1,726,955 research outputs found
Ein Wenig Licht. Indagini filologiche sullo "Schlangenritual" di Aby Warburg
No full textIn this contribution, Piermario Vescovo presents a philological reconstruction of the text of the lecture Bilder aus dem Gebiet der Pueblo-Indianer in Nord-Amerika, delivered by Aby Warburg in Kreuzlingen on 21 April 1923. Through the study of archival material, summarised with various examples, the author es- tablishes the relationship between the drafts of the text that have come down to us and reconstructs the chronology of its composition
Testori. Scrittura e figura
No full textThe first meeting between La Rivista di Engramma and Giovanni Testori focuses on two typical themes for the journal: writing and figure. Testori. Scrittura e figura is Engramma's portrait dedicated to Testori 100 years after his birth and 30 years after his death. It takes as its reference Willy Varlin's portrait of Testori chosen as the issue's cover. The issue includes a first part centred on Testori's writing: Chiara Pianca in “Quasi fudesse ecce homo de paese” writes an in-depth and detailed essay on the complex drafting of Ambleto. Alongside this, Luca D'Onghia in his article Lettera luterana su Edipus gives a possible identification of the “scarrozzante” king of Thebes. The remainder of the issue is dedicated to art and the figure. Primarily Testori. Figure dell'informe, by Arturo Mazzarella, which links Testori's thought to 20th-century aesthetic philosophy and the notion of formlessness. This is followed by Apostasia della carne. Fatica e liberazione della materia in Giovanni Testori e Francis Bacon, by Filippo Perfetti: a contribution that reveals some traits of Testori's and Bacon's conception of painting, and how pictorial matter is linked to human life and biology. Davide Dall'Ombra, with Nell'anno del libro su Giovanni Testori e Roberto Longhi, talks about the Testori-Longhi relationship through their exchange of letters, an anticipation that introduces his forthcoming publication Con Roberto Longhi. Lettere e scritti. 1951-1990. The section is closed by the republication of a writing by Giovanni Testori (for which we thank the Associazione Giovanni Testori, and in particular Giuseppe Frangi): Grünewald, il trionfo e la bestemmia. In its concluding part, the issue focuses on the theatrical version of “In exitu”. Here we give for the first time an edition of the reduction used by Testori on his novel for the script. Accompanying the text and the reader is Piermario Vescovo, author of a brief Nota, which briefly attempts to indicate the relevance and further possibility of interrogation of the theatrical script. The conversation “In piena luce, in piena ombra” is a dialogue between Franco Branciaroli, the actor for whom the text of "In exitu" was cut, and Piermario Vescovo. Maestro no, incipit and title of the interview conducted by Antonio Ria with Testori, closes (provisionally) this issue through the voice of its protagonist
Carlo Goldoni, La locandiera, a cura di P. Vescovo
No full textEdizione con introduzione de "La locandiera" di Goldon
Introduzione: San Pio X vescovo di Mantova
No full textL'Introduzione del volume Giuseppe Sarto, Vescovo di Mantova, curato da Costantino Cipolla, è sottotitolata San Pio X vescovo di Mantova e si articola in 8 paragrafi, nei quali la figura di Giuseppe Sarto viene analizzata in relazione ai suoi aspetti più salienti: la situazione della diocesi di Mantova prima del suo arrivo; la sua vita precedente all'episcopato; la sua concezione della vita religiosa, basata sul primato delle regole; il suo rapporto ambivalente con il vescovo Geremia Bonomelli di Cremona; la sua idea di santità; le sue opinioni sulla "questione sociale"; un'interpretazione storica del suo pontificato come Pio X (1903-1914); una valutazione complessiva della sua figura alla luce del Concilio Vaticano II e del suo carattere epocale per la storia della Chiesa
Un vescovo nella prima metà del Novecento
No full textBiografia di Gabriele Vettori, vescovo di Tivoli, Pistoia e Prato e infine Pis
Carlo Gozzi, La Marfisa bizzarra, a cura di Marta Vanore, Introduzione di Piermario Vescovo
No full textScene, Testi, Archivi. Editoriale di Engramma 205
No full textEngramma 205 brings together a miscellany of contributions that traverse the theatre in its various alterations, continuing a line of research and interest that finds ample representation in the Scientific committee and Editorial board of the journal. In the title, ‘Scenes’ ‘Texts’ ‘Archives’ were the key words most capable of catalysing the themes proposed in the papers here collected, revealing a variety of styles, worldviews and historical periods.
In Didascalie e apparizioni Shaw, Pirandello, Mann Piermario Vescovo explores the exponential growth of the use of captions in European drama between the end of the 19th and the beginning of the 20th century, starting from IbsenPiermario Vescovo , in the relationship between George Bernard Shaw and Luigi Pirandello. The essay of Michele Di Bello La tragedia del Cinquecento come “specchio de’ Principi” la virtù, il principe e il tiranno nella Canace di Giovanni Falugi deals with a tragedy written in the first half of the 16th century, the little-known Canace by Giovanni Falugi (1529 ca.), dedicated to Ippolito de’ Medici on the occasion of his election as cardinal.The article L’immaginario del gesto isterico nella Francia di fine Ottocento: tra mimo e malattia by Silvia De Min concerns the exhibiting of the body affected by hysteria, starting from Paul Margueritte’s pantomime Pierrot assassin de sa femme (1882). With Persona, “Per la prima volta e ultima volta”. Il Capodanno del 1994 al Cocoricò con la Socìetas Raffaello Sanzio Filippo Perfetti enters the eccentric atmospheres of Cocoricò, the historic discotheque on the Romagna Riviera, to discover Persona a performance by Socìetas Raffaello Sanzio presented on the occasion of New Year’s Eve 1994. In Solve et coagula. Processi di destituzione del corpo nell’archivio del Teatro delle Albe Marco Sciotto investigates the Archive of the Teatro delle Albe company in Ravenna to interpret it as a device, useful to trace interpretative threads of the company’s poetics and thus restore its inexhaustible vitality. This issue of Engramma is also an opportunity to present two recently published volumes: Ermanna Montanari’s (Teatro delle Albe) novel L’abbaglio del tempo (La nave di Teseo 2021), and the volume Leggere il teatro. Dieci testi esemplari (Carocci 2022) edited by Luigi Allegri. In the section Classici in fieri Engramma presents: Regesto degli spettacoli INDA al Teatro greco di Siracusa (1914-2023) edited by Alessandra Pedersoli, the updating of the INDA performance register to this year's theatre season; Da Prometeo all’antropocene: an interview with philosopher Salvatore Natoli, edited by Stefano Piazzese; Sette a Tebe: una dichiarazione necessaria, di amore e di guerra: some testimonies of the protagonist actors of Aeschylus’ Seven against Thebes directed by Gabriele Vacis at the
Teatro Olimpico in Vicenza on the occasion of the opening of the LXXVI Cycle of Classics
Forme intermedie. Warburg: la festa oltre l'arte drammatica
No full textThe text deals with Aby Warburg's category of "forme intermedie", which concerns other interventions by the author, here in a general consideration, which considers the "fesrta" beyond the idea that makes it an incubator of dramatic forms, often in fact beyond and against these
Mente teatrale. Tre note a tre note
No full textStarting from a series of ideas offered by an essay by Ferdinando Taviani from 1988, laconically entitled “Tre note”, and around the concept or notion of “theatrical mind” central to it, we try to reconsider some problems and aspects that characterize the research of the author of this contribution, for a proposal and a synthetic summary of methodological perspectives
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