1,720,968 research outputs found

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    «Moartea morții lui Dumnezeu». Apologia lui Jean-Luc Marion împotriva ateismului nietzschean

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    Nietzsche’s diagnosis of “death of God” infl uences contemporary philosophical atheism. He is countered by Jean-Luc Marion with arguments that draws from the apophatic tradition of the Church for which the true God can not be reduced to a rational concept, without being turned into an idol. Trying to deny God, atheism always operates with a well defi ned concept, and this strictness is the strongest counterargument against it. This text presents the apologetic arguments that the French phenomenologist made against Nietzschean nihilism, against contemporary atheism which feeds from it and against the idol that takes the place of the living God. Marion demonstrates that through the “death of God” an idol of the divine dies, therefore it is the very “death of God” that dies

    From Finitude to Transfiguration: A Theo-Phenomenological Reading of the Body in Eastern Orthodox Spirituality

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    This article offers a theo-phenomenological investigation of the body, exploring the dialogue between contemporary phenomenology—especially its theological turn—and Eastern Orthodox spirituality as found in the Philokalia. Building on the phenomenological distinction between body and flesh and drawing on Orthodox theology’s understanding of the body–soul unity, the article analyzes the intramundanity and finitude of the human body, as well as its transfiguration through ascetic practices and divine grace. The Incarnation of Christ is examined as a central paradigm for rethinking embodiment, revealing the eschatological promise of glorified flesh. Concepts such as ipseity, self-affection, intentionality, and counter-intentionality are employed to articulate a phenomenological vision open to theological transcendence. Ultimately, this interdisciplinary approach affirms the possibility of a body transformed by grace and destined for resurrection

    FENOMENOLOGIE ȘI TEOLOGIE APOFATICĂ

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    Acest text analizează receptarea apofatismului Sf. Dionisie Pseudo-Areopagitul de către gândirea lui Jean-Luc Marion. Într-o dispută cu Jacques Derrida, care afirma că teologia negativă revine la afirmații după o trecere prin negații, Marion înțelege apofatismul dionisian la fel cum îl înțelege Tradiția Bisericii. Astfel, el afirmă că apofatismul este o a treia cale dincolo de afirmații și negații. După cum arată apologia lui Marion, influențele lui Dionisie asupra gândirii sale sunt vizibile în concepte precum "Dumnezeul fără ființă", distanța și fenomenul saturat. Mai mult, acest studiu argumentează în favoarea rolului omului în teologia apofatică. Datorită fenomenologiei radicale a donației, Marion răstoarnă intenționalitatea în contra-intenționalitate, experiența în contra-experiență și subiectul în adonat. În acest punct, subiectul/adonatul pare a nu avea niciun rol determinant pentru gnoseologia apofatică, deși Tradiția Bisericii a afirmat întotdeauna importanța credinței și virtuților pentru urcușul duhovnicesc. Soluția acestui text oferă o distincție între transcendentalul lui Kant și condițiile de posibilitate câștigate prin hermeneutică, asceză, liturghie și har dumnezeiesc. Adonatul nu are condiții de posibilitate kantiene și anterioare, dar poate crea unele din fenomenele saturate anterioare. Aceste "condiții" nu periclitează excesul saturației

    Memento mori as Repetition of Finitude: Death beyond Heidegger and Levinas

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    Exemplified especially by Heidegger and Levinas, the phenomenology of death expresses first, the impossibility of the death experience, second, the authenticity of Dasein starting from the horizon opened by the possibility of death, and third, the relevance of the death of the other to the discovery of one’s own death. This article tries to take a step further, showing the link between the authenticity of Dasein and the desire for immortality manifested in this authenticity. By overturning Heidegger’s theses and by affirming both the necessity of an authentication of death itself—in accord with Socrates’s death example—and the legitimacy of the meditation on death, this text links the need for immortality, which is phenomenologically visible, with the Christian faith in the resurrection, which is visible only for theology

    The Absolute Discourse of Theology

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    This article first defines the absolute discourse, then discusses its possibility in theology, as well as the relationships between language, thought, and reality as they derive from the spirituality and life of the Eastern Church. Theology must face several problems—including the paradox of transcendence, the violence of metaphysics, onto-theology, and the duplicity of language itself—, but the Revelation of the Absolute itself legitimizes the theological discourse. By using both affirmations and negations, theology reveals an iconic structure of discourse that opens itself towards life and spirituality. The conclusion is that, in the absolute discourse of theology, words, even ineffable ones, are insufficient without life

    Faith as Experience: A Theo-Phenomenological Approach

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    This text proposes an analysis of the phenomenon of faith in the tradition and spirituality of the Eastern Church. Starting from the relationship between phenomenology and theology, the article uses a theo-phenomenological method to depict the phenomenon of faith both theologically and phenomenologically. This article also argues that non-religious faith—either natural or philosophical—is the foundation of religious faith. According to Orthodox spirituality, faith is not reduced to a set of theoretical teachings and dogmas; they constitute only the first type of faith, “simple faith”. At the same time, faith is also a form of experience, which has ascetical, ethical, and mystical dimensions; they characterize the second type of faith, faith as contemplative sight and knowledge
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