1,720,976 research outputs found

    Éric Bordas, « Style », un mot et des discours, Paris, Kimé, 2008

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    Vallespir Mathilde. Éric Bordas, « Style », un mot et des discours, Paris, Kimé, 2008. In: L'Information Grammaticale, N. 124, 2010. pp. 52-53

    Frontières : du linguistique au sémiotique, sous la direction scientifique de Nelly Andrieux-Reix, publication coordonnée par Dominique Delomier avec la participation de Marie-Annick Morel, Limoges, Lambert-Lucas, 2010

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    Vallespir Mathilde. Frontières : du linguistique au sémiotique, sous la direction scientifique de Nelly Andrieux-Reix, publication coordonnée par Dominique Delomier avec la participation de Marie-Annick Morel, Limoges, Lambert-Lucas, 2010. In: L'Information Grammaticale, N. 131, 2011. pp. 55-56

    D'une écriture de la « pensée du vent » : L'analogie comparative dans Vents de Saint-John Perse

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    Vallespir Mathilde. D'une écriture de la « pensée du vent » : L'analogie comparative dans Vents de Saint-John Perse. In: L'Information Grammaticale, N. 111, 2006. pp. 43-46

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Figure(s) et mise en crise du discours philosophique : l’exemple de l’hypozeuxe dans Corpus de Jean-Luc Nancy

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    On envisage ici la figure dans le cadre d’un type de discours qui a priori s’en méfie, voire l’exclut : le discours philosophique. À la lumière d’un exemple, celui de l’hypozeuxe dans Corpus de Jean-Luc Nancy, on mettra en évidence le fait qu’au sein d’un réseau figural complexe, cette figure opère une dé- et une reconfiguration discursive : on montre que, loin de servir d’ornement, loin, plus encore, de servir l’organisation logique du discours, elle porte atteinte à la clé de voute de ce discours, en affectant son fonctionnement logique, et plus précisément prédicatif. Après avoir décrit le mécanisme dé/reconfigurant de la figure, nous mettons en valeur dans quelle mesure un tel fonctionnement figural, qui redéfinit contextuellement la valeur de la figure, est propre à fabriquer un mode inédit de régime logique philosophique, et témoigne par là d’une mise en crise de la raison philosophique dans le dernier quart du xxe siècle en France.The hypozeuxis is here considered in a context that, at first sight, is wary of it, or even expels it: the philosophical discourse. The hypozeuxis will deal as an example to show that in Corpus of J.-L. Nancy, among many other rhetorical figures, this one happens to be an operator of a renewing of the philosophical discourse. Indeed, far from being just a discourse ornament or farther, a tool of logical organisation of the discourse, the hypozeuxis is affecting the ground of this discourse: his logical and predicative organisation. After having shown the way the figure works as an operator of renewing of the logical structures of the language, we show how this hypozeuxis’way of working, which redefines his rhetorical value, is building a new way of philosophizing, and attests to the crisis of philosophical reason that happened in the last quarter of the 20th century

    Figure(s) et mise en crise du discours philosophique : l’exemple de l’hypozeuxe dans Corpus de Jean-Luc Nancy

    Get PDF
    On envisage ici la figure dans le cadre d’un type de discours qui a priori s’en méfie, voire l’exclut : le discours philosophique. À la lumière d’un exemple, celui de l’hypozeuxe dans Corpus de Jean-Luc Nancy, on mettra en évidence le fait qu’au sein d’un réseau figural complexe, cette figure opère une dé- et une reconfiguration discursive : on montre que, loin de servir d’ornement, loin, plus encore, de servir l’organisation logique du discours, elle porte atteinte à la clé de voute de ce discours, en affectant son fonctionnement logique, et plus précisément prédicatif. Après avoir décrit le mécanisme dé/reconfigurant de la figure, nous mettons en valeur dans quelle mesure un tel fonctionnement figural, qui redéfinit contextuellement la valeur de la figure, est propre à fabriquer un mode inédit de régime logique philosophique, et témoigne par là d’une mise en crise de la raison philosophique dans le dernier quart du xxe siècle en France.The hypozeuxis is here considered in a context that, at first sight, is wary of it, or even expels it: the philosophical discourse. The hypozeuxis will deal as an example to show that in Corpus of J.-L. Nancy, among many other rhetorical figures, this one happens to be an operator of a renewing of the philosophical discourse. Indeed, far from being just a discourse ornament or farther, a tool of logical organisation of the discourse, the hypozeuxis is affecting the ground of this discourse: his logical and predicative organisation. After having shown the way the figure works as an operator of renewing of the logical structures of the language, we show how this hypozeuxis’way of working, which redefines his rhetorical value, is building a new way of philosophizing, and attests to the crisis of philosophical reason that happened in the last quarter of the 20th century
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