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    ANALISIS DEKONSTRUKSI PERISTIWA TEATER TU(M)BUH KARYA TONY BROER

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    ABSTRAK Penelitian ini bertujuan menjelaskan peristiwa teater Tu(m)buh mendekonstruksi konstruksi elemen dan konvensi teater. Kajian ini menggunakan metode penelitian kualitatif dan pendekatan dekonstruksi. Pengumpulan data menggunakan cara observasi, wawancara dan analisis data. Hasilnya menunjukkan, pertama: peristiwa Tu(m)buh melakukan pembongkaran persepsi keaktoran. Aktor dan penonton menjadi subjek aktor yang setara, kedua: pembongkaran mengenai persepsi ruang. Persepsi ruang yang digunakan menolak fungsi dan kegunaannya. Ruang yang membebaskan subyek untuk memonopolinya, ketiga: pembongkaran mengenai tubuh sebagai gagasan. Kata kunci: Peristiwa Teater, Dekonstruksi, Tu(m)buh, Tony Broer. ABSTRACT This study aims to explain the events of the theater Tu (m) buh deconstructing the construction of the elements and conventions of theater. This study uses qualitative research methods and deconstruction approaches. Data collection uses observation, interviews and data analysis. The results show that firstly: the Tu(m) event has deconstructed the perception of actor. Actors and audiences become equal subject of actors; secondly: deconstruction regarding the perception of space. The perception of space used rejects the function and usefulness. The space frees the subject to monopolize it, thirdly: deconstructing the body as an idea. Keywords: Theater, Deconstruction, Tu (m) buh, Tony Broer Event

    Peristiwa Teater Tu(M)Buh Sebagai Konstruksi Politik Tubuh

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    ABSTRACT Body politics is often stigmatized in the context of community and government institutions, such as the military, hospitals, prisons, etc. This study shows the body politics in different contexts. This study reads the theater phenomenon that gave birth to the body\u27s political form in the context of theater with the focus of case studies of process Tu(m)buh by Tony Broer\u27s. The application of Tony Broer\u27s theater work differs from that of other theaters, the idea of the body\u27s political construction. To read the question of Tony Broer\u27s political practice using Foucault\u27s disciplinary power concept. This research uses descriptive analytic research method. Data collection was done through observation, documentation, interview, and data analysis. The result showed, Tony Broer execute body politic practice in the event of Tu(m)buh theater. The formation of Tony Broer\u27s body construction is disciplined and body forming that intense, hard, and radical. Tony Broer\u27s actions gave birth to concepts and practices that show the body\u27s political image, both to oneself and to others, to the theater of Tu(m)buh as the presentation of the body\u27s political construction.Keywords: Theater, Body Politics, Tu(m)buhABSTRAK Politik tubuh kerap distigmakan dalam konteks institusi-institusi kemasyarakatan dan pemerintah, misalnya militer, rumah sakit, lapas, dan sebagainya. Kajian ini memperlihatkan politik tubuh dalam konteks berbeda. Penelitian ini membaca fenomena teater yang melahirkan bentuk politik tubuh fokus studi kasus peristiwa Tu(m)buh karya Tony Broer. Penerapan kerja teater Tony Broer berbeda dari pelaku teater lainnya, yakni gagasan politik tubuh. Untuk membaca persoalan praktik politik tubuh Tony Broer menggunakan konsep disciplinary power Foucault. Penelitian ini menggunakan metode penelitian deskriptif analitik. Pengumpulan data dilakukan melalui observasi, dokumentasi, wawancara, dan analisis data. Hasilnya menunjukkan, Tony Broer melaksanakan praktek politik tubuh dalam peristiwa teater Tu(m)buh. Pembentukan kontruksi tubuh Tony Broer berupa pendisiplinan dan pembentukan tubuh yang intens, keras, dan radikal. Tindakan Tony Broer melahirkan konsep dan praktis yang memperlihatkan citra politik tubuh, baik terhadap diri sendiri dan atas orang lain, sehingga peristiwa teater Tu(m)buh sebagai kerja teater presentasi politik tubuh.Kata Kunci: Teater, Politik Tubuh, Tu(m)buh

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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