72 research outputs found
"Una coppia di serpenti allacciati". L'incesto nelle "Benevole" di Jonathan Littell
The article reads the novel "The Kindly Ones" (2006) by French author Jonathan Littell and focuses on the issue of incest displayed in the plot
Taccuino siriano di Jonathan Littell : reportage e autenticazione intermediale
This article will show how Littell combines reported words, narrator’s reflections, descriptions of events or images as intermediary materials useful to authenticate his experience. In this work the author wants to give an interpretation of reality, personal and limited, but anchored to his direct experience, to his physical involvement and supported by the critical examination of documents and testimonies. Therefore, Carnets de Homsis not only a reportage, but a “documentary narration
The Future of Cyber-Enabled Influence Operations: Emergent Technologies, Disinformation, and the Destruction of Democracy
Nation-states have been embracing online influence campaigns through disinformation at breakneck speeds. Countries such as China and Russia have completely revamped their military doctrine to information-first platforms [1, 2] (Mattis, Peter. (2018). China’s Three Warfares in Perspective. War on the Rocks. Special Series: Ministry of Truth. https://warontherocks.com/2018/01/chinas-three-warfares-perspective/, Cunningham, C. (2020). A Russian Federation Information Warfare Primer. Then Henry M. Jackson School of International Studies. Washington University. https://jsis.washington.edu/news/a-russian-federation-information-war fare-primer/.) to compete with the United States and the West. The Chinese principle of “Three Warfares” and Russian Hybrid Warfare have been used and tested across the spectrum of operations ranging from competition to active conflict. With the COVID19 pandemic limiting most means of face-to-face interpersonal communi-cation, many other nations have transitioned to online tools to influence audiences both domestically and abroad [3] (Strick, B. (2020). COVID-19 Disinformation: Attempted Influence in Disguise. Australian Strategic Policy Institute. International Cyber Policy Center. https://www.aspi.org.au/report/covid-19-disinformation.) to create favorable environments for their geopolitical goals and national objectives. This chapter focuses on the landscape that allows nations like China and Russia to attack democratic institutions and discourse within the United States, the strategies and tactics employed in these campaigns, and the emergent technologies that will enable these nations to gain an advantage with key populations within their spheres of influence or to create a disadvantage to their competitors within their spheres of influence. Advancements in machine learning through generative adversarial networks [4] (Creswell, A; White, T; Dumoulin, V; Arulkumaran, K; Sengupta, B; Bharath, A. (2017) Generative Adversarial Networks: An Overview. IEE-SPM. April 2017. https://arxiv.org/pdf/1710.07035.pdf.) that create deepfakes [5] (Whit-taker, L; Letheren, K; Mulcahy, R. (2021). The Rise of Deepfakes: A Conceptual J. Littell envelope symbolenvelope symbolenvelope symbol Army Cyber Institute at the West Point, United States Military Academy, West Point, NY 10996, USA e-mail: [email protected] © The Author(s), under exclusive license to Springer Nature Switzerland AG 2022 A.Farhadietal. (eds.), The Great Power Competition Volume 3, https://doi.org/10.1007/978-3-031-04586-8_10 197 198 J. Littell Framework and Research Agenda for Marketing. https://journals.sagepub.com/doi/ abs/10.1177/1839334921999479.) and attention-based transformers [6](https:// arxiv.org/abs/1810.04805.) (Devlin et al., 2018) that create realistic speech patterns and interaction will continue to plague online discussion and information spread, attempting to cause further partisan divisions and decline of U.S. stature on the world stage and democracy as a whole.https://digitalcommons.usmalibrary.org/aci_books/1020/thumbnail.jp
Is It Right to Talk About the Holocaust in Ukraine Now? An Interview with Jonathan Littell, the Author of The Kindly Ones
The metric tun : standardisation, quantification and industrialisation in the British brewing industry, 1760-1830
This thesis considers the British beer-brewing industry around 1800 as a case study exploring current themes in the history of science and technology: the imposition of
reliable standards, the use of instruments and quantities, and the nature of industrial growth. I begin by addressing Michael Combrune, author of the first thermometric
brewing account, showing the influence of Boerhaavian fermentation theory and the eighteenth-century agenda for "commercial chemistry" on his work: Combrune's
fellow brewers, however, did not generally rely on the chemical scheme of management he had established, developing instead highly localised thermometric
operations which did not challenge established understandings. Next, I consider the determination of beer strength, focusing here on the brewer John Richardson's
innovation of the saccharometer, a gravimetric philosophical instrument. I show how Richardson presented both the device and the quantity in which it was scaled, later termed the `brewer's pound, ' as offering brewery-specific advantages, in order to ensure its acceptance whilst at the same time denying its roots in the disputatious field of spirits hydrometry. Richardson did not achieve his wider goal of monopolist control over the device, but his project of saccharometric determination was widely taken up, contributing to a significant change in the composition of beer, as brewers moved from using traditional brown- malts to the saccharometrically preferable pales. This development is then reviewed in the context of an analysis of the identity of London porter, the staple brown beer of London: I investigate the relationship of porter's identity to the uniquely vast and industrialised plants which produced it. Finally, I highlight the ambiguous nature of appeals to `science' or `chemistry' before 1830 by discussing the widespread contemporary panic over adulteration, popularly assumed to
be practised by those who associated with chemists and did not pursue a `traditional' approach to brewing. This controversy was settled, I contend, only with the later
development of a common laboratory-analytical context between brewers, pharmacists and public analysts who were able to redefine the concept of adulteration itself
To the Problem of Visuality in the J. Littell‟s Novel “Les Bienveillantes”: Photography as an Element of the Narration
В статье анализируются функции образов, связанных с фотографированием и описанием фотографий, в романе Джонатана Литтелла «Благоволительницы». Включение в текст произведения фотографических образов не только обеспечивает роману фактографическую достоверность, но и выполняет важные функции – нарративную и характерологическую. Также установлено, что наличие фотографических образов связаны с изложением авторской философии смерти.The article analyzes the functions of images associated with photographic process and description of photographs in Jonathan Littell‟s novel “Les Bienveillantes”. The inclusion of photographic images in the text of the novel not only provides the novel with factual credibility, but also performs important narrative and characterological functions. It is also established that the presence of photographic images are associated with the presentation of the author‟s philosophy of death
A voice from the mash-tun; being a dissertation on the ... principles of saccharification in the mash-tun of the common brewery ... with a description of the patent apparatus ...
