1,720,960 research outputs found
El accionar de la palabra en escena
Get PDFFil: Vaccalluzzo, Victoria. Universidad Nacional de Córdoba. Facultad de Artes. Departamento Académico de Teatro; Argentina.Fil: Curiqueo Riquelme, Néstor Antu. Universidad Nacional de Córdoba. Facultad de Artes. Departamento Académico de Teatro; Argentina.El trabajo final que presentamos aquí está dedicado a estudiar el accionar de la palabra en escena. Nuestro objeto de estudio es la exploración y experimentación del decir escénico. El objetivo es realizar un análisis crítico del procedimiento y del resultado que produce la transformación de la palabra teatral de la obra escrita -del texto- a la obra que se presenta -oralidad escénica-. Nos preguntamos, entre otras cosas, ¿qué efecto introduce en la obra la corporalidad de la voz, el cuerpo hecho voz?, ¿cómo es el proceso de transición de la enunciación escrita a la enunciación escénica? , y ¿de qué manera el cuerpo y la voz construyen la enunciación escénica?
El interés y la preocupación por el texto teatral desde el punto de vista del tratamiento de la palabra en escena están presentes en nuestro recorrido de formación desde un comienzo muy temprano. Los trabajos realizados durante la carrera de Licenciatura en Teatro nos aportaron inquietudes que seguimos explorando en el marco de las ayudantías en asignaturas vinculadas con el análisis textual, la semiótica aplicada y la actuación. Esta investigación da continuidad a esas preocupaciones para explorar con mayor profundidad y detenimiento, complejizando las preguntas, experimentando posibilidades, siempre con la intención de arribar a reflexiones que permitan aportar a otros hacedores teatrales ciertas herramientas para sus consideraciones procedimentales y metodológicas en el trabajo escénico.Fil: Vaccalluzzo, Victoria. Universidad Nacional de Córdoba. Facultad de Artes. Departamento Académico de Teatro; Argentina.Fil: Curiqueo Riquelme, Néstor Antu. Universidad Nacional de Córdoba. Facultad de Artes. Departamento Académico de Teatro; Argentina
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Explorações em torno do processo compositivo da atuação cênica
No full textIn this paper, we review the compositional operations of acting in theater rehearsal based on the concept of equality scene (Rancière, 2012). We are interested in how the acting composition manifests itself in independent theater rehearsal read as a possible equality scene. The focus of this work is placed in the theatrical rehearsal and the acting composition. We will share possible theoretical approaches to the term theatrical rehearsal. We will carry out research on the categories and definitions that intervene in the acting repetition that occurs in the acting creative process during rehearsal. Whit the contributions around rehearsal in Alberto Ure (2003), the acting conception in instances of stage composition developed in Cancha con niebla (2003) by Ricardo Bartís, and the acting registers posed by Federico León (2005), we propose a theoretical panorama of the notion of rehearsal as a theatrical practice that frames the compositional tasks of acting. We will develop the proposal to review the notions of trial, loss, and recovery as acting operations that are presented in the compositional task of scenic creation processes. We understand that these three operations can be interpreted as keys for reading the rehearsal as a possible equality scene.En este escrito, revisamos las operaciones compositivas de la actuación en el ensayo teatral a partir del concepto de escena de igualdad (Rancière, 2012). Nos interesa pensar cómo se manifiesta la composición actoral en el ensayo del teatro independiente leído como una posible escena de igualdad. El foco del trabajo está situado en el ensayo teatral y la composición actoral. Compartiremos posibles abordajes teóricos del término ensayo teatral. Asimismo, indagaremos las categorías y definiciones que entran en juego en la repetición actoral que se presenta en el proceso creativo de la actuación en el ensayo. A la luz de los aportes respecto del ensayo en Alberto Ure (2003), la concepción actoral en instancias de composición escénica desarrollada en Cancha con niebla (2003) de Ricardo Bartís y la propuesta de registros actorales de Federico León (2005), proponemos un panorama teórico de la noción de ensayo como práctica teatral que enmarca las tareas compositivas de la actuación. Desarrollaremos la propuesta de revisión de las nociones de prueba, pérdida y recuperación en calidad de operaciones actorales que se presentan en la tarea compositiva de los procesos de creación escénica. Entendemos que estas tres operaciones pueden ser interpretadas como claves para la lectura del ensayo como una posible escena de igualdad.Neste artigo, revisamos as operações composicionais da atuação no ensaio teatral a partir do conceito de cenas de igualdade (Rancière, 2012). Interessa-nos pensar como a composição de atuação se manifesta no ensaio de teatro independente lido como possível cena de igualdade. O foco de trabalho está localizado no ensaio teatral e na composição de atuação. Compartilharemos possíveis abordagens teóricas sobre o termo ensaio teatral. Faremos aquí uma investigação das categorías e definições que entram em jogo na repetição cênica que ocorre no proceso criativo da atuação no ensaio. À luz das contribuções sobre o ensaio de Alberto Ure (2003), a concepção de atuação em instancias de composição cênica desenvolvida em Cancha con niebla (2003) de Ricardo Bartís e a proposta sobre registros de atuação de Federico León (2005), propomos um panorama teórico da noção de ensaio como prática teatral que enquadra as tarefas composicionais da atuação. Desenvolveremos a proposta de rever as noções de prova, perda e recuperação como operações de atuação que se apresentam na tarefa composicional dos processos de criação cênica. Entendemos que essas três operações podem ser interpretadas como chaves para a leitura do ensaio como possível cena de igualdade
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
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