307,429 research outputs found
Graduate recital, original compositions. Wong, S., 1973
No full textRecorded during a live performance at Oakland Recital Hall, Western Michigan University, Kalamazoo, Michigan, March 10, 1973, the 144th concert of the Department of Music's 1972-1973 season.In partial fulfillment of the requirements of the Master of Music degree in composition, Western Michigan University, 1973.Information from performance program.Spring (Three Chinese poems) (1973) -- (8:01) Three episodes (1973). Love ; Madness ; Tranquility -- (15:27) Five Chinese poems (1972). Early morning (text, Anonymous Tang dynasty) ; (17:52) Drinking song (text, Anonymous 12th century B.C.) ; (19:56) Thoughts on a quiet night (text, Li Po, 701-762) ; (22:52) At the bamboo villa (text, Wang Wei, 699-759) ; (25:43) Life (text, Su Tung Po, 1036-1101) -- (30:26) i (1973)
Anna May Wong Performing the Modern
No full textIntro -- Contents -- Author's Note -- Introduction -- Prologue: Anna May Wong in Los Angeles -- 1. "Speaking German Like Nobody's Business": Anna May Wong in Berlin -- 2. American Moderns in Europe: Anna May Wong and Josephine Baker -- 3. "I Can Play Any Type of Oriental": Anna Watches Josephine at the Casino de Paris, 1932 -- 4. Glamourous American Moderns: Anna May Wong and Lupe Vélez -- 5. "My China Film" -- 6. Anna May Wong in Australia -- Epilogue: Bold Journey, Native Land -- Acknowledgments -- Scholarship on Anna May Wong -- Selected Bibliography -- IndexDescription based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
Wayang Wong Tejakula Dalam Fotografi Dokumenter
No full textWayang wong adalah sebuah drama tari klasik gabungan dari tari, tabuh, tembang dan
drama dimana pelakuna adalah manusia. Wayang wong terdapat di seluruh Indonesia , untuk di
Bali wayang wong menggunakan bahasa kawi dengan cerita berupa parwa dan ramayana dan
dipentaskan dalam upacara keagamaan yang sarat nuansa religius dan sakral. Pada penciptaan ini
pencipa mengangkat ide wayang wong melalui media fotografi dokumenter sebagai upaya
mendukung pelestarian dan regenerasi wayang wong di Desa Tejakula.Proses dalam penciptaan
karya fotografi ini bermula dari perancangan konsep yang didalamnya terdapat ide atau gagasan,
tema, dan objek yang akan diciptakan yaitu wayang wong di daerah Tejakula Singaraja. Penerapan
EDFAT sebagai landasan teori penciptaan,mengingat dalam metode tersebut sangat efektif dan
efisien dalam mengangkat wayang wong sebagai obyek penciptaan.Berdasarkan hasil penciptaan
ini diharapkan dapat memberikan pengalaman baru kepada pencipta maupun orang lain dalam
upaya pelestarian wayang wong sebagai kesenian sakral warisan leluhur.
Kata kunci : Wayang Wong , Tejakula , Fotografi Dokumente
natgeo-wong/NASAPrecipitation.jl: v0.1.1
No full textNASAPrecipitation v0.1.1
Diff since v0.1.0
Debugged array views because I accidentally switched lon/lat (very important update even if nonbreaking)
More efficient downloads
Added functions to read downloaded data
Restrict Julia compatability to LTS v1.6
Updated documentation
Closed issues:
Download of satellite data: shift not defined (#4
Konsep dadI wong menurut Pandangan wanita jawa.
No full textA successful person is always related with wealth and life satisfaction. Meanwhile the term successful person in different ethnic groups has different meaning and interpretation. The concept about dadi wong (being successful person) exists in Javanese culture which is always mentioned to describe the success of person in his or her life. The article will discuss this .The research was conducted in Yogyakarta on 1995 using a qualitative research method with in-depth interview. The research was held among selected (20) Javanese women aged 17-68 years, which had different education and socio economic status. Dadi wong requires economic, religious, moral, psychological and physical aspects. Other aspects includes gender ideology and culture. According to the Javanese concept dadi wong means merely economic aspect. The ideal concept of Dadi wong should be combined with economic (economic independence, income), culture (socio-status, marriage, family life, education, good in social relation, meaningful to other), morality/religion (religiosity, good moral) and psychology (independence, happiness).\\\\r\\\\n\\\\r\\\\nKey words: success, Javanese culture, concept, aspects of success, economic succes
Hanoman dalam Wayang Wong di Tejakula
No full textWayang Wong merupakan perkembangan dari kesenian Barong Kadengkling atau Barong Blasblasan yang diciptakan oleh I Dewa Agung Sakti dari Puri Kelungkung. Wayang Wong telah menjadi slah satu sarana upacara agama Hindhu. Acara upacara Yadnya (kurban suci) yang sering dilengkapi dengan pertunjukan ini adalah upacara Odalan. Wayang Wong merupakan salah satu aspek penting dalam kehidupan keberagaman masyarakat Hindhu di Bali. Tulisan inimengulas tentang alasan mengapa peran Hanoman dalam pertunjukan wayang wong kurang ditonjolkan dibanding tokoh lain. Salah asatu alasannya adalah karena yang memegang tampuk kekuasaan Rama adalah Sugriwa.
