1,720,953 research outputs found
“Et prosjekt er et prosjekt er et prosjekt”. En analyse av prosjektbegrepets utvikling og betydning i det norske språket, med hovedvekt på kulturpolitisk retorikk og scenekunstdiskurs
Get PDFIn this dissertation I examine how the concept of project has been used in the Norwegian language, in particular in the rhetoric of cultural policy and the discourse of stage arts. As a point of departure, I postulate that the prevalence of this concept has increased in recent decades, which the dissertation confirms. The dissertation examines when this breakthrough occurred and analyses what this discursive development may mean. After a general overview of the development of the concept in the vernacular, the dissertation focuses on the evolution of the concept in the rhetoric of cultural policy in Norway and in the discourse of stage arts. The theoretical framework for the dissertation is comprised of conceptual history and speech-act theory, as well as the theories of the Danish philosopher Anders Fogh Jensen concerning the notion of the project society (Prosjektsamfunnet). In general the dissertation demonstrates that project, as a concept, as experienced a positive turn since approximately 1960, which played a decisive role in its breakthrough. From being a somewhat negatively charged concept that provoked scepticism, it became a concept charged with positive expectations. These expectations are among other things triggered by the positivity of the semantic field surrounding the concept. Project theory has been a significant contributing factor to this development following the Second World War. Another contribution came through pedagogy, which early on invested positive and desirable values such as desire, dedication and motivation in the concept. This evolution is visible in all of the dissertation’s source material, first in newspaper sources, letters and opinion pieces, and later in cultural policy documents and debates in the field of stage arts. Somewhat contrary to other cultural policy research, the dissertation demonstrates that Norwegian cultural policy hasn’t undergone a project turn in the sense that project organisation and financing have become important cultural policy tools in recent decades. Despite the fact that in the rhetoric of cultural policy, projects are to a large extent declared positive and important priorities. Instead, the dissertation argues that the breakthrough of project as a concept in the rhetoric of cultural policy should be understood in the context of the ideological difference between a conservative and a social-democratic view of the value of culture. Focusing on projects emphasises activity rather than quality. Cultural policy has consequently given less attention to important issues of infrastructure and predictability. The dissertation argues further that the use of project as a concept in the rhetoric of cultural policy has established a dichotomy between «project» and «institution». In addition to being a linguistic distinction, this dichotomy is rooted in public management and has become fundamental for understanding the cultural field in Norway. The dissertation argues that the project concept has been a constitutive force in the field of stage arts in Norway over the last 25 years. Two debates are analysed in particular. The first debate regards the development of project theatre as a concept in the early 1990s, and how it was used to highlight a marginalised milieu and an aesthetic alternative within the artistic landscape. The second debate regards the restructuring of Arts Council Norway’s grant scheme for independent stage arts in 1998, when operating grants where replaced by project grants. The dissertation demonstrates that these debates have had significant consequences in and for the field of stage arts in Norway. The use of project as a concept has played a role in determining which arguments were heard, thus influencing the development of the field
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
Author Under Sail The Imagination of Jack London, 1893-1902
No full textIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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