59,850 research outputs found
Wu Fei, guzheng y voz (China)
No full textEl guzheng es un instrumento virtuoso con una historia de más de 2500 años. La larga historia de su reinado comenzó durante la Dinastía Qin (221 – 206 a.C.); y en la Dinastía Tang (618 – 907) ya era el instrumento más tocado en la China, y hoy en día continúa siendo el instrumento tradicional más popular en la música china. Hoy en día el continúa siendo el instrumento tradicional más popular en la música china. Tiene veintiun cuerdas que antiguamente solían ser de seda, pero ahora son de nylon y metal, lo que incrementa su volumen frente a su confección antigua. Existen muchas formas en las que se puede tocar el instrumento que, además de servir como herramientas técnicas, se utilizan para evocar paisajes o imágenes como la caída de una cascada, los truenos, el galope de los caballos o algunas escenas bucólicas, que eran elementos predilectos para las metáforas que los antiguos poetas chinos crearon para transmitir la sabiduría que milenios después, sigue transitando de voz a voz. Parece ser que cada país del Este y Sureste asiático ha tenido algún tipo de interacción con instrumentos tipo cítara como el guzheng. Desde el tatga en Mongolaia, el dan trahn en Vietnam, el gayageum en Corea y el koto en Japón, hasta el chadagan en Tuva, el kacapi en Indonesia y el jetigen de Kazakh. Diferentes pobladores y culturas alrededor de toda Asia, han creado variopintas técnicas de las que se han apropiado para formar una relación íntima con la música. En su papel de compositora, Wu Fei une la música clásica occidental y la tradición musical china, con sonidos contemporáneos. Compone para coro, cuartetos de cuerda, ensambles de cámara, gamelán balinés y para orquesta. Su programa Moon Hunter es una suite para voz y guzheng solo que se inspira en la forma en que se cantaba la antigua poesía china. La música original de Wu Fei se verá fusionada con el repertorio tradicional del guzheng, con canciones folclóricas y con la ópera china, evidenciando así su inspiración en lo antiguo, para crear algo nuevo
Fei-yen wai-zhuan the true era of its birth and investigation of its author
No full textFei-yen wai-zhuan 飛燕外傳 (The Unofficial Biography of [Zhao] Fei-yen) is one of the classical-language fictions in traditional China, describing the famous romance between Emperor Cheng-di 成帝 and Zhao Fei-yen 趙飛燕 sisters in the Former Han Dynasty. The author is attributed with Ling Xüan 伶玄, who definitely had confessed that he was living with the Former Han Dynasty in his brief autobiography. However, it was too suspicious to believe, from the beginning of its appearance in the Southern Song Dynasty, scholars have been puzzled to determine the true era of its birth. Through their discussions, now it is widely accepted that Fei-yen wai-zhuan was born during the Six Dynasties, not in the Tang Dynasty, though it is still lacking in conclusive evidence. But some insist that it could be compared with the great masterpieces of Tang-tales, like Ying-ying zhuan 鶯鶯傳, Li Wa zhuan 李娃傳, Huo Xiao-yü zhuan 霍小玉傳, which belonged to the Tang Dynasty. Then should we say that Fei-yen wai-zhuan was a premature masterpiece? It still remains a great mystery to all, including its author Ling Xüan himself. This study, paying attention to the text itself, proves this tale should belong to the Tang Dynasty. Its main keywords are two, Zhen-la 眞臘 and Qi-chu Ling-hua jing 七出菱花鏡 (Water-chestnut flower shaped bronze mirror, circled by seven petals). The former, used first in the historical records in China was in the Sui Dynasty Da-ye 大業 12years(616), and the latter one likely appeared after reign of Empress Wu(690--705). These facts simply tell us Fei-yen wai-zhuan was born in the Tang Dynasty. The true author of this tale is Niu Seng-ru 牛僧孺, a famous prime minister of late Tang and was also a well-known writer of Tang-tales, who authored Xüan-guai lu 玄怪錄. We could know the close affinities between Fei-yen wai-zhuan and Xüan-guai lu. As a drafted scholar-official, all of Niu's life had been under the strife in bureaucracy with the factional parties at that time. Once the opposition party blamed Niu for violating his majesty, to write the tale Zhou Qin xing-ji 周秦行記 named Niu Seng-ru. Though its writer was anonymous, Niu was nearly accused of injury to the majesy (Lèse majesté). I contend Niu decided to write Fei-yen wai-zhuan under a pseudonym to make counterattack against a recreant writer in the same manner and to regain true pride for himself
Tong ji hua he wu bo mo tai yang neng dian chi: xin tou ming dao dian dian ji yu que xian wu li
No full textYin, Ling = 銅基化合物薄膜太陽能電池 : 新透明導電電極與缺陷物理 / 尹苓.Thesis Ph.D. Chinese University of Hong Kong 2015.Includes bibliographical references.Abstracts also in Chinese.Title from PDF title page (viewed on 26, October, 2016).Yin, Ling = Tong ji hua he wu bo mo tai yang neng dian chi : xin tou ming dao dian dian ji yu que xian wu li / Yin Ling
