1,720,955 research outputs found

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Museums 101

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    Includes bibliographical references and index.Looking for an A-Z, one-stop, comprehensive book on museums? Wish you were able to have one of the nation's leading museum consultants spend a couple of days with you, talking you through how to start a museum, how museums work, how to set up an exhibit, and more? If so, Museums 101 is the answer to your wishes" -- Provided by publisher.Foreword -- Part one. Essential background -- Defining a museum -- A quick history of museums -- Part two. Creating an integrated museum -- The integrated museum -- Starting a museum -- Governance -- Feasibility studies -- Planning strategies -- Part three. Exhibitions -- Collections -- The museum building -- Exhibition development/Curation -- Exhibition design & fabrication -- Programming (education) -- Part four. Behind the scenes -- Finance -- Fundraising -- Marketing -- Project management -- Evaluation -- Operations -- Accessibility -- Research -- Collections care -- Putting your museum online -- Working in museums -- The museum of the future -- Part five. The museum toolbox -- Code of ethics for museums -- Bylaws of the board of directors -- Developing a mission statement -- Sample museum constitution -- Museum feasibility template -- Board member responsibilities and commitments -- Museum director sample contract -- Sample policy for donations of objects -- Donor questionnaire -- Museum exhibit sponsorship agreement -- Visitor timing and tracking study, exhibits -- Visitor exhibition evaluation form -- Museum job descriptions -- Object cataloging record

    Designing museum experiences

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    Designing Museum Experiences is a how-to book for creating visitor-centered museums that emotionally and intellectually connect with museum visitors, stakeholders, and donors. -- Provided by publisher.Shifting to the visitor (why) -- The museum visitor (who) -- Supporting the museum visitor experience (how) -- The future of museum experiences (when) -- The museum visitor experience toolbox.Chapter 1 : A changing landscpaeChapter 2 : Shifting to the visitor's perspectiveChapter 3 : From object to narrativeChapter 4 : Personas, diversity, and possibilities for behavioral chanageChapter 5 : Design thinking and emotional designChapter 6 : Customer-experience methodologiesChapter 7 : Applying customer-experience tools to the museumChapter 8 : The museum visitor's journeyChapter 9 : Museums, politics, and cultureChapter 10 : Placemaking : Museums and the communityChapter 11 : Using data to create a unified visitor experienceChapter 12 : The museum as a hospitality busines

    Museum 4.0 as the Future of STEAM in Museums

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    Informal STEAM (Science, Technology, Engineering, Art and Math) activities (programs) and exhibits are common in science centers, children’s museums and natural history museums. As museums change to Museum 4.0 models (1), the STEAM exhibits and programs in museums also change. Museums 4.0 is the transformation of museums from a monolithic fixed location institution to a nimble community driven event driven organization. The Museum 4.0 becomes personalized to the visitor without fixed outcomes and without the physical restrictions of a single fixed location. As museums evolve to a Museum 4.0 model with visitor lead activities, STEAM activities within museums also change to peer to peer activities that begin outside the museum and continue as part of activities. Museum 4.0 STEAM will be a “host” connecting communities that existed before, during and after a museum’s “bricks and mortar” experience. Instead of “cookbook” experiences where you follow a specific pattern, STEAM activities become experiences that grow and change depending on the user and community involvement. Museum STEAM experiences are transitioning from workbench activities to workbench and smartphone experiences where tactile, and digital involvement are integrated. The future of STEAM Museum 4.0 experiences are opened-ended community based experiences that are customized to a user’s interests, knowledge and skills. (1) Museum Generations 1.0, 2.0, 3.0, 4.0 http://museumplanner.org/future-of-interactivity

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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