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    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used

    Author Under Sail The Imagination of Jack London, 1893-1902

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    In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries

    EFEKTIVITAS METODE FIELD TRIP DALAM PEMBELAJARAN MENULIS PUISI: Penelitian Eksperimen Kuasi Pada Siswa Kelas VII SMPN 3 Lembang Semester 2 Tahun Ajaran 2012/2013

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    Metode field trip merupakan metode yang digunakan dalam penelitian ini sebagai salah satu cara untuk meningkatkan kemampuan menulis puisi. Metode field trip digunakan dalam penelitian ini karena sampai sekarang masih jarang penelitian yang menggunakan metode field trip dalam proses pembelajaran menulis puisi terutama pembelajaran menulis puisi di SMP, kebanyakan metode field trip digunakan pada pembelajaran menulis karangan deskripsi dan biologi pada tingkat SD dan SMA. Sementara itu, di dalam silabus SMP kelas VII terdapat Standar Kompetensi dan Kompetensi dasar mengenai pembelajaran menulis puisi berkenaan dengan keindahan alam. Oleh karena itu, penulis ingin menerapkan metode field trip dalam pembelajaran menulis puisi. Penulis berharap penggunaan metode field trip dalam pembelajaran menulis puisi ini dapat member pengalaman langsung, merangsang motivasi siswa agar menyukai pelajaran menulis puisi, sehingga para siswa dapat menuangkan ide, berkreasi, dan menghasilkan karya tulis sastra berupa puisi dengan baik. Tujuan penelitian ini adalah untuk mendeskripsikan: (1) kemampuan menulis puisi siswa kelas VII SMPN 3 Lembang semester 2 tahun ajaran 2012/2013 sebelum dan sesudah menggunakan metode field trip pada kelas eksperimen; (2) kemampuan menulis puisi siswa kelas VII SMPN 3 Lembang semester 2 tahun ajaran 2012/2013 sebelum dan sesudah menggunakan metode picture and picture pada kelas kontrol; (3) perbedaan kemampuan menulis puisi siswa kelas VII SMPN 3 Lembang semester 2 tahun ajaran 2012/2013 sebelum dan sesudah siswa mengikuti pembelajaran menggunakan metode field trip. Penelitian ini berbentuk penelitian eksperimen kuasi. Desain yang digunakan dalam penelitian eksperimen ini adalah nonequivalent control group design. Dalam desain ini, terdapat dua kelompok yaitu kelompok kontrol dan kelompok eksperimen. Objek penelitiannya adalah pembelajaran menulis puisi, sedangkan subjek penelitiannya adalah siswa kelas VII C SMPN 3 Lembang untuk kelas eksperimen yang berjumlah 32 siswa dan siswa kelas VII H SMPN 3 Lembang untuk kelas kontrol yang berjumlah 37 siswa. Sumber data yang digunakan adalah hasil tes pretest dan posttest. Teknik pengumpulan data yang digunakan adalah tes dan angket. Penelitian ini dilaksanakan dalam dua pertemuan. Dari hasil penelitian yang diperoleh dapat disimpulkan terdapat perbedaan yang signifikan dalam pembelajaran menulis puisi siswa kelas eksperimen dengan metode field trip. Hal ini dibuktikan dengan adanya peningkatan nilai antara pretest dan posttest. Kenaikan nilai tersebut terlihat dari rerata nilai pretest interval kemampuan menulis puisi kelas eksperimen yang mendapat hasil lebih kecil dibandinkan dengan nilai posttest interval kemampuan menulis puisi kelas eksperimen. Interval skor rerata yang dicapai kelas eksperimen pada saat pretest adalah 50 – 55 yaitu sebanyak 28%, sedangkan interval skor rerata yang dicapai kelas eksperimen pada saat posttest adalah 67 – 72 yaitu sebanyak 28%. Dengan demikian metode field trip ini efektif dalam meningkatkan kemampuan menulis puisi pada siswa kelas VIII SMPN 3 Lembang Semester 2 Tahun Ajaran 2012/2013. Field trip method is the method used in this study as a way to improve the ability to write poetry. Field trip methods used in this study because it is still rare studies that use methods of field trips in the process of learning to write poetry, especially learning to write poetry in junior high, most of the methods used in the learning field trip essay writing descriptions and biology at the elementary and high school levels. Meanwhile, in the junior class VII syllabus Competency Standards and Competencies are the basis of the teaching of writing poetry with respect to the natural beauty. Therefore, the authors would like to apply the method in the field trip learning to write poetry. The author hopes that the use of field trips in teaching poetry writing to the member's direct experience, stimulate learning motivation of students to love writing poetry, so that the students can pour ideas, creativity, and produce works of literature such as poetry writing well. The purpose of this study is to describe: (1) the ability to write poetry class VII SMP 3 Lembang 2nd semester of the school year 2012/2013 before and after using the method on a class field trip experiment, (2) the ability to write poetry class VII SMP 3 semesters Lembang 2 academic year 2012/2013 before and after using the picture and picture on the class of control, (3) differences in the ability to write poetry class VII SMP 3 Lembang 2nd half of the school year 2012/2013 before and after the students attend a field trip learning method. This research shaped quasi-experimental study. Research design used in this experiment was a nonequivalent control group design. In this design, there are two groups: the control group and the experimental group. Object of research is learning to write poetry, while the research subjects were students of class VII C 3 Lembang SMP for the experimental class numbered 32 students and a student of class VII H SMP 3 Lembang to control classes totaling 37 students. Source of data used is the test result of pretest and posttest. Data collection techniques used were tests and questionnaires. This study was conducted in two meetings. From the results obtained it can be concluded that there are significant differences in learning poetry writing class students experiment with methods of field trip. This is evidenced by the increase in value between the pretest and posttest. The increase in the value of the average value seen pretest interval ability to write poetry class who got the experimental results with values smaller compared interval posttest experimental class poetry writing skills. Interval of the mean score achieved experimental class at the pretest is 50-55 which is as much as 28%, whereas the mean interval score achieved at posttest experimental class is 67-72 which is as much as 28%. Thus the field trip method is effective in improving the ability of writing poetry in the eighth grade students of SMP 3 Lembang Semester 2 Academic Year 2012/2013
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