Yan yue kao yuan: [6 juan]. v.93
No full text凌廷堪撰 ; [伍崇曜輯]Date from preface.框13.1 x 9.1 cm., 9行21字, 黑口, 左右雙邊, 無魚尾, 版心中鐫分冊書名, 下鐫叢書名.Ling Tingkan zhuan ; [Wu Chongyao ji]Kuang 13.1 x 9.1 cm., 9 xing 21 zi, hei kou, zuo you shuang bian, wu yu wei, ban xin zhong juan fen ce shu ming, xia juan cong shu ming
Mei bian chui di pu: [2 juan, bu lu]. v.321
No full text凌廷堪撰 ; [伍崇曜輯]框13.1 x 9.1 cm., 9行21字, 黑口, 左右雙邊, 無魚尾, 版心中鐫分冊書名, 下鐫叢書名.上冊與下列同本: 焦氏類林(七) / 焦竑撰.Ling Tingkan zhuan ; [Wu Chongyao ji]sShang ce yu xia lie tong ben: Jiao shi lei lin (qi) / Jiao Hong zhuan.Kuang 13.1 x 9.1 cm., 9 xing 21 zi, hei kou, zuo you shuang bian, wu yu wei, ban xin zhong juan fen ce shu ming, xia juan cong shu ming
Exhibition Pamphlet: (of TENG Fei)
Get PDFThis exhibition document (undetermined exhibition) features: 1) a review essay on Teng Fei by Mei MoSheng (in Chinese and German), 2) images of Teng\u27s selected works with caption (in Chinese and German), and 3) bibliography of Teng (also in Chinese and German). The exhibition accounted for this pamphlet is unknown despite knowing that Steffen Barth was one of the show\u27s main curators. (Jerry Wu\u2723).https://digital.kenyon.edu/zhoudocs/1265/thumbnail.jp
Celaenorrhinus yaojiani Huang & Wu 2003
No full text<i>Celaenorrhinus yaojiani</i> Huang & Wu, 2003 <p>Figs. 25–27</p> <p> <i>Celaenorrhinus yaojiani</i> Huang & Wu, 2003: 130, pl.VI. fig. 4. (Type locality: Guangxi).</p> <p> <b>Material examined.</b> Holotype ♂, Beidou, Napo, Guangxi, 22-VI-2000, YAO Jian;</p> <p> <b>Distribution.</b> China (Guangxi).</p> <p> <b>Remarks.</b> Huang & Wu (2003) described this species based on a single male specimen from southern part of Guangxi, China. Based on the original description, this species differs from <i>C. kuznetsovi</i> in forewing upperside in having no trace of a basal yellow striping; wings underside with basal yellow striping more or less developed; distance and directions of cell spot and spot in space CuA1; male genitalia (remarkably broader gnathos, valve with distal-doral protection pointed and juxta with lateral arms thinner). We examined the holotype of <i>C. yaojiani</i> (Figs. 25–27). Although we did not examine male genitalia of the holotype, fig. 29 (Huang & Wu, 2003) shows that character in male genitalia is hard to distinguish it from <i>kuznetsovi</i>. Due to remarkable intraspecific variation in <i>kuznetsovi</i> shown above, it is very unlikely to consider <i>yaojiani</i> as a good species, and so we suspect that <i>yaojiani</i> may represent a synonym of <i>kuznetsovi</i>. Examination of additional male and female specimens as well as molecular evidence is necessary to ensure the definitive taxonomic status of this taxon.</p>Published as part of <i>Huang, Zhen-Fu, Chiba, Hideyuki, Fei, Wen & Fan, Xiao-Ling, 2014, The maculosus group of the genus Celaenorrhinus Hübner, 1819 from China, with discovery of female C. kuznetsovi Devyatkin, 2000 (Lepidoptera: Hesperiidae: Pyrginae), pp. 279-290 in Zootaxa 3881 (3)</i> on page 289, DOI: 10.11646/zootaxa.3881.3.6, <a href="http://zenodo.org/record/230199">http://zenodo.org/record/230199</a>
Wu que shuang fei: gu zhuang li shi ai qing xin ju.
No full text吳硏因編.Songs with staff notation.本電子書乃根據《香港版權條例(第528章)》而複製, 並只可在大學圖書館系統內的獨立電子書系統上使用.Wu Yanyin bian.Ben dian zi shu nai gen ju "Xianggang ban quan tiao li (Di 528 zhang)" er fu zhi, bing zhi ke zai da xue tu shu guan xi tong nei de du li dian zi shu xi tong shang shi yong
The Value of Combining Wu Ling San Plus and Minus with Repaglinide in the Treatment of Obese Type 2 Diabetes
Get PDFObjective: To investigate the clinical value and practical effects of the treatment of obese type 2 diabetes mellitus patients with Wu Ling San plus and minus combined with Repaglinide. Methods: Twenty-two obese type 2 diabetic patients attending the outpatient clinic of Yixing Traditional Chinese Medicine Hospital from September 2020 to March 2022 were randomly selected as the subjects of this study, and all of them were divided into treatment group (n=11, Wu Ling San plus and minus + Repaglinide) and control group (n=11, single Repaglinide) according to the computerized random series grouping method. The clinical data and overall efficacy of the two groups were compared. Results: After treatment, the treatment group had better blood glucose, blood lipids and other basic indicators than the control group (P<0.05); all Chinese medicine symptoms scores and complication rates of the treatment group were lower than those of the control group (P<0.05). Conclusion: The treatment of obese type 2 diabetes mellitus patients with Wu Ling San plus reduction + Repaglinide has significant efficacy and high drug safety, and can stabilize many indicators of blood glucose and blood lipids, reduce the risk of complications and control their body weight, which can be promoted and used in the treatment of related clinical conditions
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