38,748 research outputs found
[Letters from J. L. Turner, Sr. to Minnie L. Turner - 1936 and 1937]
Two letters from J. L. Turner, Sr., to his daughter, Minnie L. Turner, the first from December 1936, and the second from November 1937. The first discusses a book recommendation she made to him and fur coats and rain shoes sent to her. He also makes mention of Minnie's brother, J. L. Turner, Jr., and his progress in law school. The second discusses Minnie's train trip to Dallas, with J. L. Turner, Jr. meeting with her in St. Louis
Turner, A St C, 411193
This record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/422397Surname: TURNER. Given Name(s) or Initials: A ST C. Military Service Number or Last Known Location: 411193. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 48526.247964
Item: [2016.0049.54658] "Turner, A St C, 411193
The Reformation in the burgh of St Andrews : property, piety and power
This thesis examines the impact of the Reformation on the estates of ecclesiastical
institutions and officials based in St Andrews. It argues that land and wealth were
redistributed and power structures torn apart, as St Andrews changed from Scotland’s
Catholic ecclesiastical capital to a conspicuously Protestant burgh. The rapid dispersal
of the pre-Reformation church’s considerable ecclesiastical lands and revenues had
long-term ramifications for the lives of local householders, for relations between
religious and secular authorities, and for St Andrews’ viability as an urban community.
Yet this major redistribution of wealth has had limited attention from scholars.
The first part of this study considers the role played by the Catholic Church in St
Andrews before the Reformation, and the means by which it was financed, examining
the funding of the city’s pre-Reformation ecclesiastical foundations and officials, and
arguing that (contrary to some traditional assumptions) the Catholic Church in St
Andrews was on a reasonably sound financial footing until the Reformation. The second
section considers the immediate disruption to St Andrews’ religious lands and revenues
caused by the burgh’s public conversion to Protestantism, and then explores the more
planned reorganisation of the 1560s. The disputes and difficulties triggered by the
redistribution of ecclesiastical wealth are examined, as well as the longer term impact
on St Andrews of the treatment of church revenues at the Reformation. Evidence for this
study is chiefly drawn from the extensive body of manuscripts concerning St Andrews
held by the National Library of Scotland, the National Records of Scotland, and the
University of St Andrews Special Collections
Author Janette Turner-Hospital at the Staff and Graduates Club, University of Queensland, St Lucia, 2003
Guests attending the luncheon for author Janette Turner-Hospital
Oral history of Thomas Turner
Thomas Bourne Turner was born in Frederick, Maryland. He completed his undergraduate work at St. John's College in Annapolis, Maryland, and went on to receive his medical degree from the University of Maryland. Turner joined the faculty at Johns Hopkins Medical School in the late 1920s and became a dean in 1957. He is best known for his work in infectious disease and microbiology. Turner left his position at the medical school during World War II in order to head up the Army's syphilis eradication program. He returned to his professorship afterward. In this history, Turner recounts his education and his career. This oral history is part of the Mame Warren oral histories series
House 320 Turner St Edison, GA
Residence located at 320 Turner St, Edison, Georgia.https://digitalcommons.unf.edu/historical_architecture_main/8714/thumbnail.jp
Biography and vulnerability: Loss, dying and death in the Romantic paintings of JMW Turner (1775-1851)
Copyright@ 2005 Edward Arnold (Publishers) Ltd.Narratives of suffering and vulnerability are an important theme in western art, the humanities and the social sciences. It is argued here that J.M.W. Turner's pictures, like those of many artists, are biographical tales. The central tenet of Turner's romantic art is the arousal of sensation and Turner's pictures include wonderfully evocative `visual poems' on the human experiences of loss, decline, `the fallacies of hope', grief and death. This paper first explores the connections between Turner's biography and his art through a discussion of several of Turner's key paintings. It then moves on to a more in-depth discussion of two pictures painted by Turner in 1842, when he was 67 years old: Peace — Burial at Sea, and War — The Exile and the Rock Limpet. These paintings can be seen as insightful biographical narratives on the embodiment of vulnerability. In conclusion, it is suggested that Turner's paintings of loss and death are valuable exemplars of the capacity of art to meld together biography, narrative, vulnerability, suffering and embodiment
Engraved portrait of Sir James Turner (b. c.1615, d. in or after 1689)
Engraved portrait of Sir James Turner, army officer and author (b. c.1615, d. in or after 1689) by Robert White (1645-1703
Noted Author and Scholar Visits
The new Cassandra Voss Center at St. Norbert is celebrating a canonical figure in gender studies in America with a full year of programming dedicated to her work.https://digitalcommons.snc.edu/snc_magazine_archives_2013-2018/1004/thumbnail.jp
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