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    FIGURE 6. Pseudogramma brederi USNM 409417, 45 in Pseudogramma polyacantha complex (Serranidae, tribe Grammistini): DNA barcoding results lead to the discovery of three cryptic species, including two new species from French Polynesia

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    FIGURE 6. Pseudogramma brederi USNM 409417, 45 mm SL, Marquesas. Photo: J.T. Williams.Published as part of Williams, Jeffrey T. & Viviani, Jeremie, 2016, Pseudogramma polyacantha complex (Serranidae, tribe Grammistini): DNA barcoding results lead to the discovery of three cryptic species, including two new species from French Polynesia, pp. 246-260 in Zootaxa 4111 (3) on page 253, DOI: 10.11646/zootaxa.4111.3.3, http://zenodo.org/record/26589

    FIGURE 10. Pseudogramma xantha, USNM 400622, 35.4 in Pseudogramma polyacantha complex (Serranidae, tribe Grammistini): DNA barcoding results lead to the discovery of three cryptic species, including two new species from French Polynesia

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    FIGURE 10. Pseudogramma xantha, USNM 400622, 35.4 mm SL, Austral Islands. Photo: J.T. Williams.Published as part of Williams, Jeffrey T. & Viviani, Jeremie, 2016, Pseudogramma polyacantha complex (Serranidae, tribe Grammistini): DNA barcoding results lead to the discovery of three cryptic species, including two new species from French Polynesia, pp. 246-260 in Zootaxa 4111 (3) on page 259, DOI: 10.11646/zootaxa.4111.3.3, http://zenodo.org/record/26589

    Pseudogramma polyacantha complex (Serranidae, tribe Grammistini): DNA barcoding results lead to the discovery of three cryptic species, including two new species from French Polynesia

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    Williams, Jeffrey T., Viviani, Jeremie (2016): Pseudogramma polyacantha complex (Serranidae, tribe Grammistini): DNA barcoding results lead to the discovery of three cryptic species, including two new species from French Polynesia. Zootaxa 4111 (3): 246-260, DOI: 10.11646/zootaxa.4111.3.

    FIGURE 7 in Pseudogramma polyacantha complex (Serranidae, tribe Grammistini): DNA barcoding results lead to the discovery of three cryptic species, including two new species from French Polynesia

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    FIGURE 7. Pseudogramma paucilepis new species, holotype, USNM 423375, 45.7 mm SL, female, Austral Islands. Photo: J.T. Williams.Published as part of Williams, Jeffrey T. & Viviani, Jeremie, 2016, Pseudogramma polyacantha complex (Serranidae, tribe Grammistini): DNA barcoding results lead to the discovery of three cryptic species, including two new species from French Polynesia, pp. 246-260 in Zootaxa 4111 (3) on page 255, DOI: 10.11646/zootaxa.4111.3.3, http://zenodo.org/record/26589

    FIGURE 5 in Pseudogramma polyacantha complex (Serranidae, tribe Grammistini): DNA barcoding results lead to the discovery of three cryptic species, including two new species from French Polynesia

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    FIGURE 5. Geographical distribution of the members of the Pseudogramma polyacantha species complex. Pseudogramma polyacantha—lavender shading, blue stars; P. brederi —green shading, green stars; P. galzini n. sp.—orange shading orange stars; P. paucilepis n. sp.—pink shading Purple stars. Black dots represent locations of specimens examined; stars indicate specimens with COI sequence available on BOLD.Published as part of Williams, Jeffrey T. & Viviani, Jeremie, 2016, Pseudogramma polyacantha complex (Serranidae, tribe Grammistini): DNA barcoding results lead to the discovery of three cryptic species, including two new species from French Polynesia, pp. 246-260 in Zootaxa 4111 (3) on page 251, DOI: 10.11646/zootaxa.4111.3.3, http://zenodo.org/record/26589

    FIGURE 2 in Pseudogramma polyacantha complex (Serranidae, tribe Grammistini): DNA barcoding results lead to the discovery of three cryptic species, including two new species from French Polynesia

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    FIGURE 2. Scalation patterns on the head of members of the Pseudogramma polyacantha complex showing changes with increasing specimen length. A) Reduced scalation—P. paucilepis n. sp. B) Scalation extending slightly farther anteriorly—P. galzini n. sp. C) Moderately developed scalation—P. brederi. D) Well-developed scalation—P. polyacantha. Colors represent the following: purple: variable scale development at all sizes; grey: specimens shorter than 40 mm SL; blue: specimens longer than 40 mm SL; green: specimens longer than 45 mm SL; orange: specimens longer than 50 mm SL; red: specimens longer than 55 mm SL.Published as part of Williams, Jeffrey T. & Viviani, Jeremie, 2016, Pseudogramma polyacantha complex (Serranidae, tribe Grammistini): DNA barcoding results lead to the discovery of three cryptic species, including two new species from French Polynesia, pp. 246-260 in Zootaxa 4111 (3) on page 249, DOI: 10.11646/zootaxa.4111.3.3, http://zenodo.org/record/26589

    Pseudogramma xantha Randall, Baldwin & Williams 2002

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    Pseudogramma xantha Randall, Baldwin & Williams, 2002 Yellow Podge Figure 10 Pseudogramma xanthum Randall, Baldwin & Williams, 2002 (type locality Temoe Atoll) Pseudogramma australis australis (in part) Randall and Baldwin, 1997 Remarks. Randall et al. (2002) discussed the taxonomic history and confusion related to this species. They described P. xantha as a new species for the non-Easter Island specimens previously referred to as P. australis australis. Our genetic analysis (Fig. 4) shows P. xantha to be highly divergent from its congeners. Pseudogramma xantha was previously known only from four localities, Temoe Atoll, Pitcairn Island, Rarotonga, and Tonga. One of us (JTW) subsequently collected specimens of this species from outer reef slopes around 30 m depth at small islets of the Gambier archipelago and from outer reef slopes at Maria Atoll in the Austral Islands. These cryptic fishes are undoubtedly more widespread, but their depth of occurrence and cryptic habits make them difficult to collect. It appears to be a subtropical species with no specimens yet collected north of about 20 degrees S latitude. Like other members of Pseudogramma, they have only been seen and/or collected after the application of a rotenone solution used for sampling cryptic species. Additional material examined: GAMBIER: USNM 400617, 41.0 mm; 400622, 34.4 mm; 400624, 31.8 mm; 400626, 33.1 mm; 411811, 4 spec. AUSTRAL ISLANDS, Maria Atoll: USNM 422907, 17.5 mm; USNM 423287, 34.3 mm.Published as part of Williams, Jeffrey T. & Viviani, Jeremie, 2016, Pseudogramma polyacantha complex (Serranidae, tribe Grammistini): DNA barcoding results lead to the discovery of three cryptic species, including two new species from French Polynesia, pp. 246-260 in Zootaxa 4111 (3) on page 258, DOI: 10.11646/zootaxa.4111.3.3, http://zenodo.org/record/26589

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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