1,721,031 research outputs found
Les Scorpions
No full textVachon Max. Les Scorpions. In: La Terre et La Vie, Revue d'Histoire naturelle, tome 5, n°1, 1951. pp. 1-20
Beier M. — Pseudoscorpionidea (Afterskorpione ) in Bestimmungsbücher sur Bodenfauna Europas. Akademie-Verlag, Berlin 1963
No full textVachon Max. Beier M. — Pseudoscorpionidea (Afterskorpione ) in Bestimmungsbücher sur Bodenfauna Europas. Akademie-Verlag, Berlin 1963. In: La Terre et La Vie, Revue d'Histoire naturelle, tome 18, n°1, 1964. pp. 111-112
Pseudoscorpions nouveaux des collections du Muséum national d'Histoire naturelle de Paris (3e note)
No full textVachon Max. Pseudoscorpions nouveaux des collections du Muséum national d'Histoire naturelle de Paris (3e note). In: Bulletin de la Société entomologique de France, volume 42 (12),1937. pp. 188-190
Pseudoscorpions nouveaux des collections du Muséum national d'Histoire naturelle de Paris (3e note)
No full textVachon Max. Pseudoscorpions nouveaux des collections du Muséum national d'Histoire naturelle de Paris (3e note). In: Bulletin de la Société entomologique de France, volume 42 (12),1937. pp. 188-190
Remarques sur la famille des Cheiridiidae Chamberlin à propos d'un nouveau genre et d'une nouvelle espèce. Paracheiridium Decargi
No full textVachon Max. Remarques sur la famille des Cheiridiidae Chamberlin à propos d'un nouveau genre et d'une nouvelle espèce. Paracheiridium Decargi. In: Bulletin de la Société entomologique de France, volume 43 (19-20), décembre 1938. pp. 235-241
Quelques remarques sur un Myriapode « parasite » de la pomme de terre, le Blaniule tacheté (Blaniulus guttulatus Bosc.)
No full textVachon Max. Quelques remarques sur un Myriapode « parasite » de la pomme de terre, le Blaniule tacheté (Blaniulus guttulatus Bosc.). In: Bulletin de la Société entomologique de France, volume 47 (4), avril 1942. pp. 63-64
A propos de la présence aux portes de Lyon du Scorpion Euscorpius flavicaudis Geer.
No full textVachon Max, Roman Émile. A propos de la présence aux portes de Lyon du Scorpion Euscorpius flavicaudis Geer.. In: Bulletin mensuel de la Société linnéenne de Lyon, 34ᵉ année, n°2, février 1965. pp. 42-44
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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