https://www.youtube.com/watch?v=88-RxHdJwJ0 (Accessed: 23/02/2020)Composition for voice, electronics and film. Duration 41 minutes 52 seconds. Commissioned by the Donueachinger Musiktage. Premiere by Jennifer Walshe at the Donaueschinger Musiktage, Germany, October 18th 2014 [https://www.swr.de/swrclassic/donaueschinger-musiktage/donaueschinger-musiktage-2014-festival,article-swr-1422.html]. Subsequent performances: the Danish Film Institute, Wundergrund Festival, Copenhagen, Denmark, October 26th 2014; Interpretations Winter School, Brussels, Belgium, December 7th 2014; Café Oto, London, December 9th 2014; Soundscape Festival, Maccagno, Italy, July 11th 2015; Supernormal Festival, Brazier’s Park, UK, August 7th 2015; Cycle Festival, Iceland, August 13th 2015; Ostrava Days Festival, Czech Republic, August 21st 2015; Concepts of Doing, Berlin, Germany, August 23rd 2015; Schoolhouse Studios, Melbourne, Australia, September 26th 2015; First Draft, Sydney, Australia, September 30th 2015; Institute of Modern Art, Brisbane, Australia October 3rd 2015. Released on DVD by Neos Music October 24th 2015 (catalogue number: NEOS 11522-24 / NEOS 51501; EAN: 4260063115226; URL: https://neos-music.com/output.php?template=english-album-details.php&content=Alben/11522-24_51501.php) Private link to documentation: https://www.youtube.com/watch?v=88-RxHdJwJ

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Historical Documents of the Irish Avant-Garde

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    The contributors who wrote the texts and scores are: John Berndt, Felicity Ford, Panos Ghikas, Paul Gilgunn, Stephen Graham, Majella Munro, Simon O’Connor, Rían O’Rahallaigh, Nick Roth, Benedict Schlepper-Connolly, Jennifer Walshe. Thanks very much to Richard Devine for his recordings which brought Zaftig to life and Jack McMahon for his performance as Ultan O’Farrell, and to Malcolm Tyrrell for his dream of an episode of Hands focussing on Irish performance art.Before you begin reading the articles in this book and listening to the recordings on the Aisteach Foundation’s website, I have a confession to make – all of the composers and artists are fictional. The Aisteach Foundation and the Historical Documents of the Irish Avant-Garde are a communal thought experiment, a revisionist exercise in “what if?”, a huge effort by many people to create an alternative history of avant-garde music in Ireland, to write our ancestors into being and shape their stories with care. We played fast and loose with history and the truth and we like to think Flann O’Brien would have approved. I am extremely grateful to the Arts Council of Ireland for funding this project and allowing me to collaborate with the contributors listed below. If you feel there’s something we missed, something you want to have happened and would like to bring into being, please let us know. This project is dedicated with love to Bob Gilmore. Dr. Jennifer Walshe, President, Aisteach FoundationArts Council of Irelandhttp://www.lulu.com/shop/http://www.lulu.com/shop/jennifer-walshe/historical-documents-of-the-irish-avant-garde/paperback/product-22906851.html#productDetail

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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