Kata kunci: Barong Kadengkling, Barong Bablasa
Wayang wong Sriwedari: suatu per jalanan dari sen1istana menjadi sent komersial 1901-1991=Wayang Wong Sriwedari: Royal Art Entertainment's Process of
No full textABSTRACT
This study of Wayang Wong Sriwedari aims at both retracing and divulging the theory of the formation and development of 'wayang wong" which once was a royal art entertainment, but which, in the course of later time, underwent transformation into a commercial art show. Such cultural diffusion and mobility have taken place not without internal as well as external causes. The deteriorating condition of the financial matter within Mangkunegaran Palace during the time of Sri Mangkunegara V (1881-1896) and its impact upon the ruling period of the Sri Man,gkun,egaraVI (1896-1916) have been assumed to be the main causes of the royal wayang wong's decline. In addition to these afflicting factors, the change in the social structure experienced by the Javanese community during the late 19th century and the capitalists' influence have determined the growth and development of wayang wong operating outside the palace,thus causing it to adopt town commercial art show features. Apparently, Kasunanan Surakarta Court has utilized the existence of wayang wong as a profitable field for business.
Under the name of 'Wayang Wong Sriwedari", this wayang wong which be- longs to Kasunanan Court gives performance at Sri Wedari Water Castle reflecting the artistic expression of the town art based on a combination of the concept of royal art and that ofthe performing technique of European proscenium. As a commercial art show, Wayang Wong Sriwedari lives under the influence ofmarkets and bidding as well as of professionalism, with means that the market taste is given greater priority without necessarily deteriorating its artistic quality.
The phenomenon portraying the decline of Wayang Wong Sriwedari as a "kitsch" of art represents the existing cultural discrepancy between the production of wayang won,g relative to the choice of recreation pattern of the town's people and of the wayang wong community as a social basis. That our government anticipates better future living condition of actors and actresses through granting them subsidies and the Presidential support as well as allowing the goverment official status ought to be equalled with a professional management of the production system, which is realized by way of enhancing the artistic quality and creating other supporting factors, such as facilities and infrastructures, for the building of theatres. Inclusively, a marketing system also needs to be well provided.
Key words : wayang wong -- royal art entertainment -- commercial art show -- government -- production and marketing syste
The Value of Re-Exports: Wong Kar Wai’s Use of Pre-existing Soundtracks
No full textOne of the most significant – and overlooked – aspects of Wong Kar-wai's cinema is the use of music from other films, ranging from pre-revolutionary Chinese melodramas to Truffaut. The way in which Wong revives old scores presents us with a paradox, however. Whether employed as temp-track or added in at the eleventh hour, the music is either so little known or so thoroughly transformed that it is difficult, if not impossible, to register its intertextual resonances. Why, then, does the director borrow in the first place? Wong's reliance on pre-existing soundtracks, I argue, is a transfiguration into artistic practice of a distinctive expression of Hong Kong's famed re-export economy: the repackaging of imported goods as if they were her own
Studies on Schismatoglottidae Araceae of Borneo I: A trio of new Schismatoglottis from Sarawak.
No full textThree new species of Schismatoglottis - Schismatoglottis jelandii P.C.Boyce & S.Y. Wong, Schismatoglottis jepomii PC.Boyce & S.Y. Wong and Schismatoglottis maelii PC.Boyce S.Y. Wong - from Sarawak are described and included in the amendments to the key to Bornean Schismatoglottis published by Hay & Yuzammi (2000). All are illustrated
Aesthetic Performance of Wayang Wong Millennial
No full textThis article was completed in the context of the publication of our
research on the Bali Innovative Wayang Wong. The purpose of writing
this article is to analyse the aesthetic elements of Millennial Wayang
Wong Performing Arts as a Balinese innovative Wayang Wong. In
general, the aesthetic structure of the traditional Balinese Wayang Wong
performance is performed by old and senior dancers. However, the
aesthetic of the Wayang Wong Millennial structure was staged by
involving junior dancers who were still children. This forms the
question: What is the form of the Wayang Wong Millennial performing
arts? This research was completed using qualitative methods. All data
was collected with the aid of a photo camera and interview guidelines.
Primary research was data obtained through observation and interviews
with informants. While library research is used to optimise data
acquisition. All data was analysed using aesthetic theory and symbol
theory. The results showed that Wayang Wong Millennial performing
arts are Balinese innovative Wayang Wong performing arts. The form
of the Wayang Wong Millennial performance is classified as a colossal
Balinese Wayang Wong performance art by involving children as
Wayang Wong dancers. If we look at dance property, fashion make-up,
choreography, Wayang stories, lighting and show duration, it can be
seen that the Wayang Wong Millennial performance has its own
aesthetic structure.
Keywords: Aesthetics, Performing Arts, Wayang Wong, Millennial
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