1,720,960 research outputs found
Documenting sounds in urban places: Belfast during Covid-19 lockdowns 1 and 2
Government-regulated business closures, social distancing from people, and stay-at-home orders emptied the urban environment of the presence of people. This effectively created new sonic relationships between natural and urbanised sounds within our built society. As Covid-19 instilled a state of abandonment from our urban spaces with each variation of lockdowns, there was an opportunity to document these changes through a sonic-journalistic approach. The research is developed through artistic practice-based creative projects that capture the transitional events of Lockdown 1 and Lockdown 2 between March and October 2020 in Belfast, Northern Ireland. Fifteen locations and forty-one audio-photographic files were captured during this period, focusing on perceptions and observations of Covid-19 and the sonic effect on urban spaces. This collection of material acts as a documentation of place through sensory information and has been distributed onto online platforms such as soundmaps (soundwalk apps or browser maps), which allow for revising our understanding and reflecting on changes instilled by the pandemic. The creative projects provide a timeframe of how each lockdown changed our relationship with urban spaces during a global pandemic due to the regulations and distancing from others to combat the virus. This exposition discusses the immediate planning and procedures for capturing material during the events of Covid-19, with a review of certain soundscape compositions based on the sonic relationships of urban spaces
1953: Through the Dust: Matheos Zaharopoulos & Georgios Varoutsos
1953 – Through the Dust by Matheos & Georgios is an audiovisual participatory documentary dedicated to preserving the stories and memories of the 1953 Great Kefalonian Earthquake. This seismic event, with a magnitude of 7.2, significantly impacted the charming island of Kefalonia (Cephalonia) in Greece's West mainland, altering the lives of its residents and leaving a lasting imprint on their economy, society, and culture
1953: Through the Dust: Matheos Zaharopoulos & Georgios Varoutsos
1953 – Through the Dust by Matheos & Georgios is an audiovisual participatory documentary dedicated to preserving the stories and memories of the 1953 Great Kefalonian Earthquake. This seismic event, with a magnitude of 7.2, significantly impacted the charming island of Kefalonia (Cephalonia) in Greece's West mainland, altering the lives of its residents and leaving a lasting imprint on their economy, society, and culture
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Peace Wall Belfast: Spatial Audio Representation of Divided Spaces and Soundwalks
In West Belfast lays the Peace Wall Belfast, a manifestation of multifaced messages on political, religious, and communal ideals represented by physical properties of cement, metal, fences, gates, and artwork. There have been discussions on initiatives to take down the walls, however, this remains a fragile state. When thinking about the connectivity of the surrounding spaces and communities, the placing of the Peace Wall(s) blocks any opportunity of cross-communication and produces disorienting effects. However, through alternative artistic approaches focusing on sound, there can be innovative capabilities of sharing these stories and spaces with spatial audio techniques. To use spatial audio to change the perception of these spaces brings forth alternative periods of reflections from stimulating another sensory tool other than sight. Forming two unique listening experiences that focus on the virtual abilities to combine auditory spaces into an immersive installation environment and binaural soundwalks to design site specific augmentation of the sonic properties of the Peace Wall’s surrounding spaces. These projects aim at using spatial audio and artistic practice to plan new approaches for conflict transformation in Northern Ireland
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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