1,720,965 research outputs found
Pierre Leroux et les romantiques
No full textViard Jacques. Pierre Leroux et les romantiques. In: Romantisme, 1982, n°36. Traditions et novations. pp. 27-50
Leroux, « ouvrier typographe », carbonaro et fondateur du Globe
No full textViard Jacques. Leroux, « ouvrier typographe », carbonaro et fondateur du Globe. In: Romantisme, 1980, n°28-29. Mille huit cent trente. pp. 239-254
Viard (Jacques) Pierre Leroux et les socialistes européens
No full textBertrand Michèle. Viard (Jacques) Pierre Leroux et les socialistes européens. In: Archives de sciences sociales des religions, n°56/2, 1983. pp. 318-319
Les origines du socialisme républicain
No full textViard Jacques. Les origines du socialisme républicain. In: Revue d’histoire moderne et contemporaine, tome 33 N°1, Janvier-mars 1986. pp. 133-147
Pierre Leroux, Proudhon, Marx et Jaurès
No full textViard Jacques. Pierre Leroux, Proudhon, Marx et Jaurès. In: Revue d’histoire moderne et contemporaine, tome 29 N°2, Avril-juin 1982. pp. 305-323
Une lettre inconnue de Charles Andler à Charles Péguy en 1913
No full textViard Jacques. Une lettre inconnue de Charles Andler à Charles Péguy en 1913. In: Revue d’histoire moderne et contemporaine, tome 19 N°3, Juillet-septembre 1972. pp. 498-509
Ecrivains et artistes en 1830
No full textCitron Pierre, Croisille Christian, Jarry André, Join-Diéterle Catherine, Le Guillou Louis, Mallion J., Michaud Stéphane, Michel P., Neefs Jacques, Pichois A., Seebacher Jacques, Steinmetz Jean-Luc, Viallanex P., Viard Jacques. Ecrivains et artistes en 1830. In: Romantisme, 1983, n°39. Poésie et société. pp. 151-179
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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