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    Crisis, commons & liminality. Modern rituals of transition in Greece

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    Esta tesis examina la construcción de nuevos procomunes bajo condiciones de crisis, utilizando como estudio de caso los emprendimientos alternativos de base que han surgido en la Grecia urbana en contextos de crisis y se centran en el "procomún": ocupaciones de plazas, colectivos de trabajadores, clínicas y farmacias solidarias, cooperativas, cocinas solidarias y campamentos autoorganizados de refugiados. La disertación aborda cuestiones de organización, expansión, cierre, apertura, subjetividad, confianza y motivación en los proyectos del procomún, relaciona estos procesos con las condiciones de crisis y emergencia y explora las transformaciones que surgen en la creación y sustento de nuevos procomunes en tales contextos. Enfoca en el potencial de transformación que estas experiencias poseen para individuos, grupos, sociedades locales e incluso países. Para abordar estos temas, la tesis desarrolla un marco teórico denominado "el procomún liminal". Establece un paralelismo entre los ritos de paso observados por antropólogos en sociedades arcaicas, los cuales introducen los participantes en una etapa liminal, y la dinámica transicional de los nuevos procomunes. La tesis sostiene que hay procomunes que actúan como rituales modernos, mediante los cuales personas y colectivos que, a causa de la crisis, han perdido su identidad buscan y forman una nueva identidad. Los procomunes liminales son formas transicionales del procomún que no tienen como objetivo perdurar en el tiempo, sino posibilitar transiciones. En este aspecto se diferencian de los tipos más estables del procomún examinados por las teorías establecidas. Esta tesis explora estas divergencias y diferenciaciones y trata de explicar cómo estos procomunes temporales pueden dar lugar a estructuras más estables. También sugiere que, debido a su naturaleza distinta, el “éxito” de los procomunes liminales no se puede evaluar según los criterios establecidos por las teorías existentes. Cada capítulo empírico desarrolla un tema teórico central. A lo largo del texto, el lector es guiado a través de diferentes teorías respecto al procomún, la crisis y la liminalidad, así como a través de diversos estudios de caso provenientes de Grecia. La tesis pretende crear un "umbral" teórico donde diferentes teorías se fecundan mutuamente para intentar comprender un fenómeno social insuficientemente teorizado. El argumento final de esta tesis es que el procomún liminal tiene un gran potencial de transformación a diferentes niveles y escalas, desde el nivel molecular del individuo hasta el macronivel de la sociedad.This thesis examines the making of new commons under conditions of crisis, using as a case study alternative grassroots ventures that have emerged in urban Greece in contexts of crisis and have "commoning" at their heart: occupied squares, solidarity clinics and pharmacies, cooperatives, workers’ collectives, solidarity food structures and self-organized refugee camps. The dissertation addresses issues of organization, expansion, closure, openness, subjectivity, trust and motivation in commoning endeavors, relates these processes with the conditions of crisis and emergency and explores the transformations in the creation and sustenance of new commons in such contexts. The focus is on the transformative potential of these experiences for individuals, groups, local societies and even large-scale formations such as countries. To approach those issues, the thesis develops a theoretical framework called “the liminal commons". It draws a parallel between the rituals of passage observed by anthropologists in archaic societies, in which participants went through a phase of liminality, and the transitional dynamics of new commons. The thesis argues that there are commons that act as modern rituals, whereby people and collectives who on account of the crisis have lost their core identity search for and form a new identity. The liminal commons are transitional forms of commoning that do not aspire to endure for long but to facilitate transitions. In this respect, they differ from the more stable forms of commoning usually examined by commons theories. This thesis explores these divergences and differentiations and tries to explain how these temporal commons can give rise to more stable structures. It also suggests that, due to their distinct nature, the “success” of liminal commons cannot be assessed against the criteria established by existing theories. Each empirical chapter develops a core theoretical topic. Throughout the text, the reader is walked through different theories on the commons, crisis and liminality, as well as through diverse case studies from Greece. The thesis aims to create a theoretical “threshold” in which different theories cross-fertilize to make sense of an undertheorized social phenomenon. The final argument of this thesis is that the liminal commons have a great transformative potential at different levels and scales, from the molecular level of the individual to the macro level of society

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used

    Author Under Sail The Imagination of Jack London, 1893-1902

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    In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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