1,721,286 research outputs found
Alien Registration- Walsh, Stephen J. (Portland, Cumberland County)
Get PDFhttps://digitalmaine.com/alien_docs/24600/thumbnail.jp
Indo-West Pacific species of Trachinotus with spots on their sides as adults, with description of a new species endemic to the Marquesas Islands (Teleostei: Carangidae)
No full textSmith-Vaniz, William F., Walsh, Stephen J. (2019): Indo-West Pacific species of Trachinotus with spots on their sides as adults, with description of a new species endemic to the Marquesas Islands (Teleostei: Carangidae). Zootaxa 4651 (1): 1-37, DOI: https://doi.org/10.11646/zootaxa.4651.1.
Vibrational power transmission in curved and stiffened structures
No full textSIGLEAvailable from British Library Document Supply Centre-DSC:DXN017127 / BLDSC - British Library Document Supply CentreGBUnited Kingdo
FIGURE 9. Trachinotus baillonii, ANSP 149651, 260 in Indo-West Pacific species of Trachinotus with spots on their sides as adults, with description of a new species endemic to the Marquesas Islands (Teleostei: Carangidae)
No full textFIGURE 9. Trachinotus baillonii, ANSP 149651, 260 mm FL, near Suva, Fiji. Drawn by Tracy D. Pedersen.Published as part of Smith-Vaniz, William F. & Walsh, Stephen J., 2019, Indo-West Pacific species of Trachinotus with spots on their sides as adults, with description of a new species endemic to the Marquesas Islands (Teleostei: Carangidae), pp. 1-37 in Zootaxa 4651 (1) on page 16, DOI: 10.11646/zootaxa.4651.1.1, http://zenodo.org/record/335841
FIGURE 6 in Three new percid fishes (Percidae: Percina) from the Mobile Basin drainage of Alabama, Georgia, and Tennessee
No full textFIGURE 6. Relationship of log-transformed body depth and standard length of three new Percina species from the Mobile Basin. Regression lines: solid, P. smithvanizi; dashed, P. kusha; dotted, P. sipsi.Published as part of Williams, James D., Neely, David A., Walsh, Stephen J. & Burkhead, Noel M., 2007, Three new percid fishes (Percidae: Percina) from the Mobile Basin drainage of Alabama, Georgia, and Tennessee, pp. 1-28 in Zootaxa 1549 on page 23, DOI: 10.5281/zenodo.17807
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
A Russian in St. Petersburg: The Firebird
Get PDFEs una traducción de: Walsh, Stephen: “A Russian in St. Petersburg: The Firebird”, en The Music of Stravinsky,
Oxford University Press, Oxford, 1988, cap. 2, pp. 4-23.Juan Carlos Lores Gil (traductor).El período de formación de Stravinsky, tan descuidado por la mayor parte de los estudiosos
de su obra, es importante para comprender el estilo maduro del compositor a partir de
«Petrushka». El autor del artículo pasa revista a las obras tempranas de Stravinsky, sobre todo
la Sinfonía en mi bemol, «Scherzo fantastique», «Feu d’artifice», «El Pájaro de Fuego» o «El Ruiseñor».
En este panorama, es necesario contemplar El Pájaro de Fuego como una obra de síntesis
que cierra una época, y no, como a menudo se hace, como inicio del estilo maduro.
Desde este punto de vista, el autor estudia la confluencia en estas obras tempranas de la
tradición representada por Rimsky, su maestro, a la vez académica y progresista, y la tradición
heterodoxa, antiacadémica y con profundas raíces en la cultura tradicional y en el lenguaje
ruso de Mussorgsky, además de otras influencias, como la del impresionismo francés
o incluso la del “detestado” estilo de Scriabin. De la primera aprenderá las herramientas
necesarias para el dominio de la arquitectura musical y de la orquestación y la composición
de la textura; de la segunda, un uso de la armonía y la disonancia no sometido a las convenciones
de la gramática tonal y un ritmo que vive de la agrupación irregular de pulsos y
que le permitirá desarrollar su técnica constructiva basada en el uso de células manipulables
que se rearticulan de manera diversa
- …
