1,725,149 research outputs found

    Letter from Victor C. Urban to Mr. and Mrs. Bob Scott

    No full text
    Letter from Superintendent Victor C. Urban to Mr. and Mrs. Bob Scott inviting them to attend an open house in honor of Mr. Robert Sarver, Commissioner of the Arkansas Department of Correction on November 30, 1968

    [Victor C. Vaughn (AAI)]

    No full text
    Victor C. Vaughn, Counselled Gerald Webb for inclusion of the laboratory researcher in the to be AAITitle supplied by cataloger.Portrait of Victor C. Vaugh

    [Victor C. Vaughn (AAI)]

    No full text
    Victor C. Vaughn, Counselled Gerald Webb for inclusion of the laboratory researcher in the to be AAITitle supplied by cataloger.Portrait of Victor C. Vaugh

    Victor C. Vaughan

    No full text
    Peer Reviewedhttp://deepblue.lib.umich.edu/bitstream/2027.42/85524/1/Victor C Vaughan.pd

    Victor C Joyce

    No full text
    Victor C. Joyce, manager of the Independent Life and Accident Insurance Company. He lived in Palma Sola Park

    Victor C. Heck Collection

    No full text
    One half linear foot in one box

    Interview with Victor C. Krumm

    Full text link
    This is an uncorrected transcript of a taped interview. It contains misspellings of some place names and personal names, as well as numerous lacunae and handwritten corrections. / Victor C. Krumm, an attorney with the Alaska Department of Law from 1976 to 1987, served as district attorney in Bethel (1976–1979), Ketchikan (1980–1981), and Anchorage (1982–1987).Victor C. Krumm, district attorney in Bethel, Alaska from 1976 to 1979, was interviewed on October 28, 1978 about the numerous difficulties in enforcing state liquor laws and local liquor ordinances in Bethel and the villages of the Yukon-Kuskokwim Delta in southwestern Alaska. According to Krumm, the authority villages formerly held to solve their own conflicts was removed due to constitutional rights guarantees, but gaps in the law and insufficient judicial and law enforcement resources in the bush leave villages without the ability to preserve social order

    Going Beyond Counting First Authors in Author Co-citation Analysis

    Full text link
    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

    Full text link
    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
    corecore