1,720,953 research outputs found

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    Act Providing for the Punishment of Vagrants (1866) : histoire, controverses et réactions dans l’après-guerre civile américaine

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    Au lendemain de la guerre civile, les États sudistes tentent de se remettre des ravages causés par les conflits tout en s’ajustant à la nouvelle réalité. Dans cette même période, des États tels que la Virginie adoptent des lois appelées Black Codes. Ces lois sont mises en place dans le but de garder les Afro-Américains dans une situation qui s’apparente à l’esclavage. Le 15 janvier 1866, la Virginie adopte l’Act Providing for the Punishment of Vagrants sous prétexte de vouloir contrer la hausse du vagabondage dans l’État. Cette loi fait rapidement réagir et bien qu’elle ne mentionne pas la race, l’historiographie démontre que le Vagrancy Act de 1866 est écrit dans le but de nuire à la population noire de Virginie. Neuf jours après sa mise en place, le commandant militaire de Virginie Alfred Terry publie une proclamation interdisant aux responsables civils et militaires d'appliquer la loi sur le vagabondage de 1866. Il qualifie la loi d’esclavage en tous sens sauf en nom. La population sudiste est divisée sur l’attitude à avoir face à l’Act Providing for the Punishment of Vagrants et à l’intervention du gouvernement fédéral. Cette division à travers les Américains entraine des débats dans la presse qui dépassent les frontières de la Virginie. L’observation des articles dans les journaux permet de réaliser que la loi virginienne sur le vagabondage s’inscrit dans la continuité des Black Codes adoptés dans le Sud après la guerre de Sécession et que l’intervention de Terry est perçue comme un acte de guerre envers les Virginiens.Abstract: In the aftermath of the Civil War, Southern states attempted to recover from the damages caused by the conflict while adjusting to their new reality. In the same period, states such as Virginia passed laws called Black Codes. These laws were put in place to keep African Americans in a situation that resembled slavery. On January 15, 1866, Virginia passed the Act Providing for the Punishment of Vagrants under the pretext of countering the rise in vagrancy across the state. This law quickly provoked a reaction, and although it made no mention of race, historiography shows that the Vagrancy Act of 1866 was written with the aim of harming Virginia's black population. Nine days after its implementation, Virginia military commander Alfred Terry issued a proclamation prohibiting civilians and officials from enforcing the Vagrancy Act of 1866. He qualified the law as slavery in all but name. The Southern population is divided over what to do about the Act Providing for the Punishment of Vagrants and the intervention of the federal government. This division among Americans led to debates in the press that extended beyond Virginia's borders. Observing newspaper articles, we realize that Virginia's vagrancy law is a continuation of the Black Codes adopted in the South after the Civil War, and that Terry's intervention is perceived as an act of war against the Virginians

    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used

    Author Under Sail The Imagination of Jack London, 1893-1902

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    In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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