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"Orhan Pamuk's novels and their ""afterlife"" in English and German translations"
Get PDFIn this dissertation, I focus on the Turkish Nobel Prize laureate Orhan Pamuk’s novels and on their English and German translations by Güneli Gün, Maureen Freely, and Ingrid Iren. I argue that literary translation is a creative act, the study and critique of which needs to be anchored within a specific historical, geographical, and temporal horizon.
I studied the reception of Pamuk’s novels in translation and discovered that book reviewers write about translations as if they were transparent copies of the original works. Literary translation in a largely monolingual public sphere is thus overlooked. I provide a theoretical model for the study and critique of translations as autonomous texts beyond the evaluative notion of “fidelity” to originals. I devise a theoretical framework based on my close textual analyses of the translations. I situate translations within their respective context, read them in relation to particular historical circumstances that gave rise to them, and in relation to secondary material written by translators, ranging from creative writing, other translations, prefaces, introductions, afterwords, glossaries, and interviews. This approach elucidates each translator’s project, position, and intention.
The introduction provides literature review and lays out the theoretical framework. Chapter 1 consists of two parts. In part 1, I examine the reception of Orhan Pamuk in Turkey and abroad as revealed in reviews, articles, interviews, and book length manuscripts. In part 2, I read Pamuk’s Kara Kitap (The Black Book), paying close attention to particular images, intertextual and metatextual aspects, and shifts in narrative voice. I choose elements of the novel that are self-referential and language-, context-, and culture-specific. Translation of these elements reveals the translators’ literary and stylistic idiosyncrasies and how each translator recontextualized the text in unique ways. In chapter 2, I focus on the translator Güneli Gün and identify her unique style as a writer. I argue that Gün’s primary purpose as a translator was to bridge Turkish and American literatures and cultures and to introduce Pamuk to the Anglo-American readership in the era before he reached international fame. In chapter 3, I focus on Maureen Freely, who is widely known as Pamuk’s definitive English translator since the Nobel Prize. I analyze her translations, novels, and journalistic writings in order to determine her idiosyncratic style and position as the author of the new translation. I argue that Freely translated the novel in ways that bolster Pamuk’s later image as “the writer of the city of Istanbul.” In chapter 4, I focus on Ingrid Iren, Pamuk’s German translator and read her translation, Das schwarze Buch, in relation to the long history and legacy of translation into German, a context completely different from the previous ones. I argue that Iren performed a significant bridging role between the two languages and cultures through her active recreation of the Turkish narrative into German. The German text is heavily shaped by the translator. In the conclusion, I point to possible avenues for further research.
This study fills in an important gap in the scholarship on Orhan Pamuk by illuminating the role of his translators in the formation of his image as a world author.Item withdrawn by Mark Zulauf ([email protected]) on 2012-04-20T00:20:25Z
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Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
Author Under Sail The Imagination of Jack London, 1893-1902
No full textIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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