1,720,968 research outputs found
Diana Thorneycroft : The Body, its Lesson and Camouflage
An exhibition booklet published in conjunction with a major touring exhibition of Thorneycroft's photographs. Includes selected sections from texts on the artist's work by Goldberg, Caws and Walsh, as well as an excerpt from an interview with Thorneycroft by R. Enright. Issues of violence, sex, death, eroticism, and transgression are considered in relation to the artist's surreal self-portraits. 1 bibl. ref
Don Reichert : A Life in Work
For a major retrospective of Manitoba painter Reichert, McKaskell contributes a history of the abstract painting scene in Winnipeg, whereas Madill traces the artist's career, and Walsh writes more specifically on exhibited works. Includes an interview between the artist and Enright. Biographical notes. 12 bibl. ref
Elizabeth Angrnaqquaq : Wall Hangings
A short text on Anngrnaqquaq's appliqued and embroidered wall hangings and their relation to the needlework traditions of the Inuits. This work which includes figuration but not narrative, is compared to that of Luke Anguhadluq, another Baker Lake artist, in its use of the flipped horizon line
Luke Anguhadluq : Baker Lake Prints and Drawings, 1970-1982
Walsh describes the relationship of Anguhadluq's images and drawing style to ancient Inuit art and to his life as a hunter
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Reading: Meeka Walsh
In this audiovisual recording from Wednesday, March 19, 1997, as part of the 28th Annual UND Writers Conference: “Writing Nature: The Nature of Writing,” Meeka Walsh reads the stories “No More Denver Sandwiches” and “Island Domestic.”
Introduced by Dr. Bernard O\u27Kelly
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