2,846 research outputs found

    Chris Wainwright (Head of College, CCW) in conversation with Venu Dhupa

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    Venu Dhupa and Chris Wainwright will discuss the role and responsibility of thematic enquiry within the art school – in relation to a broader field of policy, curating and commissioning. Venu Dhupa is a Patron of the Asha Foundation and Minorities of Europe. She lead the development of a new Creative Innovation Unit at the South Bank Centre, and has held the posts of Director of Arts and Creativity for the British Council, Fellowship Director at NESTA, Chief Executive at the Nottingham Playhouse and Producer (Mobile Touring) at the Royal National Theatre. In 1999 she was appointed as the inaugural Chair of the East Midlands Cultural Consortium by the Secretary of State at the Department of Culture, Media and Sport, a role she held until 2002. She has been awarded the prestigious Asian Woman of Achievement Award for her contribution to the Arts and Culture

    How useful is the Making Every Contact Count Healthy Conversation Skills approach for supporting people with musculoskeletal conditions?

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    Aim: to explore the current use and perceptions of the Wessex model of Making Every Contact Count (MECC), incorporating Healthy Conversation Skills (HCS), focussing specifically on physiotherapists supporting people living with musculoskeletal conditions.Methods: a mixed method, sequential explanatory design was employed. This article reports the first phase of the study, in which an online questionnaire was administered, consisting of items relating to perceived acceptability, appropriateness, feasibility, sustainability, and uptake of MECC HCS. Barriers and facilitators to MECC HCS delivery were additionally explored and mapped to the Theoretical Domains Framework.Results: seventy-one professionals responded, including 15 physiotherapists supporting people with MSK conditions. Across professional groups, MECC HCS was found to be highly acceptable, appropriate, and feasible. A significant interaction between perceived sustainability of MECC HCS and the location in which professionals worked was observed. Physiotherapists reported using their MECC HCS at least daily; however, there were discrepancies between the number of their patients they believed could benefit from behaviour change intervention, and the number to whom they reported actually delivering MECC HCS. Perceived barriers and facilitators to MECC HCS implementation mapped mostly to ‘Environmental Context and Resources’ on the Theoretical Domains Framework.Conclusions: the Wessex model of MECC is a promising brief or very brief intervention for physiotherapists supporting individuals with musculoskeletal conditions. Barriers associated with the sustainability of the intervention within organisations must be addressed in order to enhance future implementation. Further rollout of this intervention may be beneficial for meeting the goals of the NHS and Public Health England in prevention of chronic MSK conditions and promotion of musculoskeletal health

    Slow culture: an introduction

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    [Extract] There is a powerful message permeating our social lives today, found in our self-help networks, talkback television and radio shows, and online forums. It is a warning that, through technology and modernisation, our lifestyles have become increasingly hectic, fast, complex and immediate. 'Life', writes online author Leo Babauta (2009, para. 2), 'moves at such a fast pace that it seems to pass us by before we can really enjoy it'. We are encouraged to take a step back, to breathe deeply and 'slow down', in order to recapture the essence of 'real' living. By doing so, we can escape the seemingly endless stresses associated with our multi-tasked, time-compressed and instantaneous speed culture (Tomlinson 2007). This book presents illustrations of how people are beginning to disentangle themselves from a speed culture by embracing slowness. It is not simply a matter of slowing down, as the term implies, but of undertaking changes in the way we do things at an everyday level. Underpinning these transformations is a concern, as Babauta (2009) suggests, with the uniquely stressful lifestyles we are living in contemporary culture

    Nick Earls launches 'Wisdom Tree' - a new model for novella publishing, 9 Jun 2016

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    Brisbane author Nick Earls discusses 'Wisdom Tree' a new model for novella publishing with fellow author and UQ Senior Lecturer in writing Dr Kim Wilkins. In 2013, Nick Earls realised his five best story ideas would need padding to become novels and would lose something if he tried to trim them to short-story size. He had to write them, and they had to be novellas. He also realised it was time to confront head-on the publishing industry's reluctance to work with the novella form. The result is Wisdom Tree, a new model for novella publishing, a PhD project and a chance to turn his best ideas into a series of five novellas to be published as individual paper, e and audiobooks at monthly intervals from May to September 2016.Introductions by Professor Doune Macdonald, Acting Deputy Vice-Chancellor (Academic)

    Nick de Grandmaison Jr. Reading Our Heritage by John Fisher

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    An audograph recording of Nick de Grandmaison Junior reading an excerpt from Our Heritage by John Fisher. The text details the author encountering Red Cloud and David Bearspaw, members of the Stoney tribe, in a Banff hotel lobby on their way to sit for Nicholas de Grandmaison. From here, the clip speaks to why he chose to paint Indigenous peoples, the history of the Blackfoot people, language and colonial contact.The University of Lethbridge Library received permission from the University of Lethbridge Archives and the Dr. Margaret (Marmie) Perkins Hess Gallery to digitize and display this content.Not yet availabl

    Nick DiChario

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    Nick DiChario visited The College at Brockport in September 1996. He is an author and essayist of fiction.Archived web contentSUNY BrockportWriters Forum Author Photo

    ‘The Martiniad’: Nick Shay as Embedded Author within Don DeLillo’s Underworld

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    Nick Shay functions as embedded author and implied narrator within DeLillo\u27s Underworld. Nick creates an origin myth (what I call “The Martiniad”) involving Cotter and Manx Martin to account for the missing first link of the Thomson homerun ball\u27s provenance on October 3, 1951. This invention provides an imaginative forum to reenact, revise, and work through formative traumas and fantasies from Nick\u27s past, principally unresolved tensions with his deadbeat dad
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