1,721,067 research outputs found
Lorenzo Valla e Giovanni Tortelli
No full textle testimonianze della stima e della sodalità che legano Valla e Tortelli si arricchiscono - e si complicano - grazie all'analisi della fitta corrispondenza fra le loro opere, finora sono in parte conosciuta. Si delinea così un forte legame maturato in un clima culturale che li vede entrambi protagonisti, in perfetta sintonia nell'esercizio di quella scienza linguistico-grammaticale che sostanzia le loro opere.the testimonies of esteem and sodalità that bind Valla and Tortelli enrich themselves - and complicated - thanks to the analysis of the correspondence between their works so far are partly known. Thus there is a strong bond matured in a cultural climate that sees them both protagonists, in perfect harmony in the exercise of that linguistic-grammatical science that substantiates their works
Tra Valla e Carducci a Bologna.
No full textLa centralità dell'umanesimo e dello Studio bolognese nella cultura dell'Europa
Valla e la grande pratica del commento a Bologna.
No full textLa lezione di Lorenzo Valla per l'umanesimo bolognese, soprattutto alla luce di figure chiave quali il Tortelli e il Perotti
Recensione a A. Severi, Leggere i moderni con gli antichi e gli antichi coi moderni. Petrarca, Valla e Beroaldo
No full textRecensione del saggio "Leggere i moderni con gli antichi e gli antichi coi moderni. Petrarca, Valla e Beroaldo" di Andrea Sever
Valla e Poliziano: due filologie, due approcci etici
No full textIl contributo muove dalla convinzione che la filologia, ieri come oggi, non sia mera erudizione, ma un abito di pensiero sorretto da un presupposto etico. Si va quindi alla ricerca delle prove di questa convinzione negli iniziatori della moderna filologia, gli umanisti Lorenzo Valla e Angelo Poliziano, mettendo in evidenza quanto diverso sia il loro "umanesimo della parola" (V. Branca): quello del primo è irrorato da una vena idealistica e militante (il linguaggio come "sacramentum"), mentre quello del secondo è improntato ad uno spirito laico, frutto di uno slancio conoscitivo che l'inesausta curiositas rende 'centrifugo'
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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