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    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Aşki (Aynü'l-Kuzat Ali Hemedani)'nin Kenzü'l-Hakaik ve Keşfü'd-Dekaik

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    Bu tezin, veri tabanı üzerinden yayınlanma izni bulunmamaktadır. Yayınlanma izni olmayan tezlerin basılı kopyalarına Üniversite kütüphaneniz aracılığıyla (TÜBESS üzerinden) erişebilirsiniz.Ill The contents of Kenzü'1-Hakaik and Keşfü-d-Dckaik talked about the very kind matter of the mysticism. It is understood from the name of the book "the truth of treasure and bring up" in the mysticism literature, one of the most regardful work. In the mysticism literature, problem of Existence Unity, in the Yunus's divan and Mevlana Celaleddin's mesnevi began to work, this is put forward as closed true nature. Howewer, in Kenzü'l-Hakayık, the problem of Existence Unity appeared as a very clear shape. The author of work, Yusuf-i Hamedani, in the work of slaves' power and will to act is not exist is declared so the will and wish of the slaves are thought as having nothing sight so showing forceful attitude and it showed that the problem appears. In the act Seyr-i Sülük of the dervish, the author appreciated in the ten subjects, the ten subjects are considered from primitive to complex so it is stated thai all the way is pessed from the loving Hz. Muhammed and seeing him. Dealing with people, he says that also saying believed, not reach real truth and all proof which was brought supports with Verse of the Koran and the Study of the Prophet. The author's questions until the investigation of the true nature of the Allah brings also the work very interesting. What is Allah?, the response of this question which is put forward by hhe author is Allah consists of identity, actually the believes of people as Allah are their desires and wishes are determined, faith and also swearword is said as a curtain and a registration. A real student is escaping from the idolutry, faith and swearword, so the Allah is the light of the place and the sky and he completes the work as saying Allah is everything.II Kenzü'l-Hakaik ve keşfü-d-Dekaik mevzu itibariyle tasavvufun gayet nazik meselelerinden bahsetmektedir. Kitabın adındandan ulaşılacağı gibi "hazinelerin hakikati ve inceliklerin ortaya çıkarılması" tasavvuf edebiyatında bu meyandaki eserlerin en dikkate değerlerinden biridir. Tasavvuf edebiyatında Vahdet-i Vücûd meselesi Yunus'un divanında ve Mevlana Celaleddin'in mesnevisinde işlenmeye başlanmışsa da bu kapalı bir mahiyette ortaya sürülmüştü. Oysa Kenzü'l-Hakayık'ta vahdet-i vücud meselesi gayet açık bir şekilde ortaya çıkmaktadır. Eserin müellifi Yusuf-ı Hemedâni'nin, kulların işlerinde yegane failin Allah olduğunu ve kulda fiili işleyecek bir kudret ve iradenin olmadığını beyan ederek kulların irade ve isteğini hiçe sayan bir görüşe sahip olarak cebriyeci bir tavır sergilemesi ve meselenin açıkça ortaya çıktığını göstermektedir. Eserde sûfınin seyr-i sülûkunu on bahis içerisinde değerlendiren müellif, bu on bahsi basitten mürekkebe doğru ele alarak bütün yolların Hz. Muhammedi sevmekten ve onun hakikatini görmekten geçtiğini belirtir. İnsanların geneli ele alınarak inandım diyenlerin dahi ekserisinin hakiki imana erişmediğini söyler ve her getirdiği delili ayet ve hadislerle besler. Müellifin, Allahın mahiyetini araştırmaya kadar varan sorular sorması eseri daha da ilginç bir yere kor. Allah nedir? Sorusunun karşılığını Allah hüviyetten ibarettir cevabıyla ortaya koyan müellif aslında insanların Allah diye inandıklarının kendi heva ve hevesleri olduğunu belirterek, iman ve küfründe bir kayıt ve perdeden ibaret olduğunu söyler. Gerçek bir talibin putperestlikten, iman ve küfür kayıtlarından kurtularak, Allah yerin ve göğün nurudur ve o, her şeydir diyerek eseri tamamlar

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used

    Author Under Sail The Imagination of Jack London, 1893-1902

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    In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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