Mode of access: Internet
Hollins Columns (1956 Apr 26)
Table of Contents: Philosophy Club Elects Officers Rooming System Is Explained S.G.A. Officers Are Installed Social Science Forum Held On Role Of Women Plans For New Chapel Are Completed Softball Teams Hold Practices No Sense Of Responsibility? Let\u27s Wake Up! Letter To The Editor What Is A Roommate? Wedding Customs Differ In France We\u27ll Miss You, Dr. Littell Levavi Oculos Vacationing Hollins Abroaders See Malenkov In London Virginia Foundation Meeting Held May 2 Hollins is Hostess At Lacrosse Tournament Professor Halle To Speak May 2 Many New Courses Will Be Offered Students Attend Celebration Of Wilson\u27s Birthdayhttps://digitalcommons.hollins.edu/newspapers/1627/thumbnail.jp
Arnošt Lustig and others
This article examines changes in the Holocaust/Shoah presentation in literature throughout the several past decades. According to Alvin H. Rosenfeld, the Holocaust is not percieved as an authentic historical event these days and slowly becomes a shared symbol of evil or entertainment. Rosenfeld warns about the possible "end of the Holocaust" in public consciousness. Short stories and novels by Arnošt Lustig are good examples of these changes. Later books by the author accentuate the harsher side of life in the camps (violence, brutality, hetero- and homosexual prostitution, lack of unity among the prisoners etc.). He often records stories of young Jewish girls and women. Their beauty and youth form a moving contrast to the horrors of the Shoah. In the novelette Colette, for instance, many conventional images are used in the narrative. Credibility of presented figures disappears very often, they are "omnipresent" and "omniscient" almost like the famous Forrest Gump. By using various information and statements reproduced by these characters, the author constructs a kind of Auschwitz-Birkenau encyclopedia. The result of this is the loss of authenticity. At the same time, though, a lot of data of this "encyclopedia" is inaccurate. Lustig uses elements of thriller and romance. In works by other well-known authors who write about the Holocaust, various elements can be found: elements of thriller (Jonathan Littell), fantasy, comics, horror as well as porn films (Igor Ostachowicz). Literary texts by both Littel and Ostachowicz are full of violence, brutality and sexual scenes. Like Lustig, Jonathan Littell has created an encyclopedia of Nazi crimes during the WWII with implausible characters and situations in his novel The Kindly Ones. In contrast to Lustig and Littell, Night of the Living Jews by Ostachowicz is more original and impressive. It also brings actual questions concerning the past and relations between Poles and Jews.This article examines changes in the Holocaust/Shoah presentation in literature throughout the several past decades. According to Alvin H. Rosenfeld, the Holocaust is not percieved as an authentic historical event these days and slowly becomes a shared symbol of evil or entertainment. Rosenfeld warns about the possible "end of the Holocaust" in public consciousness. Short stories and novels by Arnošt Lustig are good examples of these changes. Later books by the author accentuate the harsher side of life in the camps (violence, brutality, hetero- and homosexual prostitution, lack of unity among the prisoners etc.). He often records stories of young Jewish girls and women. Their beauty and youth form a moving contrast to the horrors of the Shoah. In the novelette Colette, for instance, many conventional images are used in the narrative. Credibility of presented figures disappears very often, they are "omnipresent" and "omniscient" almost like the famous Forrest Gump. By using various information and statements reproduced by these characters, the author constructs a kind of Auschwitz-Birkenau encyclopedia. The result of this is the loss of authenticity. At the same time, though, a lot of data of this "encyclopedia" is inaccurate. Lustig uses elements of thriller and romance. In works by other well-known authors who write about the Holocaust, various elements can be found: elements of thriller (Jonathan Littell), fantasy, comics, horror as well as porn films (Igor Ostachowicz). Literary texts by both Littel and Ostachowicz are full of violence, brutality and sexual scenes. Like Lustig, Jonathan Littell has created an encyclopedia of Nazi crimes during the WWII with implausible characters and situations in his novel The Kindly Ones. In contrast to Lustig and Littell, Night of the Living Jews by Ostachowicz is more original and impressive. It also brings actual questions concerning the past and relations between Poles and Jews
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