1,721,055 research outputs found
Le stagioni dell'amore
No full textMichail Kuzmin was a very prominent figure in the Petersburg symbolist circles: eccentric, eclectic, dandy. He embodied the prototype of the artist and the fin de siècle intellectual. Known above all as a poet, he was also a prolific prose writer and fine essayist, also distinguishing himself for his skills as a composer, albeit only at the level of high amateurism. These traits, combined with a strong interest in the figurative arts and the theatre, combine to make him one of the most interesting creators of the aesthetic conception of the Wagnerian "synthesis of the arts", which spread in Russia between the nineteenth and twentieth centuries. His significant contribution, in this sense, is The Seasons of Love (1910), a poetic cycle designed for theatrical transposition, in which Kuzmin engages in the multiple roles of the author of the texts, music, actor and collaborator in the direction. Accompanied in the publication by the lithographs of two of the most renowned graphic artists of the time, Sergej Sudejkin and Nikolaj Feofilaktov, the work represents a small jewel of Russian Wagnerism
Intellettuali e artisti russi all'Accademia Carrara di Bergamo tra Otto e Novecento
No full textThis article is meant to be a contribution to the deepening of Italian-Russian cultural relations between the nineteenth and early twentieth century. The attention will focus on the impressions that Accademia Carrara of Bergamo and its painting gallery aroused in the souls of some of the greatest Russian artists and intellectuals of the time. Through the analysis of memories and letters, published and unpublished, we will proceed to the identification of the works actually admired by travelers. We will examine, in particular, the testimonies of the scholar Fëdor Čižov (1811-1877), the poet Vasilij Žukovskij (1783-1852), the painter Aleksandr Ivanov (1806-1858) and the writer and art historian Pavel Pavlovič Muratov (1881-1950), whose admiration for the works of art kept at the Carrara painting gallery is attested in the famous book Images of Italy (1911-1912)
Dostoevskij, Dante e la critica al falso realismo
No full textEste artículo examina el papel que desempeña La divina comedia de Dante Alighieri en el desarrollo teórico de la concepción del realismo «en el sentido más elevado» de F. M. Dostoievski. Aunque es cierto que las referencias a Dante y a su obra maestra más famosa son más bien escasas en las Obras Completas de Dostoievski, encontramos, no obstante, que están relacionadas principalmente con el tema de la veracidad en la representación artística y literaria. Nuestro análisis se basa especialmente en su obra periodística (Diario de un escritor) de principios de los años sesenta
[Recensione a:] M. Caratozzolo, Tommaso Fiore e la Russia. Il riscatto degli oppressi tra meridionalismo e socialismo, Bari, Stilo Editrice, 2019, pp. 168.
No full textVolume review of Marco Caratozzolo's, Tommaso Fiore e la Russia, Bari, Stilo, 201
A.A. Blok, Colori e parole, traduzione e nota introduttiva di Alessandra Elisa Visinoni
No full textTraduzione a cura di Alessandra Elisa Visinoni del saggio di Aleksandr Blok, Sobranie sočinenij v šesti tomach, Leningrad, Chudožestvennaja literatura, 1982, vol. IV, pp. 7-11
Dostoevskij in Italia e nel mondo
Full text linkTraduzione del resoconto scritto dal prof. A. Urussov sul «XIV Symposium Internazionale Dostoevsky: Dostoevskij. Mente filosofica e sguardo di scrittore», organizzato dall’ International Dostoevsky Society a Napoli dal 13 al 20 giugno 2009
Zakat ljubvi: sravnitel'nyj analiz povesti Vorobej Džovanni Vergi i romana Dvorjanskoe Gnezdo I.S. Turgeneva
No full textIn this article I would like to analyze the similarities between the novel Nest of Nobles and the novelette Sparrow. My analysis is based on a comparison of the elements characterizing the narrative styles, the descriptions of the main female characters and the development of the plots
Le "Vacanze romane" Di Vladimir Vladmeli
No full textNota al racconto "Vacanze romane" o "Vent'anni dopo" di Vladimir Vladmel
Dostoevskij i antičnost'
No full textIntervento in lingua russa.La tesi sostiene che Antigone e Mar’ja siano incarnazione dello «spirito del proprio popolo», destinato, in circostanze di grave disordine sociale e incertezza morale, a scontrarsi e a soccombere di fronte a colui che avrebbe le potenzialità e il dovere di salvaguardarlo ma che, invece, per inerzia morale (Stavrogin) e superbia (Creonte) ne determina la definitiva catastrofe
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