1,721,075 research outputs found
Baytyng the Bochers Dogge : a study of John Skelton's Satires against Cardinal Wolsey as a source for the politics of the 1520s
This thesis studies the later political satires of the poet John Skelton, and the value of those texts as historical source material. As the major figure in those satires is Thomas, Cardinal Wolsey, it also considers in some detail the character of Wolsey and his role in government during the years of his ascendancy (1514-29). It is based upon both a close reading of the texts themselves and upon a range of other literary and historical source material. During the course of the study the career and role of the poet in the Tudor Court is considered, and it is concluded that, contrary to previous accounts, he was neither a client of the powerful Howard family nor an eminent Court poet. It is argued that it was this lack of success which prompted his writing of the satires against Wolsey in 1521-2 in an attempt to win patronage, first from Henry VIII at a time when Wolsey seemed to be out of Royal favour, and subsequently from the citizens of London when Wolsey was associated with the unpopular Forced Loans of 1522. The texts themselves are studied in detail both to ascertain what maybe gleaned from them concerning the circumstances of their creation, and to determine how valuable a representation of the political situation of the period they provide. Close attention is paid to a number of key political themes in the texts: Wolsey's relationship with the nobility and with Henry VIII, his handling of personal suitors and his role in the conduct of English foreign policy. Skelton's portayal of these themes is compared with what can be ascertained from other sources, and it is concluded that the poet's testimony only rarely provides any valuable insights into such subjects, due to his limited access to information, his reliance upon literary sources for inspiration and his overall antipathetic intentions. Finally the political work produced by Skelton under Wolsey's patronage after his rapprochement with the Cardinal is considered and it is argued that the Crown became closely involved in the production of the poet's last political satire, The Douty Duke of Albany. (D68117/86)</p
Imagining spectatorship: from the mysteries to the Shakespearean stage
Imagining Spectatorship offers a new discussion of how spectators witnessed early drama in the various spaces and places in which those works were performed. It combines broad historical and theoretical reflection with closely analysed case studies to produce a comprehensive account of the ways in which individuals encountered early drama, how they were cued to respond to it, and how we might think about those issues today.It addresses the practical matters that conditioned spectatorship, principally those concerned with the location and configuration of the spaces in which a performance occurred, but also suggests how these factors intersected with social status, gender, religious commitment and affiliation, degrees of real or felt personal agency, and the operation of the cognitive processes themselves. It considers both real witnesses and those 'imagined' spectators which are seemingly figured by both dramatic and quasi-dramatic works, and whose assumed attitudes play-makers sought to second-guess. It also looks at the spectatorial experience itself as a subject of representation in a number of early texts. Finally, it examines the complex contract entered into by audiences and players for the duration of a performance, looking at how texts cued spectators to respond to specific dramaturgical tropes and gambits and how audience response was itself a cause of potential anxiety for writers.The book resists the conventional divide between 'medieval' and 'early-modern' drama, using its focus on the spectators' experience to point connections and continuities across a diverse range of genres, such as processions and tourneys as well as scripted plays, pageants, and interludes; a variety of different venues, such as city streets, great halls, and playhouses, and a period of about 150 years to the Shakespearean stage of the 1590s and 1600s. It seeks to offer routes by which inferences about early spectatorship can be made despite the relative absence of personal testimony from the period
Distributed control to improve performance of thermoelectric coolers
Thermoelectric coolers (TECs) have become potential solutions for chip cooling applications. However, the scope of TEC applicability is limited because of poor efficiency that is largely governed by material properties. This low efficiency causes increased heat production resulting in a very narrow band in which the TEC is effective. Since TECs are cooling units composed of numerous individual cooling elements, or thermocouples, the operating efficiency can be improved by implementing distributed control of the individual couples. Distributed control is a system for allowing each couple to be powered depending on the localized heat load. Distributed control would allow for increased cooling in hot spots while minimizing excess heat generated by the TEC in areas where it is not needed. The preliminary results suggest that this type of control may be feasible, and would result in a significant increase in the TEC effectiveness. The current model considers lateral heat conduction in the chip, as well as variable control of the individual thermocouples proportional to heat load. Results indicate that a 2-fold increase in COP is possible with independently controlled couples compared to a single cooler
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
- …
