1,720,991 research outputs found
M. Gluckman, The ideas in Barotse jurisprudence
No full textVerdier Raymond. M. Gluckman, The ideas in Barotse jurisprudence. In: L'Homme, 1967, tome 7 n°4. pp. 111-112
Laboratoire d'anthropologie juridique : dictionnaire d'anthropologie juridique (Afrique Noire)
No full textVerdier Raymond. Laboratoire d'anthropologie juridique : dictionnaire d'anthropologie juridique (Afrique Noire) . In: Journal de la Société des Africanistes, 1967, tome 37, fascicule 2. pp. 245-246
Un domaine à explorer, l'anthropologie du Droit
No full textVerdier Raymond. Un domaine à explorer, l'anthropologie du Droit. In: Bulletin de l'Association française des anthropologues, n°4, Février 1981. pp. 29-32
Entretien avec Raymond Verdier
No full textVerdier Raymond, Cordonnier Rita. Entretien avec Raymond Verdier. In: Journal des anthropologues, n°50-51, Hiver 1992 – Printemps 1993. Ethique professionnelle et expériences de terrain, sous la direction de André-Marie Despringre, Michèle Fiéloux et Anne Luxereau. pp. 187-191
Verdier (Raymond) : Le pays kabiyé, cité des hommes, cité des dieux
No full textSchwartz Alfred. Verdier (Raymond) : Le pays kabiyé, cité des hommes, cité des dieux. In: Revue française d'histoire d'outre-mer, tome 71, n°262-263, 1er et 2e trimestres 1984. pp. 103-105
Vincent, Jeanne-Françoise, dory, Daniel & Verdier, Raymond (sous la direction de). - La construction religieuse du territoire
No full textDacher Michèle. Vincent, Jeanne-Françoise, dory, Daniel & Verdier, Raymond (sous la direction de). - La construction religieuse du territoire. In: Cahiers d'études africaines, vol. 37, n°145, 1997. pp. 263-265
Verdier (Raymond) éd Le SermentParis, Editions du C.N.R.S.. 1991, t. 1. Signes et fonctions, XXV-457p., t. 2. Théories et devenir, p. VIII-486 p
No full textSéguy Jean. Verdier (Raymond) éd Le SermentParis, Editions du C.N.R.S.. 1991, t. 1. Signes et fonctions, XXV-457p., t. 2. Théories et devenir, p. VIII-486 p. In: Archives de sciences sociales des religions, n°82, 1993. pp. 340-341
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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